The Little Lady of Lagunitas. Richard Savage

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      The cavalcade, after seven days, are in sight of the purpled outlines of the sculptured Sierras. They rise heavenward to the sparkling crested pinnacles where Bret Harte's poet fancy sees in long years after the "minarets of snow." Valley oaks give way to the stately pines. Olive masses of enormous redwoods wrap the rising foot-hills. Groves of laurel, acorn oak, and madrona shelter the clinging panther and the grim warden of the Sierras, the ferocious grizzly bear.

      Over flashing, bounding mountain brooks, cut up with great ledges of blue bed rock, they splash. Here the silvery salmon and patrician trout leap out from the ripples to glide into the great hollowed pools, yet the weary cavalcade presses on. Will they never stop?

      Maxime Valois' haggard face looks back at him from the mirrored waters of the Cottonwood, the Merced, and the Mariposa. The prisoner sees there only the worn features of his strangely altered self. He catches no gleam of the unreaped golden harvest lying under the feet of the wild mustangs. These are the treasure channels of the golden West.

      The mountain gnomes of this mystic wilderness are already in terror lest some fortunate fool may utter the one magic word, "Gold." It will call greedy thousands from the uttermost parts of the earth to break the seals of ages, and burrow far below these mountain bases. Through stubborn granite wall, tough porphyry, ringing quartz, and bedded gnarled gneiss, men will grope for the feathery, fairy veins of the yellow metal.

      A feverish quest for gold alone can wake the dreamy "dolce far niente" of the Pacific. God's fairest realm invites the foot of man in vain. Here the yellow grains will be harvested, which buy the smiles of beauty, blunt the sword of justice, and tempt the wavering conscience of young and old. It will bring the human herd to one grovelling level—human swine rooting after the concrete token of power. Here, in later years, the wicked arm of power will be given golden hammers to beat down all before it. Here will that generation arise wherein the golden helmet can dignify the idle and empty pate.

      Maxime, now desperate, is ready for any fate. Only let this long ride cease. Sweeping around the hills, for the first time he sees the square courtyard, the walled casas of the rancho of Lagunitas.

      By the shores of the flashing mountain lake, with the rich valley sweeping out before it, it lies in peace. The fragrant forest throws out gallant flanking wings of embattled trees. It is the residence of the lord of ten leagues square. This is the great Peralta Rancho.

      In wintering in the San Joaquin, Maxime has often heard of the fabulous wealth and power of this inland chieftain. Don Miguel Peralta is Commandante of the San Joaquin. By a fortunate marriage he is related to Jose Castro, the warlike Commandante general of Pio Pico—a man of mark now. Thousands of cattle and horses, with great armies of sheep, are herded by his semi-military vaqueros. The young explorer easily divines now the reason of his abduction.

      The party dismounts. While the sergeant seeks the major-domo, Valois' wondering eye gazes on the beauties of lake and forest. Field and garden, bower and rose-laden trellises lie before him. The rich autumn sun will ripen here deep-dyed clusters of the sweet mission grapes. It is a lordly heritage, and yet his prison. Broad porches surround the plaza. There swinging hammocks, saddled steeds, and waiting retainers indicate the headquarters of the Californian Don.

      Maxime looks with ill-restrained hatred at his fierce guards. They squat on the steps and eye him viciously. He is under the muzzle of his own pistol. It is their day of triumph.

      Dragging across the plaza, with jingling spur, trailing leggings, and sombrero pushed back on his head, the sergeant comes. He points out Maxime to a companion. The new-comer conducts the American prisoner to a roughly furnished room. A rawhide bed and a few benches constitute its equipment. A heavy door is locked on him. The prisoner throws himself on the hard couch and sleeps. He is wakened by an Indian girl bringing food and water. Some blankets are carelessly tossed in by a "mozo." The wanderer sleeps till the birds are carolling loudly in the trees.

      Hark! a bell! He springs to the window. Valois sees a little chapel, with its wooden cross planted in front. Is there a priest here? The boy is of the old faith. He looks for a possible friend in the padre. Blessed bell of peace and hope!

      Sturdy and serious is the major-domo who briskly enters Valois' room.

      "Do you speak Spanish?" he flatly demands in that musical tongue.

      "Yes," says Maxime, without hesitation. He knows no subterfuge will avail. His wits must guard his head.

      "Give me your name, rank, and story," demands the steward.

      Valois briefs his life history.

      "You will be taken to the Commandante. I advise you not to forget yourself; you may find a lariat around your neck." With which admonition the major-domo leaves. He tosses Maxime a bunch of cigaritos, and offers him a light ere going, with some show of courtesy.

      Valois builds no fallacious hopes on this slender concession. He knows the strange Mexicans. They would postpone a military execution if the condemned asked for a smoke.

      Facing his fate, Maxime decides, while crossing the plaza, to conceal nothing. He can honorably tell his story. Foreigners have been gathering in California for years. The Commandante can easily test his disclosures, so lying would be useless. He believes either a British or American fleet will soon occupy California. The signs of the times have been unmistakable since the last return of the foreigners. Will he live to see the day? "Quien sabe?"

      Maxime sees a stern man of fifty seated in his official presence room. Commandante Miguel Peralta is clad in his undress cavalry uniform. The sergeant captor is in attendance, while at the door an armed sentinel hovers. This is the wolf's den. Maxime is wary and serious.

      "You are a Yankee, young man," begins the soldier. Maxime Valois' Creole blood stirs in his veins.

      "I am an American, Senor Commandante, from New Orleans. No Yankee!" he hotly answers, forgetting prudence. Peralta opens his eyes in vague wonder. No Yankee? He questions the rash prisoner. Valois tells the facts of Fremont's situation, but he firmly says he knows nothing of his future plans.

      "Why so?" demands Peralta. "Are you a common soldier?" Maxime explains his position as a volunteer.

      A pressing inquest follows. Maxime's frankness touches the Commandante favorably. "I will see you in a day or so. I shall hold you as a prisoner till I know if your chief means war. I may want you as an interpreter if I take the field."

      "Sergeant," he commands.

      The captor salutes his chief.

      "Has this young man told me the truth?"

      "As far as I know, Senior Don Miguel," is the reply.

      "See that he has all he wants. Keep him watched. If he behaves himself, let him move around. He is not to talk to any one. If he tries to escape, shoot him. If he wants to see me, let me know."

      The Commandante lights a Mexican cigar, and signs to the sergeant to remove his prisoner. Maxime sees a score of soldiers wandering around the sunny plaza, where a dozen fleet horses stand saddled. He feels escape is hopeless. As he moves to the door, the chapel bell rings out again, and with a sudden inspiration he halts.

      "Senior Commandante, can I see the priest?" he asks.

      "What for?" sharply demands the officer.

      "I am a Catholic, and would like to talk to him."

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