Leo Tolstoy: The Complete Novels and Novellas. Leo Tolstoy

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      That smile emboldened the old man.

      ‘Come, leave off, my lad, leave off!’ he said with sudden firmness.

      ‘Well, perhaps I will.’

      ‘Come, people have injured you but leave them alone, spit at them! Come, what’s the use of writing and writing, what’s the good?’

      And he tried to mimic Olenin by tapping the floor with his thick fingers, and then twisted his big face to express contempt.

      ‘What’s the good of writing quibbles. Better have a spree and show you’re a man!’

      No other conception of writing found place in his head except that of legal chicanery.

      Olenin burst out laughing and so did Eroshka. Then, jumping up from the floor, the latter began to show off his skill on the balalayka and to sing Tartar songs.

      ‘Why write, my good fellow! You’d better listen to what I’ll sing to you. When you’re dead you won’t hear any more songs. Make merry now!’

      First he sang a song of his own composing accompanied by a dance:

      ‘Ah, dee, dee, dee, dee, dee, dim, Say where did they last see him? In a booth, at the fair, He was selling pins, there.’

      Then he sang a song he had learnt from his former sergeant-major:

      ‘Deep I fell in love on Monday, Tuesday nothing did but sigh, Wednesday I popped the question, Thursday waited her reply. Friday, late, it came at last, Then all hope for me was past! Saturday my life to take I determined like a man, But for my salvation’s sake Sunday morning changed my plan!’

      Then he sang again:

      ‘Oh dee, dee, dee, dee, dee, dim, Say where did they last see him?’

      And after that, winking, twitching his shoulders, and footing it to the tune, he sang:

      ‘I will kiss you and embrace, Ribbons red twine round you; And I’ll call you little Grace. Oh, you little Grace now do Tell me, do you love me true?’

      And he became so excited that with a sudden dashing movement he started dancing around the room accompanying himself the while.

      Songs like ‘Dee, dee, dee’—’gentlemen’s songs’— he sang for Olenin’s benefit, but after drinking three more tumblers of chikhir he remembered old times and began singing real Cossack and Tartar songs. In the midst of one of his favourite songs his voice suddenly trembled and he ceased singing, and only continued strumming on the balalayka.

      ‘Oh, my dear friend!’ he said.

      The peculiar sound of his voice made Olenin look round.

      The old man was weeping. Tears stood in his eyes and one tear was running down his cheek.

      ‘You are gone, my young days, and will never come back!’ he said, blubbering and halting. ‘Drink, why don’t you drink!’ he suddenly shouted with a deafening roar, without wiping away his tears.

      There was one Tartar song that specially moved him. It had few words, but its charm lay in the sad refrain. ‘Ay day, dalalay!’ Eroshka translated the words of the song: ‘A youth drove his sheep from the aoul to the mountains: the Russians came and burnt the aoul, they killed all the men and took all the women into bondage. The youth returned from the mountains. Where the aoul had stood was an empty space; his mother not there, nor his brothers, nor his house; one tree alone was left standing. The youth sat beneath the tree and wept. “Alone like thee, alone am I left,’” and Eroshka began singing: ‘Ay day, dalalay!’ and the old man repeated several times this wailing, heart-rending refrain.

      When he had finished the refrain Eroshka suddenly seized a gun that hung on the wall, rushed hurriedly out into the yard and fired off both barrels into the air. Then again he began, more dolefully, his ‘Ay day, dalalay — ah, ah,’ and ceased.

      Olenin followed him into the porch and looked up into the starry sky in the direction where the shots had flashed. In the cornet’s house there were lights and the sound of voices. In the yard girls were crowding round the porch and the windows, and running backwards and forwards between the hut and the outhouse. Some Cossacks rushed out of the hut and could not refrain from shouting, re-echoing the refrain of Daddy Eroshka’s song and his shots.

      ‘Why are you not at the betrothal?’ asked Olenin.

      ‘Never mind them! Never mind them!’ muttered the old man, who had evidently been offended by something there. ‘Don’t like them, I don’t. Oh, those people! Come back into the hut! Let them make merry by themselves and we’ll make merry by ourselves.’

      Olenin went in.

      ‘And Lukashka, is he happy? Won’t he come to see me?’ he asked.

      ‘What, Lukashka? They’ve lied to him and said I am getting his girl for you,’ whispered the old man. ‘But what’s the girl? She will be ours if we want her. Give enough money — and she’s ours. I’ll fix it up for you. Really!’

      ‘No, Daddy, money can do nothing if she does not love me. You’d better not talk like that!’

      ‘We are not loved, you and I. We are forlorn,’ said Daddy Eroshka suddenly, and again he began to cry.

      Listening to the old man’s talk Olenin had drunk more than usual. ‘So now my Lukashka is happy,’ thought he; yet he felt sad. The old man had drunk so much that evening that he fell down on the floor and Vanyusha had to call soldiers in to help, and spat as they dragged the old man out. He was so angry with the old man for his bad behaviour that he did not even say a single French word.

Chapter 29

      It was August. For days the sky had been cloudless, the sun scorched unbearably and from early morning the warm wind raised a whirl of hot sand from the sand-drifts and from the road, and bore it in the air through the reeds, the trees, and the village. The grass and the leaves on the trees were covered with dust, the roads and dried-up salt marshes were baked so hard that they rang when trodden on. The water had long since subsided in the Terek and rapidly vanished and dried up in the ditches. The slimy banks of the pond near the village were trodden bare by the cattle and all day long you could hear the splashing of water and the shouting of girls and boys bathing. The sand-drifts and the reeds were already drying up in the steppes, and the cattle, lowing, ran into the fields in the day-time. The boars migrated into the distant reed-beds and to the hills beyond the Terek. Mosquitoes and gnats swarmed in thick clouds over the low lands and villages. The snow-peaks were hidden in grey mist. The air was rarefied and smoky. It was said that abreks had crossed the now shallow river and were prowling on this side of it. Every night the sun set in a glowing red blaze. It was the busiest time of the year. The villagers all swarmed in the melon-fields and the vineyards. The vineyards thickly overgrown with twining verdure lay in cool, deep shade. Everywhere between the broad translucent leaves, ripe, heavy, black clusters peeped out. Along the dusty road from the vineyards the creaking carts moved slowly, heaped up with black grapes. Clusters of them, crushed by the wheels, lay in the dirt. Boys and girls in smocks stained with grape-juice, with grapes in their hands and mouths, ran after their mothers. On the road you continually came across tattered labourers with baskets of grapes on their СКАЧАТЬ