Travels in France during the years 1814-15. Patrick Fraser Tytler

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СКАЧАТЬ present moment: They never lose sight of the effort of the artist; their admiration is fixed not on the quality or object in nature, but on the artificial representation of it; not on the thing signified, but the sign. It is hence that they have such exalted ideas of the perfection of their artist David, whose paintings are nothing more than a representation of the human figure in its most extravagant and phrenzied attitudes; that they are insensible to the simple display of real emotion, but dwell with delight upon the vehement representation of it which their stage exhibits; and that, leaving the charming heights of Belleville, or the sequestered banks of the Seine, almost wholly deserted, they crowd to the stiff alleys of the Elysian Fields, or the artificial beauties of the gardens of Versailles.

      In the midst of Paris this artificial style of gardening is not altogether unpleasing; it is in unison, in some measure, with the regular character of the buildings with which it is surrounded; and the profusion of statues and marble vases continues the impression which the character of their palaces is fitted to produce. But at Versailles, at St. Cloud, and Fountainbleau, amidst the luxuriance of vegetation, and surrounded by the majesty of forest scenery, it destroys altogether the effect which arises from the irregularity of natural beauty. Every one feels straight borders, and square porticoes and broad alleys, to be in unison with the immediate neighbourhood of an antiquated mansion; but they become painful when extended to those remoter parts of the grounds, when the character of the scene is determined by the rudeness of uncultivated nature.

      There are some occasions, nevertheless, on which the gardens of the Thuilleries present a beautiful spectacle, in spite of the artificial taste in which they are formed. From the warmth of the climate, the Parisians, of all classes, live much in the open air, and frequent the public gardens in great numbers during the continuance of the fine weather. In the evening especially, they are filled with citizens, who repose themselves under the shade of the lofty trees, after the heat and the fatigues of the day; and they then present a spectacle of more than ordinary interest and beauty. The disposition of the French suits the character of the scene, and harmonises with the impression which the stillness of the evening produces on the mind. There is none of that rioting or confusion by which an assembly of the middling classes in England is too often disgraced; no quarrelling or intoxication even among the poorest ranks, and little appearance of that degrading want which destroys the pleasing idea of public happiness. The people appear all to enjoy a certain share of individual prosperity; their intercourse is conducted with unbroken harmony, and they seem to resign themselves to those delightful feelings which steal over the mind during the stillness and serenity of a summer evening.

      Still more beautiful perhaps, is the appearance of this scene during the stillness of the night, when the moon throws her dubious rays over the objects of nature. The gardens of the Thuilleries remain crowded with people, who seem to enjoy the repose which universally prevails, and from whom no sound is to be heard which can break the stillness or serenity of the scene. The regularity of the forms is wholly lost in the masses of light and shadow that are there displayed; the foliage throws a chequered shade over the ground beneath, while the different vistas of the Elysian Fields are seen in that soft and mellow light by which the radiance of the moon is so peculiarly distinguished. After passing through these favourite scenes of the French people, we frequently came to small encampments of the allied troops in the remote parts of the grounds. The appearance of these bivouacks, composed of Cossack squadrons, Hungarian hussars, or Prussian artillery, in the obscurity of moonlight, and surrounded by the gloom of forest scenery, was beyond measure striking. The picturesque forms of the soldiers, sleeping on their arms under the shade of the trees, or half hid by the rude huts which they had erected for their shelter; the varied attitudes of the horses standing amidst the waggons by which the camp was followed, or sleeping beside the veterans whom they had borne through all the fortunes of war; the dark masses of the artillery, dimly discerned in the shades of night, or faintly reflecting the pale light of the moon, presented a scene of the most beautiful description, in which the rude features of war were softened by the tranquillity of peaceful life; and the interest of present repose was enhanced by the remembrance of the wintry storms and bloody fields through which these brave men had passed, during the memorable campaigns in which they had been engaged. The effect of the whole was increased by the perfect stillness which everywhere prevailed, broken only at intervals by the slow step of the sentinel, as he paced his rounds, or the sweeter sounds of those beautiful airs, which, in a far distant country, recalled to the Russian soldier the joys and the happiness of his native land.

CHAPTER IV.

       Table of Contents

      ENVIRONS OF PARIS.

      St Cloud was the favourite residence of Bonaparte, and, from this circumstance, possesses an interest which does not belong to the other imperial palaces. It stands high, upon a lofty bank overhanging the Seine, which takes a bold sweep in the plain below; and the steep declivity which descends to its banks is clothed with magnificent woods of aged elms. The character of the scenery is bold and rugged;—the trees are of the wildest forms, and the most stupendous height, and the banks, for the most part, steep and irregular. It is here, accordingly, that the French gardening appears in all its genuine deformity; and that its straight walks and endless fountains display a degree of formality and art, destructive of the peculiar beauty by which the scene is distinguished. These gardens, however, were the favourite and private walks of the Emperor;—it was here that he meditated those schemes of ambition which were destined to shake the established thrones of Europe;—it was under the shade of this luxuriant foliage that he formed the plan of all the mighty projects which he had in contemplation;—it was in the splendid apartments of this palace that the Councils of France assembled, to revolve on the means of permanently destroying the English power:—It was here too, by a most remarkable coincidence, that his destruction was finally accomplished;—that the last convention was concluded, by which his second dethronement was completed;—and that the victorious arms of England dictated the terms of surrender to his conquered capital.

      When we visited St. Cloud, it was the head-quarters of Prince Schwartzenberg; and the Austrian grenadiers mounted guard at the gates of the Imperial Palace. The banks of the Seine, below the Palace, were covered by an immense bivouack of Austrian troops, and the fires of their encampment twinkled in the obscurity of twilight amidst the low brushwood with which the sides of the river were clothed. The appearance of this bivouack, dimly discerned through the rugged stems of lofty trees, or half-hid by the luxuriant branches which obscured the view;—the picturesque and varied aspect of the plain covered with waggons, and all the accompaniments of military service;—the columns of smoke rising from the fires with which it was interspersed, and the innumerable horses crowded amidst the confused multitude of men and carriages, or resting in more sequestered spots on the sides of the river, with their forms finely reflected in its unruffled waters—presented a spectacle which exhibited war in its most striking aspect, and gave a character to the scene which would have suited the romantic strain of Salvator's mind.

      St. Germain, though less picturesquely situated than St. Cloud, presents features, nevertheless, of more than ordinary magnificence. The Palace, now converted into a school of military education by Napoleon, is a mean irregular building, though it possesses a certain interest, by having been long the residence of the exiled house of Stuart. The situation, however, is truly fitted for an imperial dwelling; it stands on the edge of a high bank overhanging the Seine, at the end a magnificent terrace, a mile and a half long, built on the projecting heights which edge the river. The walk along this terrace is the finest spectacle which the vicinity of Paris has to present. It is backed along its whole extent by the extensive forest of St. Germain, the foliage of which overhangs the road, and in the recesses of which you can occasionally discern those beautiful peeps which form the peculiar characteristic of forest scenery. The steep bank which descends to the river is clothed with orchards and vineyards in all the luxuriance of a southern climate; and in front, there is spread beneath your feet the wide plain in which the Seine wanders, whose waters are descried at intervals through the woods and gardens with which its СКАЧАТЬ