Christmas Classics: Charles Dickens Collection (With Original Illustrations). Charles Dickens

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      Tackleton the Toy-merchant, pretty generally known as Gruff and Tackleton—for that was the firm, though Gruff had been bought out long ago; only leaving his name, and as some said his nature, according to its Dictionary meaning, in the business—Tackleton the Toy-merchant, was a man whose vocation had been quite misunderstood by his Parents and Guardians. If they had made him a Money Lender, or a sharp Attorney, or a Sheriff’s Officer, or a Broker, he might have sown his discontented oats in his youth, and, after having had the full run of himself in ill-natured transactions, might have turned out amiable, at last, for the sake of a little freshness and novelty. But, cramped and chafing in the peaceable pursuit of toymaking, he was a domestic Ogre, who had been living on children all his life, and was their implacable enemy. He despised all toys; wouldn’t have bought one for the world; delighted, in his malice, to insinuate grim expressions into the faces of brown-paper farmers who drove pigs to market, bellmen who advertised lost lawyers’ consciences, movable old ladies who darned stockings or carved pies; and other like samples of his stock in trade. In appalling masks; hideous, hairy, red-eyed Jacks in Boxes; Vampire Kites; demoniacal Tumblers who wouldn’t lie down, and were perpetually flying forward, to stare infants out of countenance; his soul perfectly revelled. They were his only relief, and safety-valve. He was great in such inventions. Anything suggestive of a Pony-nightmare was delicious to him. He had even lost money (and he took to that toy very kindly) by getting up Goblin slides for magic-lanterns, whereon the Powers of Darkness were depicted as a sort of supernatural shell-fish, with human faces. In intensifying the portraiture of Giants, he had sunk quite a little capital; and, though no painter himself, he could indicate, for the instruction of his artists, with a piece of chalk, a certain furtive leer for the countenances of those monsters, which was safe to destroy the peace of mind of any young gentleman between the ages of six and eleven, for the whole Christmas or Midsummer Vacation.

      What he was in toys, he was (as most men are) in other things. You may easily suppose, therefore, that within the great green cape, which reached down to the calves of his legs, there was buttoned up to the chin an uncommonly pleasant fellow; and that he was about as choice a spirit, and as agreeable a companion, as ever stood in a pair of bull-headed-looking boots with mahogany-coloured tops.

      Still, Tackleton, the toy-merchant, was going to be married. In spite of all this, he was going to be married. And to a young wife too, a beautiful young wife.

      He didn’t look much like a bridegroom, as he stood in the Carrier’s kitchen, with a twist in his dry face, and a screw in his body, and his hat jerked over the bridge of his nose, and his hands tucked down into the bottoms of his pockets, and his whole sarcastic ill-conditioned self peering out of one little corner of one little eye, like the concentrated essence of any number of ravens. But, a Bridegroom he designed to be.

      ‘In three days’ time. Next Thursday. The last day of the first month in the year. That’s my wedding-day,’ said Tackleton.

      Did I mention that he had always one eye wide open, and one eye nearly shut; and that the one eye nearly shut, was always the expressive eye? I don’t think I did.

      ‘That’s my wedding-day!’ said Tackleton, rattling his money.

      ‘Why, it’s our wedding-day too,’ exclaimed the Carrier.

      ‘Ha ha!’ laughed Tackleton. ‘Odd! You’re just such another couple. Just!’

      The indignation of Dot at this presumptuous assertion is not to be described. What next? His imagination would compass the possibility of just such another Baby, perhaps. The man was mad.

      ‘I say! A word with you,’ murmured Tackleton, nudging the Carrier with his elbow, and taking him a little apart. ‘You’ll come to the wedding? We’re in the same boat, you know.’

      ‘How in the same boat?’ inquired the Carrier.

      ‘A little disparity, you know,’ said Tackleton, with another nudge. ‘Come and spend an evening with us, beforehand.’

      ‘Why?’ demanded John, astonished at this pressing hospitality.

      ‘Why?’ returned the other. ‘That’s a new way of receiving an invitation. Why, for pleasure—sociability, you know, and all that!’

      ‘I thought you were never sociable,’ said John, in his plain way.

      ‘Tchah! It’s of no use to be anything but free with you, I see,’ said Tackleton. ‘Why, then, the truth is you have a—what tea-drinking people call a sort of a comfortable appearance together, you and your wife. We know better, you know, but—’

      ‘No, we don’t know better,’ interposed John. ‘What are you talking about?’

      ‘Well! We don’t know better, then,’ said Tackleton. ‘We’ll agree that we don’t. As you like; what does it matter? I was going to say, as you have that sort of appearance, your company will produce a favourable effect on Mrs. Tackleton that will be. And, though I don’t think your good lady’s very friendly to me, in this matter, still she can’t help herself from falling into my views, for there’s a compactness and cosiness of appearance about her that always tells, even in an indifferent case. You’ll say you’ll come?’

      ‘We have arranged to keep our Wedding-Day (as far as that goes) at home,’ said John. ‘We have made the promise to ourselves these six months. We think, you see, that home—’

      ‘Bah! what’s home?’ cried Tackleton. ‘Four walls and a ceiling! (why don’t you kill that Cricket? I would! I always do. I hate their noise.) There are four walls and a ceiling at my house. Come to me!’

      ‘You kill your Crickets, eh?’ said John.

      ‘Scrunch ’em, sir,’ returned the other, setting his heel heavily on the floor. ‘You’ll say you’ll come? it’s as much your interest as mine, you know, that the women should persuade each other that they’re quiet and contented, and couldn’t be better off. I know their way. Whatever one woman says, another woman is determined to clinch, always. There’s that spirit of emulation among ’em, sir, that if your wife says to my wife, “I’m the happiest woman in the world, and mine’s the best husband in the world, and I dote on him,” my wife will say the same to yours, or more, and half believe it.’

      ‘Do you mean to say she don’t, then?’ asked the Carrier.

      ‘Don’t!’ cried Tackleton, with a short, sharp laugh. ‘Don’t what?’

      The Carrier had some faint idea of adding, ‘dote upon you.’ But, happening to meet the half-closed eye, as it twinkled upon him over the turned-up collar of the cape, which was within an ace of poking it out, he felt it such an unlikely part and parcel of anything to be doted on, that he substituted, ‘that she don’t believe it?’

      ‘Ah you dog! You’re joking,’ said Tackleton.

      But the Carrier, though slow to understand the full drift of his meaning, eyed him in such a serious manner, that he was obliged to be a little more explanatory.

      ‘I have the humour,’ said Tackleton: holding up the fingers of his left hand, and tapping the forefinger, to imply ‘there I am, Tackleton to wit:’ ‘I have the humour, sir, to marry a young wife, and a pretty wife:’ here he rapped his little finger, to express the Bride; not sparingly, but sharply; with a sense of power. ‘I’m able to gratify that humour and I do. It’s my whim. But—now look there!’

      He pointed to where Dot was sitting, thoughtfully, СКАЧАТЬ