Название: The Complete Works
Автор: George Eliot
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027233564
isbn:
She heard his heavy step on the stairs; she saw the slowly advancing light. Then she saw the tall massive figure, and the heavy face, now fierce with drunken rage. He had nothing but the candle in his hand. He set it down on the table, and advanced close to the bed.
‘So you think you’ll defy me, do you? We’ll see how long that will last. Get up, madam; out of bed this instant!’
In the close presence of the dreadful man—of this huge crushing force, armed with savage will—poor Janet’s desperate defiance all forsook her, and her terrors came back. Trembling she got up, and stood helpless in her night-dress before her husband.
He seized her with his heavy grasp by the shoulder, and pushed her before him.
‘I’ll cool your hot spirit for you! I’ll teach you to brave me!’
Slowly he pushed her along before him, down stairs and through the passage, where a small oil-lamp was still flickering. What was he going to do to her? She thought every moment he was going to dash her before him on the ground. But she gave no scream—she only trembled.
He pushed her on to the entrance, and held her firmly in his grasp while he lifted the latch of the door. Then he opened the door a little way, thrust her out, and slammed it behind her.
For a short space, it seemed like a deliverance to Janet. The harsh north-east wind, that blew through her thin night-dress, and sent her long heavy black hair streaming, seemed like the breath of pity after the grasp of that threatening monster. But soon the sense of release from an overpowering terror gave way before the sense of the fate that had really come upon her.
This, then, was what she had been travelling towards through her long years of misery! Not yet death. O! if she had been brave enough for it, death would have been better. The servants slept at the back of the house; it was impossible to make them hear, so that they might let her in again quietly, without her husband’s knowledge. And she would not have tried. He had thrust her out, and it should be for ever.
There would have been dead silence in Orchard Street but for the whistling of the wind and the swirling of the March dust on the pavement. Thick clouds covered the sky; every door was closed; every window was dark. No ray of light fell on the tall white figure that stood in lonely misery on the doorstep; no eye rested on Janet as she sank down on the cold stone, and looked into the dismal night. She seemed to be looking into her own blank future.
Chapter XV.
The stony street, the bitter north-east wind and darkness—and in the midst of them a tender woman thrust out from her husband’s home in her thin night-dress, the harsh wind cutting her naked feet, and driving her long hair away from her half-clad bosom, where the poor heart is crushed with anguish and despair.
The drowning man, urged by the supreme agony, lives in an instant through all his happy and unhappy past: when the dark flood has fallen like a curtain, memory, in a single moment, sees the drama acted over again. And even in those earlier crises, which are but types of death—when we are cut off abruptly from the life we have known, when we can no longer expect tomorrow to resemble yesterday, and find ourselves by some sudden shock on the confines of the unknown—there is often the same sort of lightning-flash through the dark and unfrequented chambers of memory.
When Janet sat down shivering on the door-stone, with the door shut upon her past life, and the future black and unshapen before her as the night, the scenes of her childhood, her youth and her painful womanhood, rushed back upon her consciousness, and made one picture with her present desolation. The petted child taking her newest toy to bed with her—the young girl, proud in strength and beauty, dreaming that life was an easy thing, and that it was pitiful weakness to be unhappy—the bride, passing with trembling joy from the outer court to the inner sanctuary of woman’s life—the wife, beginning her initiation into sorrow, wounded, resenting, yet still hoping and forgiving—the poor bruised woman, seeking through weary years the one refuge of despair, oblivion:—Janet seemed to herself all these in the same moment that she was conscious of being seated on the cold stone under the shock of a new misery. All her early gladness, all her bright hopes and illusions, all her gifts of beauty and affection, served only to darken the riddle of her life; they were the betraying promises of a cruel destiny which had brought out those sweet blossoms only that the winds and storms might have a greater work of desolation, which had nursed her like a pet fawn into tenderness and fond expectation, only that she might feel a keener terror in the clutch of the panther. Her mother had sometimes said that troubles were sent to make us better and draw us nearer to God. What mockery that seemed to Janet! Her troubles had been sinking her lower from year to year, pressing upon her like heavy fever-laden vapours, and perverting the very plenitude of her nature into a deeper source of disease. Her wretchedness had been a perpetually tightening instrument of torture, which had gradually absorbed all the other sensibilities of her nature into the sense of pain and the maddened craving for relief. Oh, if some ray of hope, of pity, of consolation, would pierce through the horrible gloom, she might believe then in a Divine love—in a heavenly Father who cared for His children! But now she had no faith, no trust. There was nothing she could lean on in the wide world, for her mother was only a fellow-sufferer in her own lot. The poor patient woman could do little more than mourn with her daughter: she had humble resignation enough to sustain her own soul, but she could no more give comfort and fortitude to Janet, than the withered ivy-covered trunk can bear up its strong, full-boughed offspring crashing down under an Alpine storm. Janet felt she was alone: no human soul had measured her anguish, had understood her self-despair, had entered into her sorrows and her sins with that deep-sighted sympathy which is wiser than all blame, more potent than all reproof—such sympathy as had swelled her own heart for many a sufferer. And if there was any Divine Pity, she could not feel it; it kept aloof from her, it poured no balm into her wounds, it stretched out no hand to bear up her weak resolve, to fortify her fainting courage.
Now, in her utmost loneliness, she shed no tear: she sat staring fixedly into the darkness, while inwardly she gazed at her own past, almost losing the sense that it was her own, or that she was anything more than a spectator at a strange and dreadful play.
The loud sound of the church clock, striking one, startled her. She had not been there more than half an hour, then? And it seemed to her as if she had been there half the night. She was getting benumbed with cold. With that strong instinctive dread of pain and death which had made her recoil from suicide, she started up, and the disagreeable sensation of resting on her benumbed feet helped to recall her completely to the sense of the present. The wind was beginning to make rents in the clouds, and there came every now and then a dim light of stars that frightened her more than the darkness; it was like a cruel finger pointing her out in her wretchedness and humiliation; it made her shudder at the thought of the morning twilight. What could she do? Not go to her mother—not rouse her in the dead of night to tell her this. Her mother would think she was a spectre; it would be enough to kill her with horror. And the way there was so long … if she should meet some one … yet she must seek some shelter, somewhere to hide herself. Five doors off there was Mrs. Pettifer’s; that kind woman would take her in. It was of no use now to be proud and mind about the world’s knowing: she had nothing to wish for, nothing to care about; only she could not help shuddering at the thought of braving the morning light, there in the street—she was frightened at the thought of spending long hours in the cold. Life might mean anguish, might mean despair; but oh, she must clutch it, though with bleeding fingers; her feet must cling to the firm earth that the sunlight would revisit, not slip into the untried abyss, where she might long even for familiar pains.
Janet СКАЧАТЬ