Their Pilgrimage. Charles Dudley Warner

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СКАЧАТЬ perfect flower of American youth who has known no childhood. This boy at least is no phantom; the landlord is real, and the waiters, and the food they bring.

      “I suppose,” said Mr. King to his friend, “that we are opening the season. Did you see anything outdoors?”

      “Yes; a horseshoe-crab about a mile below here on the smooth sand, with a long dotted trail behind him, a couple of girls in a pony-cart who nearly drove over me, and a tall young lady with a red parasol, accompanied by a big black-and-white dog, walking rapidly, close to the edge of the sea, towards the sunset. It's just lovely, the silvery sweep of coast in this light.”

      “It seems a refined sort of place in its outlines, and quietly respectable. They tell me here that they don't want the excursion crowds that overrun Atlantic City, but an Atlantic City man, whom I met at the pier, said that Cape May used to be the boss, but that Atlantic City had got the bulge on it now—had thousands to the hundreds here. To get the bulge seems a desirable thing in America, and I think we'd better see what a place is like that is popular, whether fashion recognizes it or not.”

      The place lost nothing in the morning light, and it was a sparkling morning with a fresh breeze. Nature, with its love of simple, sweeping lines, and its feeling for atmospheric effect, has done everything for the place, and bad taste has not quite spoiled it. There is a sloping, shallow beach, very broad, of fine, hard sand, excellent for driving or for walking, extending unbroken three miles down to Cape May Point, which has hotels and cottages of its own, and lifesaving and signal stations. Off to the west from this point is the long sand line to Cape Henlopen, fourteen miles away, and the Delaware shore. At Cape May Point there is a little village of painted wood houses, mostly cottages to let, and a permanent population of a few hundred inhabitants. From the pier one sees a mile and a half of hotels and cottages, fronting south, all flaming, tasteless, carpenter's architecture, gay with paint. The sea expanse is magnificent, and the sweep of beach is fortunately unencumbered, and vulgarized by no bath-houses or show-shanties. The bath-houses are in front of the hotels and in their enclosures; then come the broad drive, and the sand beach, and the sea. The line is broken below by the lighthouse and a point of land, whereon stands the elephant. This elephant is not indigenous, and he stands alone in the sand, a wooden sham without an explanation. Why the hotel-keeper's mind along the coast regards this grotesque structure as a summer attraction it is difficult to see. But when one resort had him, he became a necessity everywhere. The travelers walked down to this monster, climbed the stairs in one of his legs, explored the rooms, looked out from the saddle, and pondered on the problem. This beast was unfinished within and unpainted without, and already falling into decay. An elephant on the desert, fronting the Atlantic Ocean, had, after all, a picturesque aspect, and all the more so because he was a deserted ruin.

      The elephant was, however, no emptier than the cottages about which our friends strolled. But the cottages were all ready, the rows of new chairs stood on the fresh piazzas, the windows were invitingly open, the pathetic little patches of flowers in front tried hard to look festive in the dry sands, and the stout landladies in their rocking-chairs calmly knitted and endeavored to appear as if they expected nobody, but had almost a houseful.

      Yes, the place was undeniably attractive. The sea had the blue of Nice; why must we always go to the Mediterranean for an aqua marina, for poetic lines, for delicate shades? What charming gradations had this picture-gray sand, blue waves, a line of white sails against the pale blue sky! By the pier railing is a bevy of little girls grouped about an ancient colored man, the very ideal old Uncle Ned, in ragged, baggy, and disreputable clothes, lazy good-nature oozing out of every pore of him, kneeling by a telescope pointed to a bunch of white sails on the horizon; a dainty little maiden, in a stiff white skirt and golden hair, leans against him and tiptoes up to the object-glass, shutting first one eye and then the other, and making nothing out of it all. “Why, ov co'se you can't see nuffln, honey,” said Uncle Ned, taking a peep, “wid the 'scope p'inted up in the sky.”

      

      In order to pass from Cape May to Atlantic City one takes a long circuit by rail through the Jersey sands. Jersey is a very prolific State, but the railway traveler by this route is excellently prepared for Atlantic City, for he sees little but sand, stunted pines, scrub oaks, small frame houses, sometimes trying to hide in the clumps of scrub oaks, and the villages are just collections of the same small frame houses hopelessly decorated with scroll-work and obtrusively painted, standing in lines on sandy streets, adorned with lean shade-trees. The handsome Jersey people were not traveling that day—the two friends had a theory about the relation of a sandy soil to female beauty—and when the artist got out his pencil to catch the types of the country, he was well rewarded. There were the fat old women in holiday market costumes, strong-featured, positive, who shook their heads at each other and nodded violently and incessantly, and all talked at once; the old men in rusty suits, thin, with a deprecatory manner, as if they had heard that clatter for fifty years, and perky, sharp-faced girls in vegetable hats, all long-nosed and thin-lipped. And though the day was cool, mosquitoes had the bad taste to invade the train. At the junction, a small collection of wooden shanties, where the travelers waited an hour, they heard much of the glories of Atlantic City from the postmistress, who was waiting for an excursion some time to go there (the passion for excursions seems to be a growing one), and they made the acquaintance of a cow tied in the room next the ticket-office, probably also waiting for a passage to the city by the sea.

      

      And a city it is. If many houses, endless avenues, sand, paint, make a city, the artist confessed that this was one. Everything is on a large scale. It covers a large territory, the streets run at right angles, the avenues to the ocean take the names of the states. If the town had been made to order and sawed out by one man, it could not be more beautifully regular and more satisfactorily monotonous. There is nothing about it to give the most commonplace mind in the world a throb of disturbance. The hotels, the cheap shops, the cottages, are all of wood, and, with three or four exceptions in the thousands, they are all practically alike, all ornamented with scroll-work, as if cut out by the jig-saw, all vividly painted, all appealing to a primitive taste just awakening to the appreciation of the gaudy chromo and the illuminated and consoling household motto. Most of the hotels are in the town, at considerable distance from the ocean, and the majestic old sea, which can be monotonous but never vulgar, is barricaded from the town by five or six miles of stark-naked plank walk, rows on rows of bath closets, leagues of flimsy carpentry-work, in the way of cheap-John shops, tin-type booths, peep-shows, go-rounds, shooting-galleries, pop-beer and cigar shops, restaurants, barber shops, photograph galleries, summer theatres. Sometimes the plank walk runs for a mile or two, on its piles, between rows of these shops and booths, and again it drops off down by the waves. Here and there is a gayly-painted wooden canopy by the shore, with chairs where idlers can sit and watch the frolicking in the water, or a space railed off, where the select of the hotels lie or lounge in the sand under red umbrellas. The calculating mind wonders how many million feet of lumber there are in this unpicturesque barricade, and what gigantic forests have fallen to make this timber front to the sea. But there is one thing man cannot do. He has made this show to suit himself, he has pushed out several iron piers into the sea, and erected, of course, a skating rink on the end of one of them. But the sea itself, untamed, restless, shining, dancing, raging, rolls in from the southward, tossing the white sails on its vast expanse, green, blue, leaden, white-capped, many-colored, never two minutes the same, sounding with its eternal voice I knew not what rebuke to man.

      When Mr. King wrote СКАЧАТЬ