From Chaucer to Tennyson. Henry A. Beers

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       And mony ane sings o' grass, o' grass,

       And mony ane sings o' corn;

       An mony ane sings o' Robin Hood, Kens little whare he was born. It was na in the ha', the ha', Nor in the painted bower; But it was in the gude green wood, Amang the lily flower.

      Copies of some of these old ballads were hawked about in the 16th century, printed in black letter, "broadsides," or single sheets. Wynkyn de Worde printed in 1489 A Lytell Geste of Robin Hood, which is a sort of digest of earlier ballads on the subject. In the 17th century a few of the English popular ballads were collected in miscellanies called Garlands. Early in the 18th century the Scotch poet, Allan Ramsay, published a number of Scotch ballads in the Evergreen and Tea-Table Miscellany. But no large and important collection was put forth until Percy's Reliques (1765), a book which had a powerful influence upon Wordsworth and Walter Scott. In Scotland some excellent ballads in the ancient manner were written in the 18th century, such as Jane Elliott's Lament for Flodden, and the fine ballad of Sir Patrick Spence. Walter Scott's Proud Maisie is in the Wood, is a perfect reproduction of the pregnant, indirect method of the old ballad makers.

      In 1453 Constantinople was taken by the Turks, and many Greek scholars, with their manuscripts, fled into Italy, where they began teaching their language and literature, and especially the philosophy of Plato. There had been little or no knowledge of Greek in western Europe during the Middle Ages, and only a very imperfect knowledge of the Latin classics. Ovid and Statius were widely read, and so was the late Latin poet, Boethius, whose De Consolatione Philosophiæ had been translated into English by King Alfred and by Chaucer. Little was known of Vergil at first hand, and he was popularly supposed to have been a mighty wizard, who made sundry works of enchantment at Rome, such as a magic mirror and statue. Caxton's so-called translation of the Aeneid was in reality nothing but a version of a French romance based on Vergil's epic. Of the Roman historians, orators, and moralists, such as Livy, Tacitus, Cæsar, Cicero, and Seneca, there was almost entire ignorance, as also of poets like Horace, Lucretius, Juvenal, and Catullus. The gradual rediscovery of the remains of ancient art and literature which took place in the 15th century, and largely in Italy, worked an immense revolution in the mind of Europe. Manuscripts were brought out of their hiding places, edited by scholars, and spread abroad by means of the printing-press. Statues were dug up and placed in museums, and men became acquainted with a civilization far more mature than that of the Middle Age, and with models of perfect workmanship in letters and the fine arts.

In the latter years of the 15th century a number of Englishmen learned Greek in Italy and brought it back with them to England. William Grocyn and Thomas Linacre, who had studied at Florence under the refugee, Demetrius Chalcondylas, began teaching Greek at Oxford, the former as early as 1491. A little later John Colet, Dean of St. Paul's and the founder of St. Paul's School, and his friend, William Lily, the grammarian, and first master of St. Paul's (1500), also studied Greek abroad; Colet in Italy, and Lily at Rhodes and in the city of Rome. Thomas More, afterward the famous chancellor of Henry VIII., was among the pupils of Grocyn and Linacre at Oxford. Thither also, in 1497, came, in search of the new knowledge, the Dutchman, Erasmus, who became the foremost scholar of his time. From Oxford the study spread to the sister university, where the first English Grecian of his day, Sir John Cheke, who "taught Cambridge and King Edward Greek," became the incumbent of the new professorship founded about 1540. Among his pupils was Roger Ascham, already mentioned, in whose time St. John's College, Cambridge, was the chief seat of the new learning, of which Thomas Nashe testifies that it "was an universitie within itself; having more candles light in it, every winter morning before four of the clock, than the four of clock bell gave strokes." Greek was not introduced at the universities without violent opposition from the conservative element, who were nicknamed Trojans. The opposition came in part from the priests, who feared that that new study would sow seeds of heresy. Yet many of the most devout churchmen were friends of a more liberal culture, among them Thomas More, whose Catholicism was undoubted and who went to the block for his religion. Cardinal Wolsey, whom More succeeded as chancellor, was also a munificent patron of learning, and founded Christ Church College at Oxford. Popular education at once felt the impulse of the new studies, and over twenty endowed grammar schools were established in England in the first twenty years of the 16th century. Greek became a passion even with English ladies. Ascham in his Schoolmaster, a treatise on education, published in 1570, says that Queen Elizabeth "readeth here now at Windsor more Greek every day, than some prebendarie of this Church doth read Latin in a whole week." And in the same book he tells how, calling once on Lady Jane Grey, at Brodegate, in Leicestershire, he "found her in her chamber reading Phædon Platonis in Greek, and that with as much delite as some gentlemen would read a merry tale in Bocase," and when he asked her why she had not gone hunting with the rest, she answered, "I wisse,^[18] all their sport in the park is but a shadow to that pleasure that I find in Plato." Ascham's Schoolmaster, as well as his earlier book, Toxophilus, a Platonic dialogue on archery, bristles with quotations from the Greek and Latin classics, and with that perpetual reference to the authority of antiquity on every topic that he touches, which remained the fashion in all serious prose down to the time of Dryden.

      One speedy result of the new learning was fresh translations of the Scriptures into English out of the original tongues. In 1525 William Tyndal printed at Cologne and Worms his version of the New Testament from the СКАЧАТЬ