The Handbook of Peer Production. Группа авторов
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Название: The Handbook of Peer Production

Автор: Группа авторов

Издательство: John Wiley & Sons Limited

Жанр: Кинематограф, театр

Серия:

isbn: 9781119537090

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СКАЧАТЬ users did not know the site maintained a list of their interests and traits, and 51% of respondents claimed they were not comfortable with this (Hitlin & Rainie, 2019). However, platforms generally continue to grow rapidly as more people migrate online and begin to use their services. This general trend remains true even if some platforms struggle to become profitable. For example, the music‐streaming platform Spotify was unprofitable for its first ten years, and only reported its first profitable quarter at the end of 2018 (see Wang, 2019). Ride‐sharing companies, Uber and Lyft, similarly struggle with profitability (see Colley, 2019). Because of the potential for rapid growth and the prospects of future profitability, tech startups continue to draw attention from venture or investment capital. The massive capital investment in these companies, which seem to be valued more for their growth than their profitability, has led some to predict that it is only a matter of time before we experience another tech bubble burst (Colley, 2019).

      Despite the seemingly bleak picture presented here, however, there are also contradictory forces within these developments that suggest we may also be witnessing the emergence of a new subjectivity, which is capable of counteracting the incessant drive for capital accumulation. Indeed, it is within these contradictory forces that we can begin to understand the different dynamics at play in the political economy of peer production. At times, these forces exemplify the drive to accelerate capital accumulation, as I have already outlined above, while at other times these forces work to ensure the survival of collectively governed resources.

      The previous sections of this chapter outlined the historical forces that led to the transformation of global capitalism in the 20th century and explained how and why platforms for extracting value from activities taking place online were developed. However, despite the fact that the forces of capitalism (digital, surveillance, or otherwise) seek ways of exploiting the shared experiences of people around the globe, the fact that people are becoming more interconnected also means that they can collaborate in ways that subvert some of the dominant tendencies of global capitalism. Some scholars also see radical potential within these shared experiences and the values inherent in commons‐based peer production that may have the potential to bring about an alternative future. In other words, the early parts of this chapter focused on the external factors that made possible peer production, but we now need to consider the features internal to peer production that make it unique as well as capable of challenging those external forces. In the remaining portions of this chapter, I draw on a growing corpus of scholarship that positions peer production and the commons or “the common” as an alternative to capitalism.

      In their examination of “empire,” Hardt and Negri (2000, 2004, 2009) argue that the sovereignty of the nation state has been replaced by a decentralized and ever‐expanding regime of power that demolishes barriers between what is inside and what is outside of the empire. What emerges from this system of power is an interconnected network, which is capable of managing “hybrid identities, flexible hierarchies, and plural exchanges through modulating networks of command” (Hardt & Negri, 2000, pp. xii–xiii). But whereas these networks enable the nearly seamless flow of global capital, command of commodity supply chains, and increased control and discipline of labor, they also simultaneously give rise to contradictory forces that challenge the prevailing order. For example, the increasing interconnection of peoples, places, cultures, creativity, and so on, makes possible the creation of “the common.” By “the common,” Hardt and Negri refer not only to “the common wealth of the material world – the air, the water, the fruits of the soil, and all nature’s bounty” but also to “those results of social production that are necessary for social interaction and further production, such as knowledges, languages, codes, information, affects, and so on” (Hardt & Negri, 2009, p. vii). The production of the common, particularly as it pertains to peer production online, manifests in the sharing of free and open source software projects, open access book projects, “wikis” dedicated to curating knowledge and information, cultural products in the public domain, and many other projects aimed at creating and preserving shared resources that may be accessed by others.

      Furthermore, positioning the commons as a process of becoming adds critical weight to commoning practices by demonstrating how those activities are capable of bringing about a postcapitalist future. The term “postcapitalism” is generally used to describe a number of different proposals for developing a new economic system to replace capitalism. While there is no unified theory of what postcapitalism is or what it will look like, most thinkers writing about the subject generally agree that the contradictions within capitalism and the recurrent crises of capitalism are unsustainable in the long run. Therefore, they offer proposals for what a postcapitalist future will look like as well as different proposals for how such a system can be achieved. In a sense, these thinkers are revitalizing the tradition of utopian socialism, which offered visions of a future society that was comprised of freely associating individuals living in harmony with one another. Early utopian socialist thinkers, like Henri de Saint‐Simon and Charles Fourier influenced Karl Marx, and Marx’s work is often situated within a combination of three conceptual areas: political economy, German classical critical philosophy, and utopian socialism (Harvey, 2010). While Marx remains somewhat vague in his specific description of society after the abolition of capitalism, he carried on the tradition of utopian socialism in thinking that another world was possible. In Marx’s formulation, such a transition was only possible through the revolutionary struggle of the working class against capital.

      More recent accounts of postcapitalism focus on the ways that social relations are beginning to transform in ways that are antithetical to capitalism. For example, one of the earliest uses of the term ‘postcapitalism’ comes from Peter Drucker’s (1994) book, Post‐Capitalist Society. Noting that the transformation toward more information‐ or knowledge‐based economies in the Global North, and particularly the United States, Drucker argued that such a shift fundamentally changes the social, economic, and political dynamics throughout society. As a management consultant and educator, Drucker’s analysis of postcapitalism was not about radically transforming or replacing the capitalist system but recognizing the shifts occurring from within capitalism and how business organizations could adapt their strategies to survive in this new form of capitalism.