Название: The Elementary Forms of the Religious Life
Автор: Durkheim Émile
Издательство: Bookwire
Жанр: Документальная литература
isbn: 4057664097941
isbn:
CHAPTER III LEADING CONCEPTIONS OF THE ELEMENTARY RELIGION—continued II.—Naturism
The spirit of the naturistic school is quite different. In the first place, it is recruited in a different environment. The animists are, for the most part, ethnologists or anthropologists. The religions which they have studied are the crudest which humanity has ever known. Hence comes the extraordinary importance which they attribute to the souls of the dead, to spirits and to demons, and, in fact, to all spiritual beings of the second order: it is because these religions know hardly any of a higher order.[135] On the contrary, the theories which we are now going to describe are the work of scholars who have concerned themselves especially with the great civilizations of Europe and Asia.
Ever since the work of the Grimm brothers, who pointed out the interest that there is in comparing the different mythologies of the Indo-European peoples, scholars have been struck by the remarkable similarities which these present. Mythical personages were identified who, though having different names, symbolized the same ideas and fulfilled the same functions; even the names were frequently related, and it has been thought possible to establish the fact that they are not unconnected with one another. Such resemblances seemed to be explicable only by a common origin. Thus they were led to suppose that these conceptions, so varied in appearance, really came from one common source, of which they were only diversified forms, and which it was not impossible to discover. By the comparative method, they believed one should be able to go back, beyond these great religions, to a much more ancient system of ideas, and to the really primitive religion, from which the others were derived.
The discovery of the Vedas aided greatly in stimulating these ambitions. In the Vedas, scholars had a written text, whose antiquity was undoubtedly exaggerated at the moment of its discovery, but which is surely one of the most ancient which we have at our disposition in an Indo-European language. Here they were enabled to study, by the ordinary methods of philology, a literature as old as or older than Homer, and a religion which was believed more primitive than that of the ancient Germans. A document of such value was evidently destined to throw a new light upon the religious beginnings of humanity, and the science of religions could not fail to be revolutionized by it.
The conception which was thus born was so fully demanded by the state of the science and by the general march of ideas, that it appeared almost simultaneously in two different lands. In 1856, Max Müller exposed its principles in his Oxford Essays.[136] Three years later appeared the work of Adalbert Kuhn on The Origin of Fire and the Drink of the Gods,[137] which was clearly inspired by the same spirit. When once set forth, the idea spread very rapidly in scientific circles. To the name of Kuhn is closely associated that of his brother-in-law Schwartz, whose work on The Origin of Mythology,[138] followed closely upon the preceding one. Steinthal and the whole German school of Völkerpsychologie attached themselves to the same movement. The theory was introduced into France in 1863 by M. Michel Bréal.[139] It met so little resistance that, according to an expression of Gruppe,[140] "a time came when, aside from certain classical philologists, to whom Vedic studies were unknown, all the mythologists had adopted the principles of Max Müller or Kuhn as their point of departure."[141] It is therefore important to see what they really are, and what they are worth.
Since no one has presented them in a more systematic form than Max Müller, it is upon his work that we shall base the description which follows.[142]
I
We have seen that the postulate at the basis of animism is that religion, at least in its origin, expresses no physical reality. But Max Müller commences with the contrary principle. For him, it is an axiom that religion reposes upon an experience, from which it draws all its authority. "Religion," he says, "if it is to hold its place as a legitimate element of our consciousness, must, like all other knowledge, begin with sensuous experience."[143] Taking up the old empirical adage, "Nihil est in intellectu quod non ante fuerit in sensu," he applies it to religion and declares that there can be nothing in beliefs which was not first perceived. So here is a doctrine which seems to escape the grave objection which we raised against animism. From this point of view, it seems that religion ought to appear, not as a sort of vague and confused dreaming, but as a system of ideas and practices well founded in reality.
But which are these sensations which give birth to religious thought? That is the question which the study of the Vedas is supposed to aid in resolving.
The names of the gods are generally either common words, still employed, or else words formerly common, whose original sense it is possible to discover. Now both designate the principal phenomena of nature. Thus Agni, the name of one of the principal divinities of India, originally signified only the material fact of fire, such as it is ordinarily perceived by the senses and without any mythological addition. Even in the Vedas, it is still employed with this meaning; in any case, it is well shown that this signification was primitive by the fact that it is conserved in other Indo-European languages: the Latin ignis, the Lithuanian ugnis, the old Slav ogny are evidently closely related to Agni. Similarly, the relationship of the Sanskrit Dyaus, the Greek Zeus, the Latin Jovis and the Zio of High German is to-day uncontested. This proves that these different words designate one single and the same divinity, whom the different Indo-European peoples recognized as such before their separation. Now Dyaus signifies the bright sky. These and other similar facts tend to show that among these peoples the forms and forces of nature were the first objects to which the religious sentiment attached itself: they were the first things to be deified. Going one step farther in his generalization, Max Müller thought that he was prepared to conclude that the religious evolution of humanity in general had the same point of departure.
It is almost entirely by considerations of a psychological sort that he justifies these inferences. The varied spectacles which nature offers man seemed to him to fulfil all the conditions necessary for arousing religious ideas in the mind directly. In fact, he says, "at first sight, nothing seemed less natural than nature. Nature was the greatest surprise, a terror, a marvel, a standing miracle, and it was only on account of their permanence, constancy, and regular recurrence that certain features of that standing miracle were called natural, in the sense of foreseen, common, intelligible. … It was that vast domain of surprise, of terror, of marvel, of miracle, the unknown, as distinguished from the known, or, as I like to express it, the infinite, as distinct from the finite, which supplied from the earliest times the impulse to religious thought and language."[144] In order to illustrate his idea, he applies it to a natural force which holds a rather large place in the Vedic religion, fire. He says, "if you can for a moment transfer yourselves to that early stage of life to which we must refer not only the origin, but likewise the early phases of Physical Religion, you can easily understand what an impression the first appearance of fire must have made on the human mind. Fire was not given as something permanent or eternal, like the sky, or the earth, or the water. In whatever way it first appeared, whether through lightning or through the friction of the branches of trees, or through the sparks of flints, it came and went, it had to be guarded, it brought destruction, but at the same time, it made life possible in winter, it served as a protection during the night, it became a weapon of defence and offence, and last, not least, it changed man from a devourer of raw flesh into an eater of cooked meat. At a later time it became the means of working metal, of making tools and weapons, it became an indispensable factor in all mechanical and artistic progress, СКАЧАТЬ