Название: A Chesterton Calendar
Автор: G. K. Chesterton
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664635228
isbn:
'Browning.'
FEBRUARY 14th
ST. VALENTINE'S DAY
The revolt against vows has been carried in our day even to the extent of a revolt against the typical vow of marriage. It is most amusing to listen to the opponents of marriage on this subject. They appear to imagine that the ideal of constancy was a joke mysteriously imposed on mankind by the devil, instead of being as it is a yoke consistently imposed on all lovers by themselves. They have invented a phrase, a phrase that is a black v. white contradiction in two words—'free love'—as if a lover ever had been or ever could be free. It is the nature of love to bind itself, and the institution of marriage merely paid the average man the compliment of taking him at his word. Modern sages offer to the lover with an ill-favoured grin the largest liberties and the fullest irresponsibility; but they do not respect him as the old Church respected him; they do not write his oath upon the heavens as the record of his highest moment. They give him every liberty except the liberty to sell his liberty, which is the only one that he wants.
'The Defendant.'
FEBRUARY 15th
London is the largest of the bloated modern cities; London is the smokiest; London is the dirtiest; London is, if you will, the most sombre; London is, if you will, the most miserable. But London is certainly the most amusing and the most amused. You may prove that we have the most tragedy; the fact remains that we have the most comedy, that we have the most farce.
'All Things Considered.'
FEBRUARY 16th
Our fathers had a plain sort of pity: if you will, a gross and coarse pity. They had their own sort of sentimentalism. They were quite willing to weep over Smike. But it certainly never occurred to them to weep over Squeers. No doubt they were often narrow and often visionary. No doubt they often looked at a political formula when they should have looked at an elemental fact. No doubt they were pedantic in some of their principles and clumsy in some of their solutions. No doubt, in short, they were all very wrong, and no doubt we are the people and wisdom shall die with us. But when they saw something that in their eyes, such as they were, really violated their morality, such as it was, then they did not cry 'Investigate!' They did not cry 'Educate!' They did not cry 'Improve!' They did not cry 'Evolve!' Like Nicholas Nickleby, they cried 'Stop!' And it did stop.
Introduction to 'Nicholas Nickleby.'
FEBRUARY 17th
Some people do not like the word 'dogma.' Fortunately they are free, and there is an alternative for them. There are two things, and two things only, for the human mind—a dogma and a prejudice. The Middle Ages were a rational epoch, an age of doctrine. Our age is, at its best, a poetical epoch, an age of prejudice. A doctrine is a definite point; a prejudice is a direction. That an ox may be eaten, while a man should not be eaten, is a doctrine. That as little as possible of anything should be eaten is a prejudice; which is also sometimes called an ideal.
'What's Wrong with the World.'
FEBRUARY 18th
There are some people who state that the exterior, sex, or physique of another person is indifferent to them, that they care only for the communion of mind with mind; but these people need not detain us. There are some statements that no one ever thinks of believing, however often they are made.
'The Defendant.'
FEBRUARY 19th
There are two rooted spiritual realities out of which grow all kinds of democratic conception or sentiment of human equality. There are two things in which all men are manifestly and unmistakably equal. They are not equally clever or equally muscular or equally fat, as the sages of the modern reaction (with piercing insight) perceive. But this is a spiritual certainty, that all men are tragic. And this, again, is an equally sublime spiritual certainty, that all men are comic. No special and private sorrow can be so dreadful as the fact of having to die. And no freak or deformity can be so funny as the mere fact of having two legs. Every man is important if he loses his life; and every man is funny if he loses his hat, and has to run after it. And the universal test everywhere of whether a thing is popular, of the people, is whether it employs vigorously these extremes of the tragic and the comic.
'Charles Dickens.'
FEBRUARY 20th
Now the reason why our fathers did not make marriage, in the middle-aged and static sense, the subject of their plays was a very simple one; it was that a play is a very bad place for discussing that topic. You cannot easily make a good drama out of the success or failure of a marriage, just as you could not make a good drama out of the growth of an oak-tree or the decay of an empire. As Polonius very reasonably observed, it is too long. A happy love-affair will make a drama simply because it is dramatic; it depends on an ultimate yes or no. But a happy marriage is not dramatic; perhaps it would be less happy if it were. The essence of a romantic heroine is that she asks herself an intense question; but the essence of a sensible wife is that she is much too sensible to ask herself any questions at all. All the things that make monogamy a success are in their nature undramatic things, the silent growth of an instinctive confidence, the common wounds and victories, the accumulation of customs, the rich maturing of old jokes. Sane marriage is an untheatrical thing; it is therefore not surprising that most modern dramatists have devoted themselves to insane marriage.
'George Bernard Shaw.'
FEBRUARY 21st
If Americans can be divorced for 'incompatibility of temper,' I cannot conceive why they are not all divorced. I have known many happy marriages, but never a compatible one. The whole aim of marriage is to fight through and survive the instant when incompatibility becomes unquestionable. For a man and a woman, as such, are incompatible.
'What's Wrong with the World.'
FEBRUARY 22nd
Of a sane man there is only one safe definition: he is a man who can have tragedy in his heart and comedy in his head.
'Tremendous Trifles.'
FEBRUARY 23rd
The artistic temperament is a disease that afflicts amateurs.
'Heretics.'
FEBRUARY 24th
It is constantly assumed, especially in our Tolstoian tendencies, that when the lion lies down with the lamb the lion becomes lamb-like. But that is brutal annexation and imperialism on the part of the lamb. That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is—Can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved.
'Orthodoxy.'
FEBRUARY 25th
Nothing is important except the fate of the soul; and literature is only redeemed from an utter triviality, surpassing that of СКАЧАТЬ