The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez

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СКАЧАТЬ sides of the track were alive with people, waving handkerchiefs and flags in reply to the whistling of the English. Even along the seashore the fishermen stood up on the seats of their boats and waved their caps at a distant train. The quick ear of Don Marcos distinguished a sound of footsteps on the floor above. The servants doubtless were opening the windows to join with silent enthusiasm in that farewell.

      When only a few coaches were still visible at the mouth of the tunnel, the Colonel came back to his place at the table.

      "More meat for the slaughter house!" exclaimed Atilio Castro, looking at the Prince. "The racket is over. Go on, Michael."

      Under Toledo's watchful eye, two beardless Italian boys, unprepossessing in appearance, were serving the dessert at the luncheon.

      The Colonel kept glancing over the table and at the faces of his three guests, as though he were afraid of suddenly noticing something that would show the lunch had been hastily arranged. It was the first that had been given at Villa Sirena for two years.

      The master of the house, Prince Michael Fedor Lubimoff, who sat at the head of the table, had arrived from Paris the evening before.

      The Prince was a man still in his youth, fresh with the well controlled vigor that is furnished by a life of physical exercise. He was tall, robust, and supple, of dark complexion, with large gray eyes, and a massive face, clean shaven. The scattered gray hairs at his temples seemed even more numerous in contrast with the blue-black of the rest. A number of premature wrinkles around the eyes, and two deep furrows running from his wide nostrils to the corners of his mouth, were the first indication of weariness in a powerful organism that seemed to have lived too intensely, in the mistaken confidence that its reserve of strength was endless.

      The Colonel called him "Your Highness," as if Michael Fedor were a member of a ruling house, instead of a mere Russian prince. But this was when some one was present. It was a habit Don Marcos had adopted in the days of the late Princess Lubimoff, to maintain the prestige of the son, whom he had known since the latter was a child. In their intimate relations, when they were alone, he preferred to call him "Marquis," Marquis de Villablanca, and the Prince was never successful in disturbing, by his witticisms on the subject, the precedence thus established by Don Marcos in his terms of respect. The title of Russian Prince was for those who are dazzled by the lofty sound of titles, without being able to appreciate their respective merits, and origins; as for himself, the Colonel preferred something nobler, the title of Spanish Marquis, in spite of the fact that that title for Lubimoff was quite unknown in Spain, and lacked official recognition.

      Toledo was well acquainted with Prince Michael's three guests.

      Atilio Castro was a fellow countryman, a Spaniard who had spent the greater part of his life outside his own country. He affected great intimacy with the Prince and, on the grounds of a distant blood relationship between them, even spoke to him with some familiarity. Don Marcos had a vague idea that the young Spaniard had been a consul somewhere for a short time. Atilio was continually poking fun at him without his being always immediately aware of it. But the Colonel, seeing that it pleased "His Highness" greatly, felt no ill-will on that account.

      "A fine fellow, good hearted!" the Colonel often said, in speaking of Castro. "He hasn't led a model life, he's a terrible gambler—but a gentleman. Yes, sir, a real gentleman!"

      Michael Fedor defined his relative in other terms.

      "He has all the vices, and no defects."

      Don Marcos could never quite understand what that meant, but nevertheless it increased his esteem for Castro.

      The Prince was only two or three years older than Atilio, and yet their ages seemed much farther apart. Castro was over thirty-five, and some people thought him twenty-four. His face had an ingenuous, rather child-like expression, and it acquired a certain character of manliness, thanks solely to a dark red mustache, closely cropped. This tiny mustache, and his glossy hair parted squarely in the middle, were the most prominent details of his features, except when he became excited. If his humor changed—which happened very rarely—the luster in his eyes, the contraction of his mouth, and the premature wrinkles in his forehead gave him an almost ominous expression, and suddenly he seemed to age by ten years.

      "A bad man to have for an enemy!" affirmed the Colonel. "It wouldn't do to get in his way."

      And not out of fear, but rather out of sincere admiration did the Colonel speak admiringly of Castro's talents. He wrote poetry, painted in water color, improvised songs at the piano, gave advice in matters of furniture and clothes, and was well versed in antiquities, and matters of taste. Don Marcos knew no limits to that intelligence.

      "He knows everything," he would say. "If he would only stick to one thing! If he would only work!"

      Castro was always elegantly dressed, and lived in expensive hotels; but he had no regular income so far as was known. The Colonel suspected a series of friendly little loans from the Prince. But the latter had remained away from Monte Carlo almost since the beginning of the war, and Don Marcos used to meet Castro every winter living at the Hôtel de Paris, playing at the Casino, and associating with people of wealth. From time to time, on encountering the Colonel in the gaming rooms, Castro had asked him for a loan of "ten louis," an absolute necessity for a gambler who had just lost his last stake and was anxious to recoup. But with more or less delay he had always returned the money. There was something mysterious about his life, according to Don Marcos.

      The two other guests seemed to him to live much less complex lives. The one who had frequented the house for the longest period, was a dark young man, with a skin that was almost copper colored, a slight build, and long, straight hair. He was Teofilo Spadoni, a famous pianist. Spadoni's parents were Italian—this much was sure. No one could quite make out where he had been born. At times he mentioned his birthplace as Cairo, at other times, as Athens, or Constantinople, all the places where his father, a poor Neapolitan tailor, had lived. No one was astonished by such vagaries and absent-minded discrepancies on the part of the extraordinary virtuoso, who, the moment he left the piano, seemed to move in a world of dreams and to be quite incapable of adapting himself to any regular mode of life. After giving concerts in the large capitals of Europe and South America, he had settled down at Monte Carlo, explaining his residence there by the war, while Don Marcos imputed it to his love of gambling. The Prince knew him through having engaged him as a member of the orchestra on board his large yacht, the Gaviota II, for a voyage around the world.

      Sitting beside the host was the last guest, the latest to frequent the house, a pale young man, tall, thin, and nearsighted, who was always looking timidly around as though ill at ease. He was a professor from Spain, a Doctor of Science, Carlos Novoa, who received a subsidy from the Spanish government to make certain studies in ocean fauna at the Oceanographic Museum. The Colonel who had spent many years at Monte Carlo without running across any of his compatriots, other than those whom he saw around the roulette tables, had expressed a certain patriotic pride in meeting this professor two months previously.

      "A man of learning! A famous scientist!" he exclaimed in speaking of his new friend. "They can say all they want now about us Spaniards being ignoramuses."

      He had only the vaguest notion of the nature of his fellow countryman's learning. What is more: from his earliest conversations he had guessed that the professor's ideas were directly opposed to his own. "One of those heretics with no other God than matter," he said to himself. But he added by way of consolation: "All those learned men are like that: liberals and free-thinkers. What of it. … " As for the professor's fame, in the opinion of Don Marcos it was unquestionable. Otherwise why would they have sent him to the Oceanographic Museum, large and white as a temple, whose halls he had visited only once, with a feeling of awe that had prevented him СКАЧАТЬ