The Life to Come. Michelle De Kretser

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      It was an invitation to a party. Pippa shared a house in Coogee with a tall, ravishing girl called Katrina. When George arrived, Katrina was standing by the drinks table on the side veranda, talking about her cervix. He placed his six-pack in a plastic tub of ice, and Pippa told him a few people’s names. George had left Marrickville on a warm day, but by the time he crossed the city, a southerly had got up. Every door and window in Pippa’s house stood open. The dim corridor and all the rooms were full of cold air. In his T-shirt and loose cotton trousers, George moved from one group of people he didn’t know to another, trying to get out of the draft. The girls didn’t seem to notice it. They were Sydney girls, with short skirts and long, bare arms. Recently, George had gone to an opening at a gallery in the company of a visiting lecturer from Berlin. The artist was fashionable, and the gallery’s three rooms were packed. Over dinner, the German woman expressed mild astonishment at the number of sex workers who had attended the opening. “Is this typical in Australia?” she asked. George had to explain that she had misunderstood the significance of shouty makeup, tiny, shiny dresses, and jewels so large they looked fake. Eastern suburbs caste marks, they identified the arty, bookish daughters of property developers and CEOs. George was still adjusting to them himself, after Melbourne, where the brainy girls wore stiff, dark clothes like the inmates of nineteenth-century institutions, with here and there an exhibitionist in gray. Pippa had stick limbs, that chewed fringe, a sharp little face. She would have made an excellent orphan: black sacking was all that was needed, and heavy, laced shoes. But she came out of the house in scarlet stilettos and leopard-print satin, and found George on the back patio. He had taken refuge there, in the lee of the kitchen door.

      Ashamed to mention cold to this waif, George conjured a headache. Pippa offered Tiger Balm and the use of her room. The windows there were open: Katrina could be heard describing a minor surgical procedure on her ovaries. But when George shut the door and lay down, he was out of the wind at last. A long painting, purple and blue swirls, hung on the wall facing Pippa’s bed—George closed his eyes at once. Long ago, his mother had been a painter. A few survivors from that era—severe, geometric abstractions—could be seen in her flat in Melbourne, but for a long time now her involvement with art had been confined to the upmarket school where she taught.

      George fell asleep. When he woke, Pippa was there on the end of the bed, unbuckling her sandals. She flexed her toes, then sat sideways and swung her feet up. They were small, chunky feet, George noticed, and her toenails were painted blue. Katrina passed down the corridor, saying something about her menstrual cycle. George wondered what she was majoring in. Gender Studies? Performance Art? Obstetrics?

      “Communications,” said Pippa. She was drinking bubbly; it was the late 1990s, so people still called it champagne. The soft white plastic cup dimpled under her fingers, and Pippa remarked that she was stuck. The house would shortly be reclaimed by Katrina’s aunt, who was returning from Singapore. Another house had been found for the girls—Katrina’s family had several at their disposal—but it wasn’t available before the beginning of March. Katrina was moving home for the summer, but there were reasons why that wasn’t an option for Pippa. George told a lie about the purple painting and learned that it was the work of Pippa’s boyfriend, Vince. “He’s back at his folks’ place in Mudgee, to save money so we can go traveling next year.” She spoke of “Asia,” of “Europe,” collapsing civilizations in the sweeping Australian way.

      In Marrickville, over Vegemite toast one morning, Pippa asked whether the barking wasn’t getting to George. He hadn’t noticed it but now heard the high, repetitive protest that went on and on. “He’s lonely, poor love,” said Pippa. “And bored. Stuck in a yard by himself with nothing to do for hours.”

      “Greeks,” said George. “They don’t like animals indoors. It’s a Mediterranean thing. The Arab influence.”

      Pippa said that in Mudgee they were exactly the same. “And no one in Vince’s family’s ever been outside New South Wales. No way do they know any Arabs, either.”

      A few days later, she told George that the dog’s name was Bruce. He belonged to “a hippie dipstick” called Rhiannon, who was renting on the cheaper, landward side of the street. Pippa had grown up in a country town and still talked easily to strangers. Bruce was a kelpie cross, George learned. “Twelve months old. Rhiannon got him from the RSPCA. She drives him to an off-leash park when she’s got time, but she works in some mall up in Chatswood, so she’s got this huge commute. And then Tuesday night’s the ashram, Friday night’s the pub. She’s not a bad person, she just hasn’t got a clue. You should see her yard: she’s bought Bruce all these toys, like a dog’s a child.”

      Pippa had offered to walk Bruce when Rhiannon was busy. “He’s a working dog, he needs exercise. Guess what she said? ‘Dogs should run free. It’s demeaning for an animal to walk on a leash. It does really confusing things to their auras.’”

      It was good of Pippa to have tried to help, said George.

      “I just feel so sorry for that poor dog.”

      She said the same thing a few evenings later. Bruce was barking again. George heard him all the time now. It was difficult not to hold Pippa responsible. “I love animals,” she went on.

      “That must be why you eat so many of them,” said George. He didn’t intend unkindness but was opposed to illogic. Pippa’s fondness for broad, blurry statements twitched his nerves. “I love India,” she once announced, after watching a documentary on TV. She had never been there. George, who had, most certainly did not love India. He could also see that these declarations weren’t really about animals or India but about Pippa: what they proclaimed was her largeness of heart.

      She was saying that she had considered being a vegetarian. “But the thing with personal food restrictions is they make eating with other people really difficult. They destroy conviviality.” She brought out “conviviality” in the way people had once said “England” or “Communist”: as if it settled all discussion. George detected a borrowing: Pippa had come across the word somewhere and been impressed.

      George looked on cooking as time stolen from books. When he invited Pippa to move in for the summer he hadn’t thought about arrangements for food. He would have been content to go on as usual, defrosting a pizza or grilling a chop. But the day after she moved in, Pippa said, “I’m going through a Thai phase. You can’t cook Thai food for one.” The cold, white, murderous kitchen filled with the scent of coriander and lemongrass pounded to a paste. George kept the fridge stocked with riesling and beer. Pippa stir-fried fish with spring onions and purple basil. She served a salad that combined ginger and pork.

      With nothing said, they had divided the house between them. There were three empty bedrooms on the upper floor, but Pippa installed herself in a room off the hall. She liked to lie reading on a divan that stood under an aluminum-framed window. There was nothing else in what must have been the old man’s living room; he had dotted cumbersome furniture throughout the house. Any one of his rooms would have done as the set of a European play—the forbidding, minimalist kind.

      Paperback novels accumulated around the divan. George looked them over one day when Pippa was out. Most were secondhand, and all had been published in the past twenty years. Pippa read nothing older, nothing in translation, and very little that didn’t concern women’s lives. Her knowledge of history was cloudy. Referring to a biography of Joan of Arc that she planned to read, she placed its heroine in the Napoleonic Wars. George’s own novel sang inside him. He was taking apart everything he knew and putting it back together differently in ruled A4 notebooks. He used a laptop for his thesis, but his novel had woken an instinct that mingled superstition and veneration, and he was writing the first draft by hand.

      Summer intensified. George and Pippa ate mangoes for dessert. Their flesh was the same color as the СКАЧАТЬ