Philothea. Lydia Maria Child

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СКАЧАТЬ may come with brow unpleasant—

       May come when least we wish him present,

       And beckon to the sable shore,

       And grimly bid us—drink no more!"

      This profane song was sung in a voice so clear and melodious, that Tithonus exclaimed, "You err, O Plato, in saying the tuneful soul of Marsyas has passed into the nightingale; for surely it remains with this young Athenian. Son of Clinias, you must be well skilled in playing upon the flute the divine airs of Mysian Olympus?"

      "Not I, so help me Dionysus!" lisped Alcibiades. "My music master will tell you that I ever went to my pipes reluctantly. I make ten sacrifices to equestrian Poseidon, where I offer one gift to the Parnassian chorus."

      "Stranger, thou hast not yet learned the fashions of Athens," said Anaxagoras, gravely. "Our young equestrians now busy themselves with carved chariots, and Persian mantles of the newest mode. They vie with each other in costly wines; train doves to shower luxuriant perfumes from their wings; and upon the issue of a contest between fighting quails, they stake sums large enough to endow a princess. To play upon the silver-voiced flute is Theban-like and vulgar. They leave that to their slaves."

      "And why not leave laughter to the slaves?" asked Hermippus; "since anything more than a graceful smile distorts the beauty of the features? I suppose bright eyes would weep in Athens, should the cheeks of Alcibiades be seen puffed out with vulgar wind-instruments."

      "And can you expect the youth of Athens to be wiser than their gods?" rejoined Aspasia. "Pallas threw away her favourite flute, because Hera and Aphrodite laughed at her distorted countenance while she played upon it. It was but a womanly trick in the virgin daughter of Zeus."

      Tithonus looked at the speaker with a slight expression of surprise; which Hermippus perceiving, he thus addressed him, in a cool, ironical tone: "O Ethiopian stranger, it is evident you know little of Athens; or you would have perceived that a belief in the gods is more vulgar than flute-playing. Such trash is deemed fit for the imbecility of the aged, and the ignorance of the populace. With equestrians and philosophers, it is out of date. You must seek for it among those who sell fish at the gates; or with the sailors at Piræus and Phalerum."

      "I have visited the Temple of Poseidon, in the Piræus," observed Aspasia; "and I saw there a multitude of offerings from those who had escaped shipwreck." She paused slightly, and added, with a significant smile, "But I perceived no paintings of those who had been wrecked, notwithstanding their supplications to the god."

      As she spoke, she observed that Pericles withdrew a rose from the garland wherewith his cup was crowned; and though the action was so slight as to pass unobserved by others, she instantly understood the caution he intended to convey by that emblem sacred to the god of silence.

      At a signal from Plato, slaves filled the goblets with wine, and he rose to propose the usual libation to the gods. Every Grecian guest joined in the ceremony, singing in a recitative tone:

      Dionysus, this to thee,

       God of warm festivity!

       Giver of the fruitful vine,

       To thee we pour the rosy wine!

      Music, from the adjoining room, struck in with the chorus, and continued for some moments after it had ceased.

      For a short time, the conversation was confined to the courtesies of the table, as the guests partook of the delicious viands before them. Plato ate olives and bread only; and the water he drank was scarcely tinged with Lesbian wine. Alcibiades rallied him upon this abstemiousness; and Pericles reminded him that even his great pattern, Socrates, gave Dionysus his dues, while he worshipped the heaven-born Pallas.

      The philosopher quietly replied, "I can worship the fiery God of Vintage only when married with Nymphs of the Fountain."

      "But tell me, O Anaxagoras and Plato," exclaimed Tithonus, "if, as Hermippus hath said, the Grecian philosophers discard the theology of the poets? Do ye not believe in the Gods?"

      Plato would have smiled, had he not reverenced the simplicity that expected a frank and honest answer to a question so dangerous. Anaxagoras briefly replied, that the mind which did not believe in divine beings, must be cold and dark indeed.

      "Even so," replied Artiphernes, devoutly; "blessed be Oromasdes, who sends Mithras to warm and enlighten the world! But what surprises me most is, that you Grecians import new divinities from other countries, as freely as slaves, or papyrus, or marble. The sculptor of the gods will scarcely be able to fashion half their images."

      "If the custom continues," rejoined Phidias, "it will indeed require a life-time as long as that conferred upon the namesake of Tithonus."

      "Thanks to the munificence of artists, every deity has a representative in my dwelling," observed Aspasia.

      "I have heard strangers express their surprise that the Athenians have never erected a statue to the principle of Modesty" said Hermippus.

      "So much the more need that we enshrine her image in our own hearts," rejoined Plato.

      The sarcastic comedian made no reply to this quiet rebuke. Looking toward Artaphernes, he continued: "Tell me, O servant of the great king, wherein the people of your country are more wise in worshipping the sun, than we who represent the same divinity in marble!"

      "The principles of the Persian religion are simple, steady, and uniform," replied Artaphernes; "but the Athenian are always changing. You not only adopt foreign gods, but sometimes create new ones, and admit them into your theology by solemn act of the great council. These circumstances have led me to suppose that you worship them as mere forms. The Persian Magii do indeed prostrate themselves before the rising Sun; but they do it in the name of Oromasdes, the universal Principle of Good, of whom that great luminary is the visible symbol. In our solemn processions, the chariot sacred to Oromasdes precedes the horse dedicated to Mithras; and there is deep meaning in the arrangement. The Sun and Zodiac, the Balance and the Rule, are but emblems of truths, mysterious and eternal. As the garlands we throw on the sacred fire feed the flame, rather than extinguish it, so the sublime symbols of our religion are intended to preserve, not to conceal, the truths within them."

      "Though you disclaim all images of divinity," rejoined Aspasia, "yet we hear of your Mithras pictured like a Persian King, trampling on a prostrate ox."

      With a smile, Artaphernes replied, "I see, lady, that you would fain gain admittance to the Mithraic cave; but its secrets, like those of your own Eleusis, are concealed from all save the initiated."

      "They tell us," said Aspasia, "that those who are admitted to the Eleusinian mysteries die in peace, and go directly to the Elysian fields; while the uninitiated wander about in the infernal abyss."

      "Of course," said Anaxagoras, "Alcibiades will go directly to Elysium, though Solon groped his way in darkness."

      The old philosopher uttered this with imperturbable gravity, as if unconscious of satirical meaning; but some of the guests could scarcely repress a smile, as they recollected the dissolute life of the young Athenian.

      "If Alcibiades spoke his real sentiments," said Aspasia, "I venture to say he would tell us that the mystic baskets of Demeter, covered with long purple veils, contain nothing half so much worth seeing, as the beautiful maidens who carry them."

      She looked at Pericles, and saw that СКАЧАТЬ