About Paris. Richard Harding Davis

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СКАЧАТЬ think this at night, but when you turn up again at nine the next morning you will find it all just as you left it at one the same morning. The same waiters, the same rush of carriages, the same ponderous omnibuses with fine straining white horses, the flowers in the booths, and the newspapers neatly piled round the colored kiosks.

      "THE PARTY PROMPTLY BROKE UP"

      The Champs Élysées is hardly a street, but as a thoroughfare it is the most remarkable in the world. It is a much better show than are the boulevards. The place for which you pay to enter is generally more interesting than the place to which admittance is free, and any one can walk along the boulevards, but to ride in the Champs Élysées you must pay something, even if you take your fiacre by the hour. Some Parisians regret that the Avenue des Champs Élysées should be so cheapened that it is not reserved for carriages hired by the month, and not by the course, and that omnibuses and hired cabs are not kept out of it, as they are kept out of Hyde Park. But should this rule obtain the Avenue des Champs Élysées would lose the most amusing of its features. It would shut out the young married couples and their families and friends in their gala clothes, which look strangely unfamiliar in the sunlight, and make you think that the wearers have been up all night; and the hundreds of girls in pairs from the Jardin de Paris, who have halved the expense of a fiacre, but who cannot yet afford a brougham; and the English tourists dressed in flannel shirts and hunting-caps and knickerbockers, exactly as though they were penetrating the mountains of Afghanistan or the deserts of Syria, and as unashamed of their provincialism as the young marquis who passes on his dog-cart is unashamed of having placed the girl with him on his right hand instead of his left, though by so doing he tells every one who passes who and what she is. It would shut out the omnibuses, with the rows of spectators on their tops, who lean on their knees and look down into the carriages below, and point out the prettiest gowns and faces; and it would exclude the market-wagons laden with huge piles of yellow carrots and purple radishes, with a woman driving on the box-seat, and a dog chained beside her. There is no other place in the world, unless it be Piccadilly at five o'clock in the afternoon, where so many breeds of horses trot side by side, where the chains of the baron banker and the cracking whip of a drunken cabman and the horn of some American millionaire's four-in-hand all sound at the same time. To be known is easy in the boulevards, but it is a distinction in the Avenue des Champs Élysées—a distinction which costs much money and which lasts an hour. Sometimes it is gained by liveries and trappings and a large red rosette in the button-hole, or by driving the same coach at the same hour at the same rate of speed throughout the season, or by wearing a fez, or by sending two sais ahead of your cart to make a way for it, or by a beautiful face and a thoroughbred pug on a cushion at your side, although this last mode is not so easy, as there are many pretty faces and many softly cushioned victorias and innumerable pug-dogs, and when the prevailing color for the hair happens to be red—as it was last summer—the chance of gaining any individuality becomes exceedingly difficult. When all of these people meet in the afternoon on their way to and from the Bois, there is no better entertainment of the sort in the world, and the avenue grows much too short, and the hours before dinner even shorter. There are women in light billowy toilets, with elbows squared and whip in hand, fearlessly driving great English horses from the top of a mail-phaeton, while a frightened little English groom clutches at the rail and peers over their shoulder to grasp the reins if need be, or to jump if he must. And there are narrow-chested corseted and padded young Frenchmen in white kid gloves, who hold one rein in each hand as little girls hold a skipping-rope, and who imagine they are so like Englishmen that no one can distinguish them even by their accent. There are fat Hebrew bankers and their equally fat sons in open victorias, who, lacking the spirit of the Frenchmen, who at least attempt to drive themselves, recline consciously on cushions, like the poodles in the victorias of the ladies with the red hair. There are also visiting princes from India or pashas from Egypt; or diplomats of the last Spanish-American republic, as dark as the negroes of Sixth Avenue, but with magnificent liveries and clanking chains; the nabobs of Haiti, of Algiers and Tunis, and with these the beautiful Spanish-looking woman from South America, the wives of the rastaqouères; and mixed with these is the long string of bookmakers and sporting men coming back from the races at Longchamps or Auteuil, red-faced and hot and dusty, with glasses strapped around them, and the badges still flying from their button-holes. There are three rows of carriages down and three of carriages up, and if you look from the Arc de Triomphe to the Tuileries you see a broken mass of glittering carriage-tops and lace parasols, and what looks like the flashing of thousands of mirrors as the setting sun strikes on the glass of the lamps and windows and on the lacquered harness and polished mountings. Whether you view this procession from the rows of green iron seats on either side or as a part of it, you must feel lifted up by its movement and color and the infinite variety of its changes. A man might live in the Champs Élysées for a week or a month, seeing no more of Paris than he finds under its beautiful trees or on its broad thoroughfare, and be so well content with that much of the city as to prefer it to all other cities.

      There was a little fat man in his shirt sleeves one morning in front of the Theatre of the Republic, which, as everybody knows, stands under the trees in the Champs Élysées, on the Rue Matignon, hanging a new curtain, and the fat man, as the proprietor and manager, was naturally anxious. Two small boys with their bare legs, and leather belts about their smocks, and a nurse with broad blue ribbons down her back, and myself looked our admiration from the outside of the roped enclosure. The orchestra had laid down its fiddle, and was helping the man who takes the twenty centimes to adjust the square yard of canvas. The proprietor placed his fat fingers on the small of his back and threw his head to one side and shut one eye. We waited breathlessly for his opinion. He took two steps backward from the ten-centime seats, and studied the effect of the curtain from that distance, with his chin thrown up and his arms folded severely. We suggested that it was an improvement on the old curtain, and one that would be sure to catch the passer's eye.

      "AND TRANSFORM LONG-HAIRED STUDENTS INTO MEMBERS OF THE INSTITUTE"

      "Possibly," the proprietor said, indulgently, and then wiped his brow and shook his head. He told us we had little idea how great were the trials of an impresario of an open-air theatre in the Champs Élysées. What with the rent and the cost of the costumes and the employment of three assistants—one to work the marionettes, and one to take up the money, and one to play in the orchestra—expenses did run up. Of course there was madame, his wife, who made costumes herself better than those that could be bought at the regular costumers', and that was a saving; and then she also helped in working the figures when there were more than two on the scene at once, but this was hard upon her, as she was stout, and the heat at the top of the tin-roofed theatre up among the dusty flies was trying. And then, I suggested, there was much competition. The proprietor waved a contemptuous dismissal of the claims of the four little theatres about him. It was not their rivalry that he cared for. It is true the seats were filled, but with whom? Ah, yes, with whom? He placed his finger at the side of his nose, and winked and nodded his head mysteriously. With the friends of the proprietor, of course. Poor non-paying acquaintances to make a show, and attract others less knowing to a very inferior performance. Now here with him everybody paid, and received the worth of his money many times. Perhaps I had not seen the performance; in that case I should surely do so. The clown and the donkey-cart were very amusing, and the dancing skeleton, which came to pieces before the audience and frightened the gendarme, was worthy of my approval. So the two small boys and the nurse and the baby and I dodged under the rope and waited for the performance.

      The idle man, who knows that "they also serve who only stand and wait," must find the Champs Élysées the most acceptable of all places for such easy service. There are at one corner the stamp-collectors to entertain him, with their scrap-books and market-baskets full of their precious bits of colored paper, gathered from all over the known world, comparing and examining their treasures, bargaining with easy good-nature and with СКАЧАТЬ