Collected Works. Edgar Rice Burroughs

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СКАЧАТЬ one there felt sorrow because of the death of Rabba Kega; but each of the blacks experienced a personal fear of the ingenious mind which might discover for any of them a death equally horrible to that which the witch-doctor had suffered. It was a subdued and thoughtful company which dragged the captive lion along the broad elephant path back to the village of Mbonga, the chief.

      And it was with a sigh of relief that they finally rolled it into the village and closed the gates behind them. Each had experienced the sensation of being spied upon from the moment they left the spot where the trap had been set, though none had seen or heard aught to give tangible food to his fears.

      At the sight of the body within the cage with the lion, the women and children of the village set up a most frightful lamentation, working themselves into a joyous hysteria which far transcended the happy misery derived by their more civilized prototypes who make a business of dividing their time between the movies and the neighborhood funerals of friends and strangers—especially strangers.

      From a tree overhanging the palisade, Tarzan watched all that passed within the village. He saw the frenzied women tantalizing the great lion with sticks and stones. The cruelty of the blacks toward a captive always induced in Tarzan a feeling of angry contempt for the Gomangani. Had he attempted to analyze this feeling he would have found it difficult, for during all his life he had been accustomed to sights of suffering and cruelty. He, himself, was cruel. All the beasts of the jungle were cruel; but the cruelty of the blacks was of a different order. It was the cruelty of wanton torture of the helpless, while the cruelty of Tarzan and the other beasts was the cruelty of necessity or of passion.

      Perhaps, had he known it, he might have credited this feeling of repugnance at the sight of unnecessary suffering to heredity—to the germ of British love of fair play which had been bequeathed to him by his father and his mother; but, of course, he did not know, since he still believed that his mother had been Kala, the great ape.

      And just in proportion as his anger rose against the Gomangani his savage sympathy went out to Numa, the lion, for, though Numa was his lifetime enemy, there was neither bitterness nor contempt in Tarzan's sentiments toward him. In the ape-man's mind, therefore, the determination formed to thwart the blacks and liberate the lion; but he must accomplish this in some way which would cause the Gomangani the greatest chagrin and discomfiture.

      As he squatted there watching the proceeding beneath him, he saw the warriors seize upon the cage once more and drag it between two huts. Tarzan knew that it would remain there now until evening, and that the blacks were planning a feast and orgy in celebration of their capture. When he saw that two warriors were placed beside the cage, and that these drove off the women and children and young men who would have eventually tortured Numa to death, he knew that the lion would be safe until he was needed for the evening's entertainment, when he would be more cruelly and scientifically tortured for the edification of the entire tribe.

      Now Tarzan preferred to bait the blacks in as theatric a manner as his fertile imagination could evolve. He had some half-formed conception of their superstitious fears and of their especial dread of night, and so he decided to wait until darkness fell and the blacks partially worked to hysteria by their dancing and religious rites before he took any steps toward the freeing of Numa. In the meantime, he hoped, an idea adequate to the possibilities of the various factors at hand would occur to him. Nor was it long before one did.

      He had swung off through the jungle to search for food when the plan came to him. At first it made him smile a little and then look dubious, for he still retained a vivid memory of the dire results that had followed the carrying out of a very wonderful idea along almost identical lines, yet he did not abandon his intention, and a moment later, food temporarily forgotten, he was swinging through the middle terraces in rapid flight toward the stamping ground of the tribe of Kerchak, the great ape.

      As was his wont, he alighted in the midst of the little band without announcing his approach save by a hideous scream just as he sprang from a branch above them. Fortunate are the apes of Kerchak that their kind is not subject to heart failure, for the methods of Tarzan subjected them to one severe shock after another, nor could they ever accustom themselves to the ape-man's peculiar style of humor.

      Now, when they saw who it was they merely snarled and grumbled angrily for a moment and then resumed their feeding or their napping which he had interrupted, and he, having had his little joke, made his way to the hollow tree where he kept his treasures hid from the inquisitive eyes and fingers of his fellows and the mischievous little manus. Here he withdrew a closely rolled hide—the hide of Numa with the head on; a clever bit of primitive curing and mounting, which had once been the property of the witch-doctor, Rabba Kega, until Tarzan had stolen it from the village.

      With this he made his way back through the jungle toward the village of the blacks, stopping to hunt and feed upon the way, and, in the afternoon, even napping for an hour, so that it was already dusk when he entered the great tree which overhung the palisade and gave him a view of the entire village. He saw that Numa was still alive and that the guards were even dozing beside the cage. A lion is no great novelty to a black man in the lion country, and the first keen edge of their desire to worry the brute having worn off, the villagers paid little or no attention to the great cat, preferring now to await the grand event of the night.

      Nor was it long after dark before the festivities commenced. To the beating of tom-toms, a lone warrior, crouched half doubled, leaped into the firelight in the center of a great circle of other warriors, behind whom stood or squatted the women and the children. The dancer was painted and armed for the hunt and his movements and gestures suggested the search for the spoor of game. Bending low, sometimes resting for a moment on one knee, he searched the ground for signs of the quarry; again he poised, statuesque, listening. The warrior was young and lithe and graceful; he was full-muscled and arrow-straight. The firelight glistened upon his ebon body and brought out into bold relief the grotesque designs painted upon his face, breasts, and abdomen.

      Presently he bent low to the earth, then leaped high in air. Every line of face and body showed that he had struck the scent. Immediately he leaped toward the circle of warriors about him, telling them of his find and summoning them to the hunt. It was all in pantomime; but so truly done that even Tarzan could follow it all to the least detail.

      He saw the other warriors grasp their hunting spears and leap to their feet to join in the graceful, stealthy "stalking dance." It was very interesting; but Tarzan realized that if he was to carry his design to a successful conclusion he must act quickly. He had seen these dances before and knew that after the stalk would come the game at bay and then the kill, during which Numa would be surrounded by warriors, and unapproachable.

      With the lion's skin under one arm the ape-man dropped to the ground in the dense shadows beneath the tree and then circled behind the huts until he came out directly in the rear of the cage, in which Numa paced nervously to and fro. The cage was now unguarded, the two warriors having left it to take their places among the other dancers.

      Behind the cage Tarzan adjusted the lion's skin about him, just as he had upon that memorable occasion when the apes of Kerchak, failing to pierce his disguise, had all but slain him. Then, on hands and knees, he crept forward, emerged from between the two huts and stood a few paces back of the dusky audience, whose whole attention was centered upon the dancers before them.

      Tarzan saw that the blacks had now worked themselves to a proper pitch of nervous excitement to be ripe for the lion. In a moment the ring of spectators would break at a point nearest the caged lion and the victim would be rolled into the center of the circle. It was for this moment that Tarzan waited.

      At last it came. A signal was given by Mbonga, the chief, at which the women and children immediately in front of Tarzan rose and moved to one side, leaving a broad path opening toward the caged lion. СКАЧАТЬ