The Collected Works of Algernon Blackwood. Algernon Blackwood

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      "I was in the middle of making pictures."

      "Where—what—making pictures?"

      "In the fire."

      "James," said the Colonel in a serious tone, "don't you know that you are getting too old now for that sort of thing? If you dream so much, you'll fall asleep altogether some fine day, and never wake up again. Just think what that means!"

      The child smiled faintly and moved up confidingly between his father's knees, staring into his eyes without the least sign of fear. But he said nothing in reply. His thoughts were far away, and it seemed as if the effort to bring them back into the study and to a consideration of his father's words was almost beyond his power.

      "You must run about more," pursued the soldier, rubbing his big hands together briskly, "and join your brothers and sisters in their games. Lie about in the summer and dream a bit if you like, but now it's winter, you must be more active, and make your blood circulate healthily,—er—and all that sort of thing."

      The words were kindly spoken, but the voice and manner rather deliberate. Jimbo began to look a little troubled, as his father watched him.

      "Come now, little man," he said more gently, "what's the matter, eh?" He drew the boy close to him. "Tell me all about it, and what it is you're always thinking about so much."

      Jimbo brought back his mind with a tremendous effort, and said, "I don't like the winter. It's so dark and full of horrid things. It's all ice and shadows, so—so I go away and think of what I like, and other places——"

      "Nonsense!" interrupted his father briskly; "winter's a capital time for boys. What in the world d'ye mean, I wonder?"

      He lifted the child on to his knee and stroked his hair, as though he were patting the flank of a horse. Jimbo took no notice of the interruption or of the caress, but went on saying what he had to say, though with eyes a little more clouded.

      "Winter's like going into a long black tunnel, you see. It's downhill to Christmas, of course, and then uphill all the way to the summer holidays. But the uphill part's so slow that——"

      "Tut, tut!" laughed the Colonel in spite of himself; "you mustn't have such thoughts. Those are a baby's notions. They're silly, silly, silly."

      "Do you really think so, father?" continued the boy, as if politeness demanded some recognition of his father's remarks, but otherwise anxious only to say what was in his mind. "You wouldn't think them silly if you really knew. But, of course, there's no one to tell you in the stable, so you can't know. You've never seen the funny big people rushing past you and laughing through their long hair when the wind blows so loud. I know several of them almost to speak to, but you hear only wind. And the other things with tiny legs that skate up and down the slippery moonbeams, without ever tumbling off—they aren't silly a bit, only they don't like dogs and noise. And I've seen the furniture"—he pronounced it furchinur—"dancing about in the day-nursery when it thought it was alone, and I've heard it talking at night. I know the big cupboard's voice quite well. It's just like a drum, only rougher...."

      The Colonel shook his head and frowned severely, staring hard at his son. But though their eyes met, the boy hardly saw him. Far away at the other end of the dark Tunnel of the Months he saw the white summer sunshine lying over gardens full of nodding flowers. Butterflies were flitting across meadows yellow with buttercups, and he saw the fascinating rings upon the lawn where the Fairy People held their dances in the moonlight; he heard the wind call to him as it ran on along by the hedgerows, and saw the gentle pressure of its swift feet upon the standing hay; streams were murmuring under shady trees; birds were singing; and there were echoes of sweeter music still that he could not understand, but loved all the more perhaps on that account....

      "Yes," announced the Colonel later that evening to his wife, spreading his hands out as he spoke. "Yes, my dear, I have made a discovery, and an alarming one. You know, I'm rarely at fault where the children are concerned—and I've noted all the symptoms with unusual care. James, my dear, is an imaginative boy."

      He paused to note the effect of his words, but seeing none, continued:

      "I regret to be obliged to say it, but it's a fact beyond dispute. His head is simply full of things, and he talked to me this evening about tunnels and slippery moonlight till I very nearly lost my temper altogether. Now, the boy will never make a man unless we take him in hand properly at once. We must get him a governess, or something, without delay. Just fancy, if he grew up into a poet or one of these—these——"

      In his distress the soldier could only think of horse-terms, which did not seem quite the right language. He stuck altogether, and kept repeating the favourite gesture with his open hand, staring at his wife over his glasses as he did so.

      But the mother never argued.

      "He's very young still," she observed quietly, "and, as you have always said, he's not a bit like other boys, remember."

      "Exactly what I say. Now that your eyes are opened to the actual state of affairs, I'm satisfied."

      "We'll get a sensible nursery-governess at once," added the mother.

      "A practical one?"

      "Yes, dear."

      "Hard-headed?"

      "Yes."

      "And well educated?"

      "Yes."

      "And—er—firm with children. She'll do for the lot, then."

      "If possible."

      "And a young woman who doesn't go in for poetry, and dreaming, and all that kind of flummery."

      "Of course, dear."

      "Capital. I felt sure you would agree with me," he went on. "It'd be no end of a pity if Jimbo grew up an ass. At present he hardly knows the difference between a roadster and a racer. He's going into the army, too," he added by way of climax, "and you know, my dear, the army would never stand that!"

      "Never," said the mother quietly, and the conversation came to an end.

      Meanwhile, the subject of these remarks was lying wide awake upstairs in the bed with the yellow iron railing round it. His elder brother was asleep in the opposite corner of the room, snoring peacefully. He could just see the brass knobs of the bedstead as the dying firelight quivered and shone on them. The walls and ceiling were draped in shadows that altered their shapes from time to time as the coals dropped softly into the grate. Gradually the fire sank, and the room darkened. A feeling of delight and awe stole into his heart.

      Jimbo loved these early hours of the night before sleep came. He felt no fear of the dark; its mystery thrilled his soul; but he liked the summer dark, with its soft, warm silences better than the chill winter shadows. Presently the firelight sprang up into a brief flame and then died away altogether with an odd little gulp. He knew the sound well; he often watched the fire out, and now, as he lay in bed waiting for he knew not what, the moonlight filtered in through the baize curtains and gradually gave to the room a wholly new character.

      Jimbo sat up in bed and listened. The house was very still. He slipped into his red dressing-gown and crept noiselessly over to the window. For a moment he paused by his brother's bed to make sure that he really СКАЧАТЬ