The Greatest Works of J. M. Barrie: 90+ Titles in One Volume (Illustrated Edition). James Matthew Barrie

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      Chapter VI.

       Dead This Twenty Years

       Table of Contents

      In the lustiness of youth there are many who cannot feel that they, too, will die. The first fear stops the heart. Even then they would keep death at arm's length by making believe to disown him. Loved ones are taken away, and the boy, the girl, will not speak of them, as if that made the conqueror's triumph the less. In time the fire in the breast burns low, and then in the last glow of the embers, it is sweeter to hold to what has been than to think of what may be.

      Twenty years had passed since Joey ran down the brae to play. Jess, his mother, shook her staff fondly at him. A cart rumbled by, the driver nodding on the shaft. It rounded the corner and stopped suddenly, and then a woman screamed. A handful of men carried Joey's dead body to his mother, and that was the tragedy of Jess's life.

      Twenty years ago, and still Jess sat at the window, and still she heard that woman scream. Every other living being had forgotten Joey; even to Hendry he was now scarcely a name, but there were times when Jess's face quivered and her old arms went out for her dead boy.

      "God's will be done," she said, "but oh, I grudged Him my bairn terrible sair. I dinna want him back noo, an' ilka day is takkin' me nearer to him, but for mony a lang year I grudged him sair, sair. He was juist five minutes gone, an' they brocht him back deid, my Joey."

      On the Sabbath day Jess could not go to church, and it was then, I think, that she was with Joey most. There was often a blessed serenity on her face when we returned, that only comes to those who have risen from their knees with their prayers answered. Then she was very close to the boy who died. Long ago she could not look out from her window upon the brae, but now it was her seat in church. There on the Sabbath evenings she sometimes talked to me of Joey.

      "It's been a fine day," she would say, "juist like that day. I thank the Lord for the sunshine noo, but oh, I thocht at the time I couldna look at the sun shinin' again."

      "In all Thrums," she has told me, and I know it to be true, "there's no a better man than Hendry. There's them 'at's cleverer in the wys o' the world, but my man, Hendry McQumpha, never did naething in all his life 'at wasna weel intended, an' though his words is common, it's to the Lord he looks. I canna think but what Hendry's pleasin' to God. Oh, I dinna ken what to say wi' thankfulness to Him when I mind hoo guid he's been to me. There's Leeby 'at I couldna hae done withoot, me bein sae silly (weak bodily), an' ay Leeby's stuck by me an' gien up her life, as ye micht say, for me. Jamie—"

      But then Jess sometimes broke down.

      "He's so far awa," she said, after a time, "an' aye when he gangs back to London after his holidays he has a fear he'll never see me again, but he's terrified to mention it, an' I juist ken by the wy he taks haud o' me, an' comes runnin' back to tak haud o' me again. I ken fine what he's thinkin', but I daurna speak.

      "Guid is no word for what Jamie has been to me, but he wasna born till after Joey died. When we got Jamie, Hendry took to whistlin' again at the loom, an' Jamie juist filled Joey's place to him. Ay, but naebody could fill Joey's place to me. It's different to a man. A bairn's no the same to him, but a fell bit o' me was buried in my laddie's grave.

      "Jamie an' Joey was never nane the same nature. It was aye something in a shop, Jamie wanted to be, an' he never cared muckle for his books, but Joey hankered after being a minister, young as he was, an' a minister Hendry an' me would hae done our best to mak him. Mony, mony a time after he came in frae the kirk on the Sabbath he would stand up at this very window and wave his hands in a reverent way, juist like the minister. His first text was to be 'Thou God seest me.'

      "Ye'll wonder at me, but I've sat here in the lang fore-nichts dreamin' 'at Joey was a grown man noo, an' 'at I was puttin' on my bonnet to come to the kirk to hear him preach. Even as far back as twenty years an' mair I wasna able to gang aboot, but Joey would say to me, 'We'll get a carriage to ye, mother, so 'at ye can come and hear me preach on "Thou God seest me."' He would say to me, 'It doesna do, mother, for the minister in the pulpit to nod to ony of die fowk, but I'll gie you a look an' ye'll ken it's me.' Oh, Joey, I would hae gien you a look too, an' ye would hae kent what I was thinkin'. He often said, 'Ye'll be proud o' me, will ye no, mother, when ye see me comin' sailin' alang to the pulpit in my gown?' So I would hae been proud o' him, an' I was proud to hear him speakin' o't. 'The other fowk,' he said, 'will be sittin' in their seats wonderin' what my text's to be, but you'll ken, mother, an' you'll turn up to "Thou God seest me," afore I gie oot the chapter.' Ay, but that day he was coffined, for all the minister prayed, I found it hard to say, 'Thou God seest me.' It's the text I like best noo, though, an' when Hendry an' Leeby is at the kirk, I turn't up often, often in the Bible. I read frae the beginnin' o' the chapter, but when I come to 'Thou God seest me,' I stop. Na, it's no 'at there's ony rebellion to the Lord in my heart noo, for I ken He was lookin' doon when the cart gaed ower Joey, an' He wanted to tak my laddie to Himsel. But juist when I come to 'Thou God seest me,' I let the Book lie in my lap, for aince a body's sure o' that they're sure o' all. Ay, ye'll laugh, but I think, mebbe juist because I was his mother, 'at though Joey never lived to preach in a kirk, he's preached frae 'Thou God seest me' to me. I dinna ken 'at I would ever hae been sae sure o' that if it hadna been for him, an' so I think I see 'im sailin' doon to the pulpit juist as he said he would do. I seen him gien me the look he spoke o'—ay, he looks my wy first, an' I ken it's him. Naebody sees him but me, but I see him gien me the look he promised. He's so terrible near me, an' him dead, 'at wen my time comes I'll be rale willin' to go. I dinna say that to Jamie, because he all trembles; but I'm auld noo, an' I'm no nane loth to gang."

      Jess's staff probably had a history before it became hers, for, as known to me, it was always old and black. If we studied them sufficiently we might discover that staves age perceptibly just as the hair turns grey. At the risk of being thought fanciful I dare to say that in inanimate objects, as in ourselves, there is honourable and shameful old age, and that to me Jess's staff was a symbol of the good, the true. It rested against her in the window, and she was so helpless without it when on her feet, that to those who saw much of her it was part of herself. The staff was very short, nearly a foot having been cut, as I think she once told me herself, from the original, of which to make a porridge thieval (or stick СКАЧАТЬ