Some Must Watch (British Murder Mystery). Ethel Lina White

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      For all that, it offered a solidly resistant front to the solitude. Its state of excellent repair was evidence that no money was spared to keep it weather-proof. There was no blistered paint, no defective guttering. The whole was somehow suggestive of a house which, at a pinch, could be rendered secure as an armoured car.

      It glowed with electric-light, for Oates' principal duty was to work the generating plant. A single wire overhead was also a comfortable reassurance of its link with civilisation.

      Helen no longer felt any wish to linger outside. The evening mists were rising so that the evergreen shrubs, which clumped the lawn, appeared to quiver into life. Viewed through a veil of vapour, they looked black and grim, like mourners assisting at a funeral.

      "If I don't hurry, they'll get between me and the house, and head me off," Helen told herself, still playing her favourite game of make-believe. She had some excuse for her childishness, since her sole relaxation had been a tramp through muddy blind lanes, instead of three hours at the Pictures.

      She ran eagerly up the steps, and, after a guilty glance at her shoes, put in some vigorous foot-work on the huge iron scraper. Her latch-key was still in the lock, where she had left it, before her swoop down the drive. As she turned it, and heard the spring lock snap behind her, shutting her inside, she was aware of a definite sense of shelter.

      The house seemed a solid hive of comfort, honey-combed with golden cells, each glowing with light and warmth. It buzzed with voices, it offered company, and protection.

      In spite of her appreciation, the interior of the Summit would have appalled a modern decorator. The lobby was floored with black and ginger tiles, on which lay a black fur rug. Its furniture consisted of a chair with carved arms, a terra cotta drain-pipe, to hold umbrellas, and a small palm on a stand of peacock-blue porcelain.

      Pushing open the swing-doors, Helen entered the hall, which was entirely carpeted with peacock-blue pile, and dark with massive mahogany. The strains of wireless struggled through the heavy curtain which muffled the drawing-room door, and the humid air was scented with potted primulas, blended with orange-pekoe tea.

      Although Helen's movements had been discreet, someone with keen hearing had heard the swing of the lobby doors. The velvet folds of the portiere were pushed aside, and a voice cried out in petulant eagerness.

      "Stephen, you. Oh, it's you."

      Helen was swift to notice the drop in young Mrs. Warren's voice.

      "So you were listening for him, my dear," she deduced. "And dressed up, like a mannequin."

      Her glance of respect was reserved for the black-and-white satin tea-frock, which gave the impression that Simone had been imported straight from the London Restaurant, thé dansant, together with the music. She also followed the conventions of fashion in such details as artificial lips and eyebrows superimposed on the original structure. Her glossy black hair was sleeked back into curls, resting on the nape of her neck, and her nails were polished vermilion.

      But in spite of long slanting lines, painted over shaven arches, and a tiny bow of crimson constricting her natural mouth, she had not advanced far from the cave. Her eyes glowed with primitive fire, and her expression hinted at a passionate nature. She was either a beautiful savage, or the last word in modern civilisation, demanding self-expression.

      The result was, the same—a girl who would do exactly as she chose.

      As she looked down, from her own superior height, at Helen's small, erect figure, the contrast between them was sharp. The girl was hatless, and wore a shabby tweed coat, which was furred with moisture. She brought back with her the outside elements, mud on her boots, the wind in her cheeks, and glittering drops on her mop of ginger hair.

      "Do you know where Mr. Rice is?" demanded Simone.

      "He went out of the gate, just before me," replied Helen, who was a born opportunist, and always managed to be present at the important entrances and exits. "And I heard him saying something about 'wishing good-bye.'"

      Simone's face clouded at the reminder that the pupil was going home on the morrow. She turned sharply, when her husband peered over her shoulder, like an inquisitive bird. He was tall, with a jagged crest of red hair, and horn-rimmed glasses.

      "The tea's growing stewed," he said, in a high-pitched voice. "We're not going to wait any longer for Rice."

      "I am," Simone told him.

      "But the tea-cake's getting cold."

      "I adore cold muffin."

      "Well—won't you pour out for me?"

      "Sorry, darling. One of the things my mother never taught me."

      "I see." Newton shrugged as he turned away. "I hope the noble Rice will appreciate your sacrifice."

      Simone pretended not to hear, as she spoke to Helen, who had also feigned deafness.

      "When you see Mr. Rice, tell him we're waiting tea for him."

      Helen realised that the entertainment was over, or rather, that the scene had been ruthlessly cut, just when she was looking forward to reprisals from Simone.

      She walked rather' reluctantly upstairs, until she reached the first landing, where she paused, to listen, outside the blue room. It always challenged her curiosity, because of the formidable old invalid who lay within, invisible, but paragraphed, like some legendary character.

      As she could hear the murmur of Miss Warren's voice—for the step-daughter was acting as deputy nurse—she decided to slip into her room, to put it ready for the night.

      The Summit was a three-storied house, with two staircases and a semi-basement. A bathroom on each floor and no water during a drought. The family—consisting of old Lady Warren, the Professor, and Miss Warren—slept on the first floor, while the spare-rooms were on the second. The top attics housed the domestic staff—when any—and, at present, was only occupied by the Oates couple.

      Newton now counted as a visitor, for he and his wife had the big red room, on the second floor, while his old room, which connected with the bedrooms of Lady Warren and the Professor, was turned into the nurse's sitting-room.

      As Helen opened the door of Miss Warren's room, a small incident occurred which was fraught with future significance. The handle slipped round in her grip, so that she had to exert pressure in order to turn the knob.

      "A screw's loose," she thought. "Directly I've time I'll get the screwdriver and put it right."

      Anyone acquainted with Helen's characteristics would know that she always manufactured leisure for an unfamiliar job, even if she had to neglect some legitimate duty. It was the infusion of novelty into her dull routine which helped to keep undimmed her passionate zest for life.

      Miss Warren's room was sombre and bare, with brown wallpaper, curtains, and cretonne. An old-gold cushion supplied the sole touch of colour. It was essentially the sanctum of a student, for books overflowed from the numerous shelves and cases, while the desk was littered with papers.

      Helen was rather surprised to find that the shutters were fastened already, while the small green-shaded lamp over the bureau gleamed like a cat's eye.'

      As she returned to the landing, Miss СКАЧАТЬ