The Russian Masters: Works by Dostoevsky, Chekhov, Tolstoy, Pushkin, Gogol, Turgenev and More. Максим Горький

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      Suddenly the death-like face assumed an inexplicable expression. The lips ceased to tremble, the eyes became animated: before the Countess stood an unknown man.

      "Do not be alarmed, for Heaven's sake, do not be alarmed!" said he in a low but distinct voice. "I have no intention of doing you any harm, I have only come to ask a favour of you."

      The old woman looked at him in silence, as if she had not heard what he had said. Hermann thought that she was deaf, and bending down towards her ear, he repeated what he had said. The aged Countess remained silent as before.

      "You can insure the happiness of my life," continued Hermann, "and it will cost you nothing. I know that you can name three cards in order—"

      Hermann stopped. The Countess appeared now to understand what he wanted; she seemed as if seeking for words to reply.

      "It was a joke," she replied at last: "I assure you it was only a joke."

      "There is no joking about the matter," replied Hermann angrily.

       "Remember Chaplitzky, whom you helped to win."

      The Countess became visibly uneasy. Her features expressed strong emotion, but they quickly resumed their former immobility.

      "Can you not name me these three winning cards?" continued Hermann.

      The Countess remained silent; Hermann continued:

      "For whom are you preserving your secret? For your grandsons? They are rich enough without it; they do not know the worth of money. Your cards would be of no use to a spendthrift. He who cannot preserve his paternal inheritance, will die in want, even though he had a demon at his service. I am not a man of that sort; I know the value of money. Your three cards will not be thrown away upon me. Come!"…

      He paused and tremblingly awaited her reply. The Countess remained silent; Hermann fell upon his knees.

      "If your heart has ever known the feeling of love," said he, "if you remember its rapture, if you have ever smiled at the cry of your new-born child, if any human feeling has ever entered into your breast, I entreat you by the feelings of a wife, a lover, a mother, by all that is most sacred in life, not to reject my prayer. Reveal to me your secret. Of what use is it to you?… May be it is connected with some terrible sin with the loss of eternal salvation, with some bargain with the devil… Reflect,—you are old; you have not long to live—I am ready to take your sins upon my soul. Only reveal to me your secret. Remember that the happiness of a man is in your hands, that not only I, but my children, and grandchildren will bless your memory and reverence you as a saint…"

      The old Countess answered not a word.

      Hermann rose to his feet.

      "You old hag!" he exclaimed, grinding his teeth, "then I will make you answer!"

      With these words he drew a pistol from his pocket.

      At the sight of the pistol, the Countess for the second time exhibited strong emotion. She shook her head and raised her hands as if to protect herself from the shot… then she fell backwards and remained motionless.

      "Come, an end to this childish nonsense!" said Hermann, taking hold of her hand. "I ask you for the last time: will you tell me the names of your three cards, or will you not?"

      The Countess made no reply. Hermann perceived that she was dead!

      IV

      Lizaveta Ivanovna was sitting in her room, still in her ball dress, lost in deep thought. On returning home, she had hastily dismissed the chambermaid who very reluctantly came forward to assist her, saying that she would undress herself, and with a trembling heart had gone up to her own room, expecting to find Hermann there, but yet hoping not to find him. At the first glance she convinced herself that he was not there, and she thanked her fate for having prevented him keeping the appointment. She sat down without undressing, and began to recall to mind all the circumstances which in so short a time had carried her so far. It was not three weeks since the time when she first saw the young officer from the window—and yet she was already in correspondence with him, and he had succeeded in inducing her to grant him a nocturnal interview! She knew his name only through his having written it at the bottom of some of his letters; she had never spoken to him, had never heard his voice, and had never heard him spoken of until that evening. But, strange to say, that very evening at the ball, Tomsky, being piqued with the young Princess Pauline N——, who, contrary to her usual custom, did not flirt with him, wished to revenge himself by assuming an air of indifference: he therefore engaged Lizaveta Ivanovna and danced an endless mazurka with her. During the whole of the time he kept teasing her about her partiality for Engineer officers; he assured her that he knew far more than she imagined, and some of his jests were so happily aimed, that Lizaveta thought several times that her secret was known to him.

      "From whom have you learnt all this?" she asked, smiling.

      "From a friend of a person very well known to you," replied Tomsky, "from a very distinguished man."

      "And who is this distinguished man?"

      "His name is Hermann."

      Lizaveta made no reply; but her hands and feet lost all sense of feeling.

      "This Hermann," continued Tomsky, "is a man of romantic personality. He has the profile of a Napoleon, and the soul of a Mephistopheles. I believe that he has at least three crimes upon his conscience… How pale you have become!"

      "I have a headache… But what did this Hermann—or whatever his name is—tell you?"

      "Hermann is very much dissatisfied with his friend: he says that in his place he would act very differently… I even think that Hermann himself has designs upon you; at least, he listens very attentively to all that his friend has to say about you."

      "And where has he seen me?"

      "In church, perhaps; or on the parade—God alone knows where. It may have been in your room, while you were asleep, for there is nothing that he—"

      Three ladies approaching him with the question: "oubli ou regret?" interrupted the conversation, which had become so tantalisingly interesting to Lizaveta.

      The lady chosen by Tomsky was the Princess Pauline herself. She succeeded in effecting a reconciliation with him during the numerous turns of the dance, after which he conducted her to her chair. On returning to his place, Tomsky thought no more either of Hermann or Lizaveta. She longed to renew the interrupted conversation, but the mazurka came to an end, and shortly afterwards the old Countess took her departure.

      Tomsky's words were nothing more than the customary small talk of the dance, but they sank deep into the soul of the young dreamer. The portrait, sketched by Tomsky, coincided with the picture she had formed within her own mind, and thanks to the latest romances, the ordinary countenance of her admirer became invested with attributes capable of alarming her and fascinating her imagination at the same time. She was now sitting with her bare arms crossed and with her head, still adorned with flowers, sunk upon her uncovered bosom. Suddenly the door opened and Hermann entered. She shuddered.

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