The Minister's Charge; Or, The Apprenticeship of Lemuel Barker. William Dean Howells

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СКАЧАТЬ Sewell, “that I wouldn't have you continue to make verses whenever you have the leisure for it. I think, on the contrary, that it will give a grace to your life which it might otherwise lack. We are all in daily danger of being barbarised by the sordid details of life; the constantly recurring little duties which must be done, but which we must not allow to become the whole of life.” Sewell was so much pleased with this thought, when it had taken form in words, that he made a mental note of it for future use. “We must put a border of pinks around the potato-patch, as Emerson would say, or else the potato-patch is no better than a field of thistles.” Perhaps because the logic of this figure rang a little false, Sewell hastened to add: “But there are many ways in which we can prevent the encroachment of those little duties without being tempted to neglect them, which would be still worse. I have thought a good deal about the condition of our young men in the country, and I have sympathised with them in what seems their want of opportunity, their lack of room for expansion. I have often wished that I could do something for them—help them in their doubts and misgivings, and perhaps find some way out of the trouble for them. I regret this tendency to the cities of the young men from the country. I am sure that if we could give them some sort of social and intellectual life at home, they would not be so restless and dissatisfied.”

      Sewell felt as if he had been preaching to a dead wall; but now the wall opened, and a voice came out of it, saying: “You mean something to occupy their minds?”

      “Exactly so!” cried Sewell. “Something to occupy their minds. Now,” he continued, with a hope of getting into some sort of human relations with his guest which he had not felt before, “why shouldn't a young man on a farm take up some scientific study, like geology, for instance, which makes every inch of earth vocal, every rock historic, and the waste places social?” Barker looked so blankly at him that he asked again, “You understand?”

      “Yes,” said Barker; but having answered Sewell's personal question, he seemed to feel himself in no wise concerned with the general inquiry which Sewell had made, and he let it lie where Sewell had let it drop. But the minister was so well pleased with the fact that Barker had understood anything of what he had said, that he was content to let the notion he had thrown out take its chance of future effect, and rising, said briskly: “Come upstairs with me into my study, and I will show you a picture of Agassiz. It's a very good photograph.”

      He led the way out of the reception-room, and tripped lightly in his slippered feet up the steps against which Barker knocked the toes of his clumsy boots. He was not large, nor naturally loutish, but the heaviness of the country was in every touch and movement. He dropped the photograph twice in his endeavour to hold it between his stiff thumb and finger.

      Sewell picked it up each time for him, and restored it to his faltering hold. When he had securely lodged it there, he asked sweetly: “Did you ever hear what Agassiz said when a scheme was once proposed to him by which he could make a great deal of money?”

      “I don't know as I did,” replied Barker.

      “'But, gentlemen, I've no time to make money.'” Barker received the anecdote in absolute silence, standing helplessly with the photograph in his hand; and Sewell with a hasty sigh forbore to make the application to the ordinary American ambition to be rich that he had intended. “That's a photograph of the singer Nilsson,” he said, cataloguing the other objects on the chimney-piece. “She was a peasant, you know, a country girl in Norway. That's Grévy, the President of the French Republic; his father was a peasant. Lincoln, of course. Sforza, throwing his hoe into the oak,” he said, explaining the picture that had caught Barker's eye on the wall above the mantel. “He was working in the field, when a band of adventurers came by, and he tossed his hoe at the tree. If it fell to the ground, he would keep on hoeing; if it caught in the branches and hung there, he would follow the adventurers. It caught, and he went with the soldiers and became Duke of Milan. I like to keep the pictures of these great Originals about me,” said Sewell, “because in our time, when we refer so constantly to law, we are apt to forget that God is creative as well as operative.” He used these phrases involuntarily; they slipped from his tongue because he was in the habit of saying this about these pictures, and he made no effort to adapt them to Barker's comprehension, because he could not see that the idea would be of any use to him. He went on pointing out the different objects in the quiet room, and he took down several books from the shelves that covered the whole wall, and showed them to Barker, who, however, made no effort to look at them for himself, and did not say anything about them. He did what Sewell bade him do in admiring this thing or that; but if he had been an Indian he could not have regarded them with a greater reticence. Sewell made him sit down from time to time, but in a sitting posture Barker's silence became so deathlike that Sewell hastened to get him on his legs again, and to walk him about from one point to another, as if to keep life in him. At the end of one of these otherwise aimless excursions Mrs. Sewell appeared, and infused a gleam of hope into her husband's breast. Apparently she brought none to Barker; or perhaps he did not conceive it polite to show any sort of liveliness before a lady. He did what he could with the hand she gave him to shake, and answered the brief questions she put to him about his family to precisely the same effect as he had already reported its condition to Sewell.

      “Dinner's ready now,” said Mrs. Sewell, for all comment. She left the expansiveness of sympathy and gratulation to her husband on most occasions, and on this she felt that she had less than the usual obligation to make polite conversation. Her two children came downstairs after her, and as she unfolded her napkin across her lap after grace she said, “This is my son, Alfred, Mr. Barker; and this is Edith.” Barker took the acquaintance offered in silence, the young Sewells smiled with the wise kindliness of children taught to be good to all manner of strange guests, and the girl cumbered the helpless country boy with offers of different dishes.

      Mr. Sewell as he cut at the roast beef lengthwise, being denied by his wife a pantomimic prayer to be allowed to cut it crosswise, tried to make talk with Barker about the weather at Willoughby Pastures. It had been a very dry summer, and he asked if the fall rains had filled up the springs. He said he really forgot whether it was an apple year. He also said that he supposed they had dug all their turnips by this time. He had meant to say potatoes when he began, but he remembered that he had seen the farmers digging their potatoes before he came back to town, and so he substituted turnips; afterwards it seemed to him that dig was not just the word to use in regard to the harvesting of turnips. He wished he had said, “got your turnips in,” but it appeared to make no difference to Barker, who answered, “Yes, sir,” and “No, sir,” and “Yes, sir,” and let each subject drop with that.

III.

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      The silence grew so deep that the young Sewells talked together in murmurs, and the clicking of the knives on the plates became painful. Sewell kept himself from looking at Barker, whom he nevertheless knew to be changing his knife and fork from one hand to the other, as doubt after doubt took him as to their conventional use, and to be getting very little good of his dinner in the process of settling these questions. The door-bell rang, and the sound of a whispered conference between the visitor and the servant at the threshold penetrated to the dining-room. Some one softly entered, and then Mrs. Sewell called out, “Yes, yes! Come in! Come in, Miss Vane!” She jumped from her chair and ran out into the hall, where she was heard to kiss her visitor; she reappeared, still holding her by the hand, and then Miss Vane shook hands with Sewell, saying in a tone of cordial liking, “How d'ye do?” and to each of the young people as she shook hands in turn with them, “How d'ye do, dear?” She was no longer so pretty as she must have once been; but an air of distinction and a delicate charm of manner remained to her from her fascinating youth.

      Young Sewell pushed her a chair to the table, and she dropped softly into it, after acknowledging СКАЧАТЬ