Название: The Complete Novels
Автор: Nathaniel Hawthorne
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027235001
isbn:
It was not merely during the three hours and a half which Uncle Sam claimed as his share of my daily life that this wretched numbness held possession of me. It went with me on my seashore walks and rambles into the country, whenever — which was seldom and reluctantly — I bestirred myself to seek that invigorating charm of Nature which used to give me such freshness and activity of thought, the moment that I stepped across the threshold of the Old Manse. The same torpor, as regarded the capacity for intellectual effort, accompanied me home, and weighed upon me in the chamber which I most absurdly termed my study. Nor did it quit me when, late at night, I sat in the deserted parlour, lighted only by the glimmering coal-fire and the moon, striving to picture forth imaginary scenes, which, the next day, might flow out on the brightening page in many-hued description.
If the imaginative faculty refused to act at such an hour, it might well be deemed a hopeless case. Moonlight, in a familiar room, falling so white upon the carpet, and showing all its figures so distinctly — making every object so minutely visible, yet so unlike a morning or noontide visibility — is a medium the most suitable for a romance-writer to get acquainted with his illusive guests. There is the little domestic scenery of the well-known apartment; the chairs, with each its separate individuality; the centre-table, sustaining a work-basket, a volume or two, and an extinguished lamp; the sofa; the bookcase; the picture on the wall — all these details, so completely seen, are so spiritualised by the unusual light, that they seem to lose their actual substance, and become things of intellect. Nothing is too small or too trifling to undergo this change, and acquire dignity thereby. A child’s shoe; the doll, seated in her little wicker carriage; the hobby-horse — whatever, in a word, has been used or played with during the day is now invested with a quality of strangeness and remoteness, though still almost as vividly present as by daylight. Thus, therefore, the floor of our familiar room has become a neutral territory, somewhere between the real world and fairyland, where the Actual and the Imaginary may meet, and each imbue itself with the nature of the other. Ghosts might enter here without affrighting us. It would be too much in keeping with the scene to excite surprise, were we to look about us and discover a form, beloved, but gone hence, now sitting quietly in a streak of this magic moonshine, with an aspect that would make us doubt whether it had returned from afar, or had never once stirred from our fireside.
The somewhat dim coal fire has an essential Influence in producing the effect which I would describe. It throws its unobtrusive tinge throughout the room, with a faint ruddiness upon the walls and ceiling, and a reflected gleam upon the polish of the furniture. This warmer light mingles itself with the cold spirituality of the moonbeams, and communicates, as it were, a heart and sensibilities of human tenderness to the forms which fancy summons up. It converts them from snow-images into men and women. Glancing at the looking-glass, we behold — deep within its haunted verge — the smouldering glow of the half-extinguished anthracite, the white moonbeams on the floor, and a repetition of all the gleam and shadow of the picture, with one remove further from the actual, and nearer to the imaginative. Then, at such an hour, and with this scene before him, if a man, sitting all alone, cannot dream strange things, and make them look like truth, he need never try to write romances.
But, for myself, during the whole of my Custom-House experience, moonlight and sunshine, and the glow of firelight, were just alike in my regard; and neither of them was of one whit more avail than the twinkle of a tallow-candle. An entire class of susceptibilities, and a gift connected with them — of no great richness or value, but the best I had — was gone from me.
It is my belief, however, that had I attempted a different order of composition, my faculties would not have been found so pointless and inefficacious. I might, for instance, have contented myself with writing out the narratives of a veteran shipmaster, one of the Inspectors, whom I should be most ungrateful not to mention, since scarcely a day passed that he did not stir me to laughter and admiration by his marvelous gifts as a storyteller. Could I have preserved the picturesque force of his style, and the humourous colouring which nature taught him how to throw over his descriptions, the result, I honestly believe, would have been something new in literature. Or I might readily have found a more serious task. It was a folly, with the materiality of this daily life pressing so intrusively upon me, to attempt to fling myself back into another age, or to insist on creating the semblance of a world out of airy matter, when, at every moment, the impalpable beauty of my soap-bubble was broken by the rude contact of some actual circumstance. The wiser effort would have been to diffuse thought and imagination through the opaque substance of to-day, and thus to make it a bright transparency; to spiritualise the burden that began to weigh so heavily; to seek, resolutely, the true and indestructible value that lay hidden in the petty and wearisome incidents, and ordinary characters with which I was now conversant. The fault was mine. The page of life that was spread out before me seemed dull and commonplace only because I had not fathomed its deeper import. A better book than I shall ever write was there; leaf after leaf presenting itself to me, just as it was written out by the reality of the flitting hour, and vanishing as fast as written, only because my brain wanted the insight, and my hand the cunning, to transcribe it. At some future day, it may be, I shall remember a few scattered fragments and broken paragraphs, and write them down, and find the letters turn to gold upon the page.
These perceptions had come too late. At the Instant, I was only conscious that what would have been a pleasure once was now a hopeless toil. There was no occasion to make much moan about this state of affairs. I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is anything but agreeable to be haunted by a suspicion that one’s intellect is dwindling away, or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact there could be no doubt and, examining myself and others, I was led to conclusions, in reference to the effect of public office on the character, not very favourable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say that a Custom-House officer of long continuance can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which — though, I trust, an honest one — is of such a sort that he does not share in the united effort of mankind.
An effect — which I believe to be observable, more or less, in every individual who has occupied the position — is, that while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possesses an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer — fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world — may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity — that his tempered steel and elasticity are lost — he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual СКАЧАТЬ