The Collected Works of John Buchan (Illustrated). Buchan John

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      The three days of storm ended in the night, and with the wild weather there departed from the Cruives something which had weighed on Dickson’s spirits since he first saw the place. Monday—only a week from the morning when he had conceived his plan of holiday—saw the return of the sun and the bland airs of spring. Beyond the blue of the yet restless waters rose dim mountains tipped with snow, like some Mediterranean seascape. Nesting birds were busy on the Laver banks and in the Huntingtower thickets; the village smoked peacefully to the clear skies; even the House looked cheerful if dishevelled. The Garple Dean was a garden of swaying larches, linnets, and wild anemones. Assuredly, thought Dickson, there had come a mighty change in the countryside, and he meditated a future discourse to the Literary Society of the Guthrie Memorial Kirk on “Natural Beauty in Relation to the Mind of Man.”

      It remains for the chronicler to gather up the loose ends of his tale. There was no newspaper story with bold headlines of this the most recent assault on the shores of Britain. Alexis Nicolaevitch, once a Prince of Muscovy and now Mr. Alexander Nicholson of the rising firm of Sprot and Nicholson of Melbourne, had interest enough to prevent it. For it was clear that if Saskia was to be saved from persecution, her enemies must disappear without trace from the world, and no story be told of the wild venture which was their undoing. The constabulary of Carrick and Scotland Yard were indisposed to ask questions, under a hint from their superiors, the more so as no serious damage had been done to the persons of His Majesty’s lieges, and no lives had been lost except by the violence of Nature. The Procurator-Fiscal investigated the case of the drowned men, and reported that so many foreign sailors, names and origins unknown, had perished in attempting to return to their ship at the Garplefoot. The Danish brig had vanished into the mist of the northern seas. But one signal calamity the Procurator-Fiscal had to record. The body of Loudon the factor was found on the Monday morning below the cliffs, his neck broken by a fall. In the darkness and confusion he must have tried to escape in that direction, and he had chosen an impracticable road or had slipped on the edge. It was returned as “death by misadventure,” and the Carrick Herald and the Auchenlochan Advertiser excelled themselves in eulogy. Mr. Loudon, they said, had been widely known in the south-west of Scotland as an able and trusted lawyer, an assiduous public servant, and not least as a good sportsman. It was the last trait which had led to his death, for, in his enthusiasm for wild nature, he had been studying bird life on the cliffs of the Cruives during the storm, and had made that fatal slip which had deprived the shire of a wise counsellor and the best of good fellows.

      The tinklers of the Garplefoot took themselves off, and where they may now be pursuing their devious courses is unknown to the chronicler. Dobson, too, disappeared, for he was not among the dead from the boats. He knew the neighbourhood, and probably made his way to some port from which he took passage to one or other of those foreign lands which had formerly been honoured by his patronage. Nor did all the Russians perish. Three were found skulking next morning in the woods, starving and ignorant of any tongue but their own, and five more came ashore much battered but alive. Alexis took charge of the eight survivors, and arranged to pay their passage to one of the British Dominions and to give them a start in a new life. They were broken creatures, with the dazed look of lost animals, and four of them had been peasants in Saskia’s estates. Alexis spoke to them in their own language. “In my grandfather’s time,” he said, “you were serfs. Then there came a change, and for some time you were free men. Now you have slipped back into being slaves again—the worst of slaveries, for you have been the serfs of fools and scoundrels and the black passion of your own hearts. I give you a chance of becoming free men once more. You have the task before you of working out your own salvation. Go, and God be with you.”

      Before we take leave of these companions of a single week I would present them to you again as they appeared on a certain sunny afternoon when the episode of Huntingtower was on the eve of closing. First we see Saskia and Alexis walking on the thymy sward of the cliff-top, looking out to the fretted blue of the sea. It is a fitting place for lovers—above all for lovers who have turned the page on a dark preface, and have before them still the long bright volume of life. The girl has her arm linked in the man’s, but as they walk she breaks often away from him, to dart into copses, to gather flowers, or to peer over the brink where the gulls wheel and oyster-catchers pipe among the shingle. She is no more the tragic muse of the past week, but a laughing child again, full of snatches of song, her eyes bright with expectation. They talk of the new world which lies before them, and her voice is happy. Then her brows contract, and, as she flings herself down on a patch of young heather, her air is thoughtful.

      “I have been back among fairy tales,” she says. “I do not quite understand, Alesha. Those gallant little boys! They are youth, and youth is always full of strangeness. Mr. Heritage! He is youth, too, and poetry, perhaps, and a soldier’s tradition. I think I know him… But what about Dickson? He is the petit bourgeois, the épicier, the class which the world ridicules. He is unbelievable. The others with good fortune I might find elsewhere—in Russia perhaps. But not Dickson.”

      “No,” is the answer. “You will not find him in Russia. He is what they call the middle-class, which we who were foolish used to laugh at. But he is the stuff which above all others makes a great people. He will endure when aristocracies crack and proletariats crumble. In our own land we have never known him, but till we create him our land will not be a nation.”

      Half a mile away on the edge of the Laver glen Dickson and Heritage are together, Dickson placidly smoking on a tree-stump and Heritage walking excitedly about and cutting with his stick at the bracken. Sundry bandages and strips of sticking plaster still adorn the Poet, but his clothes have been tidied up by Mrs. Morran, and he has recovered something of his old precision of garb. The eyes of both are fixed on the two figures on the cliff-top. Dickson feels acutely uneasy. It is the first time that he has been alone with Heritage since the arrival of Alexis shivered the Poet’s dream. He looks to see a tragic grief; to his amazement he beholds something very like exultation.

      “The trouble with you, Dogson,” says Heritage, “is that you’re a bit of an anarchist. All you false romantics are. You don’t see the extraordinary beauty of the conventions which time has consecrated. You always want novelty, you know, and the novel is usually the ugly and rarely the true. I am for romance, but upon the old, noble classic line.”

      Dickson is scarcely listening. His eyes are on the distant lovers, and he longs to say something which will gently and graciously express his sympathy with his friend.

      “I’m afraid,” he begins hesitatingly, “I’m afraid you’ve had a bad blow, Mr. Heritage. You’re taking it awful well, and I honour you for it.”

      The Poet flings back his head. “I am reconciled,” he says. “After all ‘tis better to have loved and lost,’ you know. It has been a great experience and has shown me my own heart. I love her, I shall always love her, but I realize that she was never meant for me. Thank God I’ve been able to serve her—that is all a moth can ask of a star. I’m a better man for it, Dogson. She will be a glorious memory, and Lord! what poetry I shall write! I give her up joyfully, for she has found her mate. ‘Let us not to the marriage of true minds admit impediments!’ The thing’s too perfect to grieve about… Look! There is romance incarnate.”

      He points to the figures now silhouetted against the further sea. “How does it go, Dogson?” he cries. “‘And on her lover’s arm she leant’— what next? You know the thing.”

      Dickson assists and Heritage declaims:

      “And on her lover’s arm she leant,

       And round her waist she felt it fold,

       And far across the hills they went

       In that new world which is the old:

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