Romola. George Eliot

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СКАЧАТЬ sank backward again, too delicate to ask another question that might probe a sorrow which he divined to be recent. Romola, who knew well what were the fibres that Tito’s voice had stirred in her father, felt that this new acquaintance had with wonderful suddenness got within the barrier that lay between them and the alien world. Nello, thinking that the evident check given to the conversation offered a graceful opportunity for relieving himself from silence, said—

      “In truth, it is as clear as Venetian glass that this fine young man has had the best training; for the two Cennini have set him to work at their Greek sheets already, and it seems to me they are not men to begin cutting before they have felt the edge of their tools; they tested him well beforehand, we may be sure, and if there are two things not to be hidden—love and a cough—I say there is a third, and that is ignorance, when once a man is obliged to do something besides wagging his head. The tonsor inequalis is inevitably betrayed when he takes the shears in his hand; is it not true, Messer Bardo? I speak after the fashion of a barber, but, as Luigi Pulci says—

      “ ‘Perdonimi s’io fallo: chi m’ascolta

       Intenda il mio volgar col suo latino.’ ”

      “Nay, my good Nello,” said Bardo, with an air of friendly severity, “you are not altogether illiterate, and might doubtless have made a more respectable progress in learning if you had abstained somewhat from the cicalata and gossip of the street-corner, to which our Florentines are excessively addicted; but still more if you had not clogged your memory with those frivolous productions of which Luigi Pulci has furnished the most peccant exemplar—a compendium of extravagances and incongruities the farthest removed from the models of a pure age, and resembling rather the grylli or conceits of a period when mystic meaning was held a warrant for monstrosity of form; with this difference, that while the monstrosity is retained, the mystic meaning is absent; in contemptible contrast with the great poem of Virgil, who, as I long held with Filelfo, before Landino had taken upon him to expound the same opinion, embodied the deepest lessons of philosophy in a graceful and well-knit fable. And I cannot but regard the multiplication of these babbling, lawless productions, albeit countenanced by the patronage, and in some degree the example of Lorenzo himself, otherwise a friend to true learning, as a sign that the glorious hopes of this century are to be quenched in gloom; nay, that they have been the delusive prologue to an age worse than that of iron—the age of tinsel and gossamer, in which no thought has substance enough to be moulded into consistent and lasting form.”

      “Once more, pardon,” said Nello, opening his palms outwards, and shrugging his shoulders, “I find myself knowing so many things in good Tuscan before I have time to think of the Latin for them; and Messer Luigi’s rhymes are always slipping off the lips of my customers:—that is what corrupts me. And, indeed, talking of customers, I have left my shop and my reputation too long in the custody of my slow Sandro, who does not deserve even to be called a tonsor inequalis, but rather to be pronounced simply a bungler in the vulgar tongue. So with your permission, Messer Bardo, I will take my leave—well understood that I am at your service whenever Maso calls upon me. It seems a thousand years till I dress and perfume the damigella’s hair, which deserves to shine in the heavens as a constellation, though indeed it were a pity for it ever to go so far out of reach.”

      Three voices made a fugue of friendly farewells to Nello, as he retreated with a bow to Romola and a beck to Tito. The acute barber saw that the pretty youngster, who had crept into his liking by some strong magic, was well launched in Bardo’s favourable regard; and satisfied that his introduction had not miscarried so far, he felt the propriety of retiring.

      The little burst of wrath, called forth by Nello’s unlucky quotation, had diverted Bardo’s mind from the feelings which had just before been hemming in further speech, and he now addressed Tito again with his ordinary calmness.

      “Ah! young man, you are happy in having been able to unite the advantages of travel with those of study, and you will be welcome among us as a bringer of fresh tidings from a land which has become sadly strange to us, except through the agents of a now restricted commerce and the reports of hasty pilgrims. For those days are in the far distance which I myself witnessed, when men like Aurispa and Guarino went out to Greece as to a storehouse, and came back laden with manuscripts which every scholar was eager to borrow—and, be it owned with shame, not always willing to restore; nay, even the days when erudite Greeks flocked to our shores for a refuge, seem far-off now—farther off than the on-coming of my blindness. But doubtless, young man, research after the treasures of antiquity was not alien to the purpose of your travels?”

      “Assuredly not,” said Tito. “On the contrary, my companion—my father—was willing to risk his life in his zeal for the discovery of inscriptions and other traces of ancient civilisation.”

      “And I trust there is a record of his researches and their results,” said Bardo, eagerly, “since they must be even more precious than those of Ciriaco, which I have diligently availed myself of, though they are not always illuminated by adequate learning.”

      “There was such a record,” said Tito, “but it was lost, like everything else, in the shipwreck I suffered below Ancona. The only record left is such as remains in our—in my memory.”

      “You must lose no time in committing it to paper, young man,” said Bardo, with growing interest. “Doubtless you remember much, if you aided in transcription; for when I was your age, words wrought themselves into my mind as if they had been fixed by the tool of the graver; wherefore I constantly marvel at the capriciousness of my daughter’s memory, which grasps certain objects with tenacity, and lets fall all those minutiae whereon depends accuracy, the very soul of scholarship. But I apprehend no such danger with you, young man, if your will has seconded the advantages of your training.”

      When Bardo made this reference to his daughter, Tito ventured to turn his eyes towards her, and at the accusation against her memory his face broke into its brightest smile, which was reflected as inevitably as sudden sunbeams in Romola’s. Conceive the soothing delight of that smile to her! Romola had never dreamed that there was a scholar in the world who would smile at a deficiency for which she was constantly made to feel herself a culprit. It was like the dawn of a new sense to her—the sense of comradeship. They did not look away from each other immediately, as if the smile had been a stolen one; they looked and smiled with frank enjoyment.

      “She is not really so cold and proud,” thought Tito.

      “Does he forget too, I wonder?” thought Romola, “Yet I hope not, else he will vex my father.”

      But Tito was obliged to turn away, and answer Bardo’s question.

      “I have had much practice in transcription,” he said; “but in the case of inscriptions copied in memorable scenes, rendered doubly impressive by the sense of risk and adventure, it may have happened that my retention of written characters has been weakened. On the plain of the Eurotas, or among the gigantic stones of Mycenae and Tyrins—especially when the fear of the Turk hovers over one like a vulture—the mind wanders, even though the hand writes faithfully what the eye dictates. But something doubtless I have retained,” added Tito, with a modesty which was not false, though he was conscious that it was politic, “something that might be of service if illustrated and corrected by a wider learning than my own.”

      “That is well spoken, young man,” said Bardo, delighted. “And I will not withhold from you such aid as I can give, if you like to communicate with me concerning your recollections. I foresee a work which will be a useful supplement to the ‘Isolario’ of Christoforo Buondelmonte, and which may take rank with the ‘Itineraria’ of Ciriaco and the admirable Ambrogio Traversari. But we must prepare ourselves for calumny, young man,” Bardo went on with energy, as if the work were already growing so fast that the СКАЧАТЬ