Название: The Collected Works of W. Somerset Maugham (33 Works in One Edition)
Автор: Уильям Сомерсет Моэм
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027202065
isbn:
"You must be very brave when you're the wife of a V.C.," said the Colonel, patting her hand.
"Oh, it was a beautiful action!" cried Mary. "And he's as modest about it as though he had done nothing that any man might not do. I think there can be no sight more pleasing to God than that of a brave man risking his life to save a comrade."
"And that ought to be an assurance to you, Mary, that James will never do anything unkind or dishonourable. Trust him, and forgive his little faults of manner. I'm sure he loves you, and soon you'll get married and be completely happy."
Mary's face darkened once more.
"He's been here three days, and he's not said a word about getting married. Oh, I can't help it; I'm so frightened! I wish he'd say something—just one word to show that he really cares for me. He seems to have forgotten that we're even engaged."
Colonel Parsons looked at his wife, begging her by his glance to say something that would comfort Mary. Mrs. Parsons looked down, uncertain, ill at ease.
"You don't despise me for talking like this, Mrs. Parsons?"
"Despise you, my dear! How can I, when I love you so dearly? Shall I speak to Jamie? I'm sure when he understands that he's making you unhappy, he'll be different. He has the kindest heart in the world; I've never known him do an unkind thing in his life."
"No, don't say anything to him," replied Mary. "I daresay it's all nonsense. I don't want him to be driven into making love to me."
Meanwhile James wandered thoughtfully. The country was undulating, and little hill rose after little hill, affording spacious views of the fat Kentish fields, encircled by oak trees and by chestnuts. Owned by rich landlords, each generation had done its best, and the fruitful land was tended like a garden. But it had no abandonment, no freedom; the hand of man was obvious, perpetually, in the trimness and in the careful arrangement, so that the landscape, in its formality, reminded one of those set pieces chosen by the classic painters. But the fields were fresh with the tall young grass of the new year, the buttercups flaunted themselves gaily, careless of the pitiless night, rejoicing in the sunshine, as before they had rejoiced in the enlivening rain. The pleasant rain-drops still lingered on the daisies. The feathery ball of the dandelion, carried by the breeze, floated past like a symbol of the life of man—a random thing, resistless to the merest breath, with no mission but to spread its seed upon the fertile earth, so that things like unto it should spring up in the succeeding summer, and flower uncared for, and reproduce themselves, and die.
James decided finally that he must break that very evening his engagement with Mary. He could not put it off. Every day made his difficulty greater, and it was impossible any longer to avoid the discussion of their marriage, nor could he continue to treat Mary with nothing better than friendliness. He realised all her good qualities; she was frank, and honest, and simple; anxious to do right; charitable according to her light; kindness itself. James felt sincerely grateful for the affectionate tenderness which Mary showed to his father and mother. He was thankful for that and for much else, and was prepared to look upon her as a very good friend, even as a sister; but he did not love her. He could not look upon the prospect of marriage without repulsion. Nor did Mary, he said, really love him. He knew what love was—something different entirely from that pallid flame of affection and esteem, of which alone she was capable. Mary loved him for certain qualities of mind, because his station in life was decent, his manners passable, his morals beyond reproach.
"She might as well marry the Ten Commandments!" he cried impatiently.
Mary cared for him from habit, from a sense of decorum, and for the fitness of things; but that was not love. He shrugged his shoulders scornfully, looking for some word to express the mildly pleasant, unagitating emotion. James, who had been devoured by it, who had struggled with it as with a deadly sin, who had killed it finally while, like a serpent of evil, it clung to his throat, drinking his life's blood, James knew what love was—a fire in the veins, a divine affliction, a passion, a frenzy, a madness. The love he knew was the love of the body of flesh and blood, the love that engenders, the love that kills. At the bottom of it is sex, and sex is not ugly or immoral, for sex is the root of life. The woman is fair because man shall love her body; her lips are red and passionate that he may kiss them; her hair is beautiful that he may take it in his hands—a river of living gold.
James stopped, and the dead love rose again and tore his entrails like a beast of prey. He gasped with agony, with bitter joy. Ah, that was the true love! What did he care that the woman lacked this and that? He loved her because he loved her; he loved her for her faults. And in spite of the poignant anguish, he thanked her from the bottom of his heart, for she had taught him love. She had caused him endless pain, but she had given him the strength to bear it. She had ruined his life, perhaps, but had shown him that life was worth living. What were the agony, the torture, the despair, beside that radiant passion which made him godlike? It is only the lover who lives, and of his life every moment is intense and fervid. James felt that his most precious recollection was that ardent month, during which, at last, he had seen the world in all its dazzling movement, in its manifold colour, singing with his youth and laughing to his joy.
And he did not care that hideous names have been given to that dear passion, to that rich desire. The vulgar call it lust, and blush and hide their faces; in their folly is the shame, in their prurience the disgrace. They do not know that the appetite which shocks them is the very origin of the highest qualities of man. It is they, weaklings afraid to look life in the face, dotards and sentimentalists, who have made the body unclean. They have covered the nakedness of Aphrodite with the rags of their own impurity. They have disembowelled the great lovers of antiquity till Cleopatra serves to adorn a prudish tale and Lancelot to point a moral. Oh, Mother Nature, give us back our freedom, with its strength of sinew and its humour! For lack of it we perish in false shame, and our fig-leaves point our immodesty to all the world. Teach us that love is not a tawdry sentiment, but a fire divine in order to the procreation of children; teach us not to dishonour our bodies, for they are beautiful and pure, and all thy works are sweet. Teach us, again, in thy merciful goodness, that man is made for woman, his body for her body, and that the flesh cannot sin.
Teach us also not to rant too much, even in thy service; and though we do set up for prophets and the like, let us not forget occasionally to laugh at our very august selves.
Then, harking back, Jamie's thoughts returned to the dinner of the previous evening at the Clibborns. He was the only guest, and when he arrived, found Mary and the Colonel by themselves in the drawing-room. It was an old habit of Mrs. Clibborn's not to appear till after her visitors, thinking that so she created a greater effect. The Colonel wore a very high collar, which made his head look like some queer flower on a long white stalk; hair and eyebrows were freshly dyed, and glistened like the oiled locks of a young Jewess. He was the perfect dandy, even to his bejewelled fingers and his scented handkerchief. His manner was a happy mixture of cordiality and condescension, by the side of which Mary's unaffected simplicity contrasted oddly. She seemed less at home in an evening dress than in the walking costume she vastly preferred; her free, rather masculine movements were ungainly in the silk frock, badly made and countrified, while lace and ribbons suited her most awkwardly. She was out of place, too, in that room, decorated with all the abominations of pseudo-fashion, with draperies and tissue-paper, uncomfortable little chairs and rickety tables. In every available place stood photographs of Mrs. Clibborn—Mrs. Clibborn sitting, standing, lying; Mrs. Clibborn full face, three-quarter face, side face; Mrs. Clibborn in this costume or in that costume—grave, gay, thoughtful, or smiling; Mrs. Clibborn showing her beautiful teeth, her rounded arms, her vast shoulders; Mrs. Clibborn dressed to the nines, and Mrs. Clibborn as undressed as she dared.
Finally, the beauty swept in with a great rustle of silk, displaying to the full her very opulent charms. Her hair was lightly powdered, and honestly she looked СКАЧАТЬ