The Autobiographical Works. George Orwell

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СКАЧАТЬ at this game. You keep at work and get a crowd watching you, and the nobber comes casual-like round the back of them. They don't know he's the nobber. Then suddenly he pulls his cap off, and you got them between two fires like. You'll never get a drop off real toffs. It's shabby sort of blokes you get most off, and foreigners. I've had even sixpences off Japs, and blackies, and that. They're not so bloody mean as what an Englishman is. Another thing to remember is to keep your money covered up, except perhaps a penny in the hat. People won't give you anything if they see you got a bob or two already.'

      Bozo had the deepest contempt for the other screevers on the Embankment. He called them 'the salmon platers'. At that time there was a screever almost every twenty-five yards along the Embankment—twenty-five yards being the recognized minimum between pitches. Bozo contemptuously pointed out an old white-bearded screever fifty yards away.

      'You see that silly old fool? He's bin doing the same picture every day for ten years. "A faithful friend" he calls it. It's of a dog pulling a child out of the water. The silly old bastard can't draw any better than a child of ten. He's learned just that one picture by rule of thumb, like you learn to put a puzzle together. There's a lot of that sort about here. They come pinching my ideas sometimes; but I don't care; the silly —s can't think of anything for themselves, so I'm always ahead of them. The whole thing with cartoons is being up to date. Once a child got its head stuck in the railings of Chelsea Bridge. Well, I heard about it, and my cartoon was on the pavement before they'd got the child's head out of the railings. Prompt, I am.'

      Bozo seemed an interesting man, and I was anxious to see more of him. That evening I went down to the Embankment to meet him, as he had arranged to take Paddy and myself to a lodging-house south of the river. Bozo washed his pictures off the pavement and counted his takings—it was about sixteen shillings, of which he said twelve or thirteen would be profit. We walked down into Lambeth. Bozo limped slowly, with a queer crab-like gait, half sideways, dragging his smashed foot behind him. He carried a stick in each hand and slung his box of colours over his shoulder. As we were crossing the bridge he stopped in one of the alcoves to rest. He fell silent for a minute or two, and to my surprise I saw that he was looking at the stars. He touched my arm and pointed to the sky with his stick.

      'Say, will you look at Aldebaran! Look at the colour. Like a—great blood orange!'

      From the way he spoke he might have been an art critic in a picture gallery. I was astonished. I confessed that I did not know which Aldebaran was—indeed, I had never even noticed that the stars were of different colours. Bozo began to give me some elementary hints on astronomy, pointing out the chief constellations. He seemed concerned at my ignorance. I said to him, surprised:

      'You seem to know a lot about stars.'

      'Not a great lot. I know a bit, though. I got two letters from the Astronomer Royal thanking me for writing about meteors. Now and again I go out at night and watch for meteors. The stars are a free show; it don't cost anything to use your eyes.'

      'What a good idea! I should never have thought of it.'

      'Well, you got to take an interest in something. It don't follow that because a man's on the road he can't think of anything but tea-and-two-slices.'

      'But isn't it very hard to take an interest in things—things like stars—living this life?'

      'Screeving, you mean? Not necessarily. It don't need turn you into a bloody rabbit—that is, not if you set your mind to it.'

      'It seems to have that effect on most people.'

      'Of course. Look at Paddy—a tea-swilling old moocher, only fit to scrounge for fag-ends. That's the way most of them go. I despise them. But you don't need get like that. If you've got any education, it don't matter to you if you're on the road for the rest of your life.'

      'Well, I've found just the contrary,' I said. 'It seems to me that when you take a man's money away he's fit for nothing from that moment.'

      'No, not necessarily. If you set yourself to it, you can live the same life, rich or poor. You can still keep on with your books and your ideas. You just got to say to yourself, "I'm a free man in here"'—he tapped his forehead—'and you're all right.'

      Bozo talked further in the same strain, and I listened with attention. He seemed a very unusual screever, and he was, moreover, the first person I had heard maintain that poverty did not matter. I saw a good deal of him during the next few days, for several times it rained and he could not work. He told me the history of his life, and it was a curious one.

      The son of a bankrupt bookseller, he had gone to work as a house-painter at eighteen, and then served three years in France and India during the war. After the war he had found a house-painting job in Paris, and had stayed there several years. France suited him better than England (he despised the English), and he had been doing well in Paris, saving money, and engaged to a French girl. One day the girl was crushed to death under the wheels of an omnibus. Bozo went on the drink for a week, and then returned to work, rather shaky; the same morning he fell from a stage on which he was working, forty feet onto the pavement, and smashed his right foot to pulp. For some reason he received only sixty pounds compensation. He returned to England, spent his money in looking for jobs, tried hawking books in Middlesex Street market, then tried selling toys from a tray, and finally settled down as a screever. He had lived hand to mouth ever since, half starved throughout the winter, and often sleeping in the spike or on the Embankment. When I knew him he owned nothing but the clothes he stood up in, and his drawing materials and a few books. The clothes were the usual beggar's rags, but he wore a collar and tie, of which he was rather proud. The collar, a year or more old, was constantly 'going' round the neck, and Bozo used to patch it with bits cut from the tail of his shirt so that the shirt had scarcely any tail left. His damaged leg was getting worse and would probably have to be amputated, and his knees, from kneeling on the stones, had pads of skin on them as thick as boot-soles. There was, clearly, no future for him but beggary and a death in the workhouse.

      With all this, he had neither fear, nor regret, nor shame, nor self-pity. He had faced his position, and made a philosophy for himself. Being a beggar, he said, was not his fault, and he refused either to have any compunction about it or to let it trouble him. He was the enemy of society, and quite ready to take to crime if he saw a good opportunity. He refused on principle to be thrifty. In the summer he saved nothing, spending his surplus earnings on drink, as he did not care about women. If he was penniless when winter came on, then society must look after him. He was ready to extract every penny he could from charity, provided that he was not expected to say thank you for it. He avoided religious charities, however, for he said that it stuck in his throat to sing hymns for buns. He had various other points of honour; for instance, it was his boast that never in his life, even when starving, had he picked up a cigarette-end. He considered himself in a class above the ordinary run of beggars, who, he said, were an abject lot, without even the decency to be ungrateful.

      He spoke French passably, and had read some of Zola's novels, all Shakespeare's plays, Gulliver's Travels, and a number of essays. He could describe his adventures in words that one remembered. For instance, speaking of funerals, he said to me:

      'Have you ever seen a corpse burned? I have, in India. They put the old chap on the fire, and the next moment I almost jumped out of my skin, because he'd started kicking. It was only his muscles contracting in the heat—still, it give me a turn. Well, he wriggled about for a bit like a kipper on hot coals, and then his belly blew up and went off with a bang you could have heard fifty yards away. It fair put me against cremation.'

      Or, again, apropos of his accident:

      'The doctor says to me, "You fell on one foot, my man. And bloody lucky for you you didn't fall on both feet," he says. "Because if you had of fallen on both СКАЧАТЬ