Lady Byron Vindicated. Гарриет Бичер-Стоу

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СКАЧАТЬ his mother’s grave gave no rest from slander—I ask any woman who had been forced to such a disclosure to free a dead sister’s name from grossest insults, whether she would have thought of making this work of bitterness a literary success?

      Are the cries of the oppressed, the gasps of the dying, the last prayers of mothers—are any words wrung like drops of blood from the human heart to be judged as literary efforts?

      My fellow-countrymen of America, men of the press, I have done you one act of justice—of all your bitter articles, I have read not one. I shall never be troubled in the future time by the remembrance of any unkind word you have said of me, for at this moment I recollect not one. I had such faith in you, such pride in my countrymen, as men with whom, above all others, the cause of woman was safe and sacred, that I was at first astonished and incredulous at what I heard of the course of the American press, and was silent, not merely from the impossibility of being heard, but from grief and shame. But reflection convinces me that you were, in many cases, acting from a misunderstanding of facts and through misguided honourable feeling; and I still feel courage, therefore, to ask from you a fair hearing. Now, as I have done you this justice, will you also do me the justice to hear me seriously and candidly?

      What interest have you or I, my brother and my sister, in this short life of ours, to utter anything but the truth? Is not truth between man and man and between man and woman the foundation on which all things rest? Have you not, every individual of you, who must hereafter give an account yourself alone to God, an interest to know the exact truth in this matter, and a duty to perform as respects that truth? Hear me, then, while I tell you the position in which I stood, and what was my course in relation to it.

      A shameless attack on my friend’s memory had appeared in the ‘Blackwood’ of July 1869, branding Lady Byron as the vilest of criminals, and recommending the Guiccioli book to a Christian public as interesting from the very fact that it was the avowed production of Lord Byron’s mistress. No efficient protest was made against this outrage in England, and Littell’s ‘Living Age’ reprinted the ‘Blackwood’ article, and the Harpers, the largest publishing house in America, perhaps in the world, re-published the book.

      Its statements—with those of the ‘Blackwood,’ ‘Pall Mall Gazette,’ and other English periodicals—were being propagated through all the young reading and writing world of America. I was meeting them advertised in dailies, and made up into articles in magazines, and thus the generation of to-day, who had no means of judging Lady Byron but by these fables of her slanderers, were being foully deceived. The friends who knew her personally were a small select circle in England, whom death is every day reducing. They were few in number compared with the great world, and were silent. I saw these foul slanders crystallising into history uncontradicted by friends who knew her personally, who, firm in their own knowledge of her virtues and limited in view as aristocratic circles generally are, had no idea of the width of the world they were living in, and the exigency of the crisis. When time passed on and no voice was raised, I spoke. I gave at first a simple story, for I knew instinctively that whoever put the first steel point of truth into this dark cloud of slander must wait for the storm to spend itself. I must say the storm exceeded my expectations, and has raged loud and long. But now that there is a comparative stillness I shall proceed, first, to prove what I have just been asserting, and, second, to add to my true story such facts and incidents as I did not think proper at first to state.

CHAPTER II. THE ATTACK ON LADY BYRON.

       Table of Contents

      In proving what I asserted in the first chapter, I make four points:

      1st. A concerted attack upon Lady Byron’s reputation, begun by Lord Byron in self-defence.

      2nd. That he transmitted his story to friends to be continued after his death.

      3rd. That they did so continue it.

      4th. That the accusations reached their climax over Lady Byron’s grave in ‘Blackwood’ of 1869, and the Guiccioli book, and that this re-opening of the controversy was my reason for speaking.

      And first I shall adduce my proofs that Lady Byron’s reputation was, during the whole course of her husband’s life, the subject of a concentrated, artfully planned attack, commencing at the time of the separation and continuing during his life. By various documents carefully prepared, and used publicly or secretly as suited the case, he made converts of many honest men, some of whom were writers and men of letters, who put their talents at his service during his lifetime in exciting sympathy for him, and who, by his own request, felt bound to continue their defence of him after he was dead.

      In order to consider the force and significance of the documents I shall cite, we are to bring to our view just the issues Lord Byron had to meet, both at the time of the separation and for a long time after.

      In Byron’s ‘Memoirs,’ Vol. IV. Letter 350, under date December 10, 1819, nearly four years after the separation, he writes to Murray in a state of great excitement on account of an article in ‘Blackwood,’ in which his conduct towards his wife had been sternly and justly commented on, and which he supposed to have been written by Wilson, of the ‘Noctes Ambrosianae.’ He says in this letter: ‘I like and admire W---n, and he should not have indulged himself in such outrageous license. … . When he talks of Lady Byron’s business he talks of what he knows nothing about; and you may tell him no man can desire a public investigation of that affair more than I do.’ {7}

      He shortly after wrote and sent to Murray a pamphlet for publication, which was printed, but not generally circulated till some time afterwards. Though more than three years had elapsed since the separation, the current against him at this time was so strong in England that his friends thought it best, at first, to use this article of Lord Byron’s discreetly with influential persons rather than to give it to the public.

      The writer in ‘Blackwood’ and the indignation of the English public, of which that writer was the voice, were now particularly stirred up by the appearance of the first two cantos of ‘Don Juan,’ in which the indecent caricature of Lady Byron was placed in vicinity with other indecencies, the publication of which was justly considered an insult to a Christian community.

      It must here be mentioned, for the honour of Old England, that at first she did her duty quite respectably in regard to ‘Don Juan.’ One can still read, in Murray’s standard edition of the poems, how every respectable press thundered reprobations, which it would be well enough to print and circulate as tracts for our days.

      Byron, it seems, had thought of returning to England, but he says, in the letter we have quoted, that he has changed his mind, and shall not go back, adding ‘I have finished the Third Canto of “Don Juan,” but the things I have heard and read discourage all future publication. You may try the copy question, but you’ll lose it; the cry is up, and the cant is up. I should have no objection to return the price of the copyright, and have written to Mr. Kinnaird on this subject.’

      One sentence quoted by Lord Byron from the ‘Blackwood’ article will show the modern readers what the respectable world of that day were thinking and saying of him:—

      ‘It appears, in short, as if this miserable man, having exhausted every species of sensual gratification—having drained the cup of sin even to its bitterest dregs—were resolved to show us that he is no longer a human being even in his frailties, but a cool, unconcerned fiend, laughing with detestable glee over the whole of the better and worse elements of which human life is composed.’

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