Curiosities of Street Literature. Various

Чтение книги онлайн.

СКАЧАТЬ be able to embalm and hand down to posterity a name here and there, such as William of Wykeham, and John Morgan. In answer to our inquiries in this matter, generally we have been told, ‘Oh, anybody writes them’ and with that answer we have had to rest satisfied. But in presence of that answer, we walk about the streets with a new sense of wonder, peering into the faces of those of our fellow-lieges who do not carry about with them the external evidence of overflowing exchequers, and saying to ourselves, ‘That man may be a writer of ballads.’

      With regard to illustrations, a ballad-printer is in the habit of buying up old wood-cuts which have been engraved for any other works, and of applying them to his own purposes; disregarding alike their age, rudeness, and condition. Most of those adopted are repeatedly employed over and over again. The printers of “broadsides” seldom care whether an ornament of the kind used is, or not, appropriate to the subject of the ballad, so long as it is likely to attract attention. Many examples will be found in this collection, and we are indebted to Mr. H. Disley and others for the use of the same.

      “The authors and poets who give this peculiar literature, alike in prose or rhyme to the streets, are all in some capacity or another connected with street-patter or song; and the way in which a narrative or a ‘copy of werses’ is prepared for the press is usually this:—The leading members of the ‘schools’—some of whom refer regularly to the evening papers—when they hear of any out-of-the-way occurrence, resort to the printer and desire its publication in a style proper for the streets. This is usually done very speedily, the school—or a majority of them—and the printer agreeing with the author. Sometimes an author will voluntarily prepare a piece of street-literature and submit it to a publisher, who, as in case of other publishers, accepts or declines, as he believes the production will or will not prove remunerative. Sometimes the school carry the manuscript with them to the printer, and undertake to buy a certain quantity to insure publication. The payment to the author is the same in all cases—a shilling; but sometimes if the printer and publisher like the verses he “throws a penny or two over.” And sometimes also, in case of a great sale there is the same “over-sum.” The “Dials” and its immediate neighbourhood is the chief residence of these parties, as being nearest to the long-established printer they have made it the ‘head meet’ of the fraternity.

“It must be borne in mind that the street-author is closely restricted in the quality of his effusions. It must be such as the patterers approve, as the chanters can chant, the ballad singers sing, and—above all, such as the street buyers will buy.”[2]

      We have recently met, near the Strand, the street ballad singer of our youth, and, from whom we procured, “Wait for the Turn of the Tide,” and “Call her back and Kiss Her,” and the following information—“Oh, yes, I remember you, remember you well; particularly when I see you down at Brighton; when you treated me to that hot rum and water; when I was so wet and cold, at a little snug public-house in one of the streets that leads off the main street. I don’t remember the name on it now, but I remembers the rum and water well enough; it was good. You said it would be, and so it was, and no mistake. How old am I now? Why, 59. How long have I been at it? Why, hard on fifty years. I was about nine or ten year old—no, perhaps I might have been 12 year old, when I come to think on it. Yes, about 12 year old; my mother was a widow with five children, and there was a boy in our street as used to go out singing ballads, and his mother said to my mother, ‘Why don’t you let your boy (that’s me) go out and sing ballads like my boy.’ And I said I didn’t mind, and I did go out, and I’ve been at it ever since, so you see it ’aint far short of 50 year. How many do I sell in a day? Well, not so many as I used to do, by a long way. I’ve sold me four and five quires a-day, but I don’t sell above two and three dozen a-day now. That’s all the difference you see, sir—dozens against quires. How do I live then? Why, you see I am now so well-known in different parts of London, that lots and lots of people comes up to me—like you always do—and says—‘How do you do, old fellow? I remember you when I was a boy, if its a man, and when I was a girl, if its a woman.’ And says, ‘So you are still selling songs, eh?’ Then they give me a few coppers; some more and some less than others, and says they don’t want the songs. Some days—very often—I’ve had more money giving me than I’ve took for the ballads. Yes, I have travelled all over England—all over it I think—but the North’s the best—Manchester, Liverpool, and them towns; but down Bath and Cheltenham way I was nearly starved. I was coming back from that way, I now remember, when I met you, sir, at Brighton that time. I buy my ballads at various places—but now mostly over the water, because I live there now and it’s handiest. Mr. Such, the printer, in Union-street in the Borough. Oh! yes, some at Catnach’s—leastways, it ain’t Catnach’s now, it’s Fortey’s. Yes, I remember ‘old Jemmy Catnach’ very well; he wa’n’t a bad sort, as you say; leastways, I’ve heard so, but I never had anything of him. I always paid for what I had, and did not say much to him, or he to me—writing his life of him, are you indeed? No, I can’t give you no more information about him than that, because, as I said before, I bought my goods as I wanted them, and paid for them, then away on my own account and business. Well, he was a man something like you—a little wider across the shoulders, perhaps, but about such a man as you are. I did know a man as could have told you a lot about ‘old Jemmy,’ but he’s dead now; he was one of his authors, that is, he wrote some of the street-ballads for him, and very good ones they used to be, that is, for selling. Want some old ‘Dying Speeches’ and ‘Cocks,’ do you indeed; well, I a’nt got any—I don’t often ‘work’ them things, although I have done so sometimes, but I mostly keep to the old game—‘Ballads on a Subject.’ You see them other things are no use only just for the day, then they are no use at all, so we don’t keep them—I’ve often given them away. You’d give sixpence a piece for them, would you, indeed, sir; then I wish I had some of them. Now I come to think of it I know a man that did have a lot of them bye him, and I know he’d be glad to sell them. I don’t know where he lives, but I sometimes see him. Oh! yes, a letter would find me. My name is Samuel Milnes, and I live at No. 81, Mint-street, that’s in the Borough; you know, Guager is the name at the house. Thank you, sir, I’m much obliged. Good day, sir.”

      It will be seen that our street-ballads and “papers” come down to the latest period, several being issued during the printing of this collection; in fact, any public affair seems of sufficient importance to write a ballad about. We have, therefore, placed some blank leaves between each division, for the purpose of mounting other examples that may be from time to time published by the printers of Street Literature.

[1] Pitts, a modern publisher of love garlands, merriments, penny ballads—

      “Who, ere he went to heaven,

      Domiciled in Dials Seven!”—G. Daniel’s “Democritus In London.”

[2] “Mayhew’s London Labour and the London Poor.”

СКАЧАТЬ

---

DIVISION I. “Cocks” or “Catchpennies,” Street Drolleries, &c.
	PAGE
Horrid Murder committed by a Young Man on a Young Woman	a
Cruel and Inhuman Murder committed upon the body of Captain Lawson	b
Life, Trial and Execution of James Ward	c
Shocking Rape and Murder of two Lovers