CLAYHANGER. Arnold Bennett

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      Chapter Twelve.

      Machinery.

      Table of Contents

      Rather more than a week later, Edwin had so far entered into the life of his father’s business that he could fully share the excitement caused by an impending solemnity in the printing office. He was somewhat pleased with himself, and especially with his seriousness. The memory of school was slipping away from him in the most extraordinary manner. His only school-friend, Charlie Orgreave, had departed, with all the multitudinous Orgreaves, for a month in Wales. He might have written to the Sunday; the Sunday might have written to him: but the idea of writing did not occur to either of them; they were both still sufficiently childlike to accept with fatalism all the consequences of parental caprice. Orgreave senior had taken his family to Wales; the boys were thus separated, and there was an end of it. Edwin regretted this, because Orgreave senior happened to be a very successful architect, and hence there were possibilities of getting into an architectural atmosphere. He had never been inside the home of the Sunday, nor the Sunday in his—a schoolboy friendship can flourish in perfect independence of home—but he nervously hoped that on the return of the Orgreave regiment from Wales, something favourable to his ambitions—he knew not what—would come to pass. In the meantime he was conscientiously doing his best to acquire a business training, as his father had suggested. He gave himself with an enthusiasm almost religious to the study of business methods. All the force of his resolve to perfect himself went for the moment into this immediate enterprise, and he was sorry that business methods were not more complex, mysterious, and original than they seemed to be: he was also sorry that his father did not show a greater interest in his industry and progress.

      He no longer wanted to ‘play’ now. He despised play. His unique wish was to work. It struck him as curious and delightful that he really enjoyed work. Work had indeed become play. He could not do enough work to satisfy his appetite. And after the work of the day, scorning all silly notions about exercise and relaxation, he would spend the evening in his beautiful new attic, copying designs, which he would sometimes rise early to finish. He thought he had conquered the gross body, and that it was of no account. Even the desolating failures which his copies invariably proved did not much discourage him; besides, one of them had impressed both Maggie and Clara. He copied with laborious ardour undiminished. And further, he masterfully appropriated Maggie’s ticket for the Free Library, pending the preliminaries to the possession of a ticket of his own, to procure a volume on architecture. From timidity, from a singular false shame, he kept this volume in the attic, like a crime; nobody knew what the volume was. Evidence of a strange trait in his character; a trait perhaps not defensible! He argued with himself that having told his father plainly that he wanted to be an architect, he need do nothing else aggressive for the present. He had agreed to the suggestion about business training, and he must be loyal to his agreement. He pointed out to himself how right his father was. At sixteen one could scarcely begin to be an architect; it was too soon; and a good business training would not be out of place in any career or profession.

      He was so wrapped up in his days and his nights that he forgot to inquire why earthenware was made in just the Five Towns. He had grown too serious for trifles—and all in about a week! True, he was feeling the temporary excitement of the printing office, which was perhaps expressed boyishly by the printing staff; but he reckoned that his share of it was quite adult, frowningly superior, and in a strictly business sense justifiable and even proper.

      Two.

      Darius Clayhanger’s printing office was a fine example of the policy of makeshift which governed and still governs the commercial activity of the Five Towns. It consisted of the first floor of a nondescript building which stood at the bottom of the irregularly shaped yard behind the house and shop, and which formed the southern boundary of the Clayhanger premises. The antique building had once been part of an old-fashioned pot-works, but that must have been in the eighteenth century. Kilns and chimneys of all ages, sizes, and tints rose behind it to prove that this part of the town was one of the old manufacturing quarters. The ground-floor of the building, entirely inaccessible from Clayhanger’s yard, had a separate entrance of its own in an alley that branched off from Woodisun Bank, ran parallel to Wedgwood Street, and stopped abruptly at the back gate of a saddler’s workshop. In the narrow entry you were like a creeping animal amid the undergrowth of a forest of chimneys, ovens, and high blank walls. This ground-floor had been a stable for many years; it was now, however, a baker’s storeroom. Once there had been an interior staircase leading from the ground-floor to the first-floor, but it had been suppressed in order to save floor space, and an exterior staircase constructed with its foot in Clayhanger’s yard. To meet the requirement of the staircase, one of the first-floor windows had been transformed into a door. Further, as the staircase came against one of the ground-floor windows, and as Clayhanger’s predecessor had objected to those alien windows overlooking his yard, and as numerous windows were anyhow unnecessary to a stable, all the ground-floor windows had been closed up with oddments of brick and tile, giving to the wall a very variegated and chequered appearance. Thus the ground-floor and the first-floor were absolutely divorced, the former having its entrance and light from the public alley, the latter from the private yard.

      The first-floor had been a printing office for over seventy years. All the machinery in it had had to be manoeuvred up the rickety stairs, or put through one of the windows on either side of the window that had been turned into a door. When Darius Clayhanger, in his audacity, decided to print by steam, many people imagined that he would at last be compelled to rent the ground-floor or to take other premises. But no! The elasticity of the makeshift policy was not yet fully stretched. Darius, in consultation with a jobbing builder, came happily to the conclusion that he could ‘manage,’ that he could ‘make things do,’ by adding to the top of his stairs a little landing for an engine-shed. This was done, and the engine and boiler perched in the air; the shaft of the engine went through the wall; the chimney-pipe of the boiler ran up straight to the level of the roof-ridge, and was stayed with pieces of wire. A new chimney had also been pierced in the middle of the roof, for the uses of a heating stove. The original chimneys had been allowed to fall into decay. Finally, a new large skylight added interest to the roof. In a general way, the building resembled a suit of clothes that had been worn, during four of the seven ages of man, by an untidy husband with a tidy and economical wife, and then given by the wife to a poor relation of a somewhat different figure to finish. All that could be said of it was that it survived and served.

      But these considerations occurred to nobody.

      Three.

      Edwin, quite unaware that he was an instrument in the hands of his Auntie Clara’s Providence, left the shop without due excuse and passed down the long blue-paved yard towards the printing office. He imagined that he was being drawn thither simply by his own curiosity—a curiosity, however, which he considered to be justifiable, and even laudable. The yard showed signs that the unusual had lately been happening there. Its brick pavement, in the narrow branch of it that led to the double gates in Woodisun Bank (those gates which said to the casual visitor, ‘No Admittance except on Business’), was muddy, littered, and damaged, as though a Juggernaut had passed that way. Ladders reclined against the walls. Moreover, one of the windows of the office had been taken out of its frame, leaving naught but an oblong aperture. Through this aperture Edwin could see the busy, eager forms of his father, Big James, and Chawner. Through this aperture had been lifted, in parts and by the employment of every possible combination of lever and pulley, the printing machine which Darius Clayhanger had so successfully purchased in Manchester on the day of the free-and-easy at the Dragon.

      At the top of the flight of steps two apprentices, one nearly ‘out of his time,’ were ministering to the engine, which that morning did not happen to be running. The engine, СКАЧАТЬ