Blues Guitar For Dummies. Jon Chappell

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СКАЧАТЬ 12-8: The blues lead style and hallmark vibrato of B.B. King.FIGURE 12-9: A lick in the infectious, melodic style of Freddie King.FIGURE 12-10: Robert Cray’s tasteful and economical lead approach.FIGURE 12-11: An open-A slide solo in the style of Bonnie Raitt.

      13 Chapter 13FIGURE 13-1: A I-IV-V progression in the Chuck Berry style.FIGURE 13-2: Fiery string bends and flawless technique are hallmarks of Eric Cl...FIGURE 13-3: Hendrix’s brand of “psychedelic blues.”FIGURE 13-4: A solo in the style of Jimmy Page.FIGURE 13-5: A slide riff in the style of the great Duane Allman.FIGURE 13-6: A line similar to Johnny Winter’s classic approach to a blues solo...FIGURE 13-7: Smoldering riffs and edge-of-the-pick harmonics equal a classic Gi...FIGURE 13-8: Stevie Ray Vaughan often combined chord vamps with his leads.

      14 Chapter 14FIGURE 14-1: Sperzel’s high-quality tuning machines.FIGURE 14-2: The Wilkinson bridge.FIGURE 14-3: Seymour Duncan’s high-quality third-party pickups.FIGURE 14-4: The Gibson Les Paul (left) and Fender Stratocaster (right).

      15 Chapter 15FIGURE 15-1: A typical practice amp.FIGURE 15-2: The Fender Twin amp.FIGURE 15-3: The Marshall Super Lead 100 amp.FIGURE 15-4: Studio players sometimes use a rack system like this one.FIGURE 15-5: The preamp section of an amp.FIGURE 15-6: The tone section of an amp.FIGURE 15-7: An amp’s effects section.FIGURE 15-8: An amp with a footswitch-activated boost.FIGURE 15-9: A tube amp.FIGURE 15-10: A hybrid amp.FIGURE 15-11: The Line 6 Flextone series of amps uses digital-modeling technolo...FIGURE 15-12: The Fender Bassman amp.FIGURE 15-13: The Marshall JTM 45.FIGURE 15-14: The Vox AC30.FIGURE 15-15: The Mesa/ Boogie Mark IIc+.FIGURE 15-16: A collection of distortion devices.FIGURE 15-17: An outboard effect offers more variety and control.FIGURE 15-18: The stomp box solution.FIGURE 15-19: The Digi-Tech GNX1.FIGURE 15-20: The Line 6 Pod XT.FIGURE 15-21: The Line 6 Pod Pro.

      16 Chapter 16FIGURE 16-1: Three tools that make string-changing and adjustments a cinch.FIGURE 16-2: Kinking the string in the proper direction.FIGURE 16-3: Wrapping the strings in the proper direction.FIGURE 16-4: Coiling the string on the post.FIGURE 16-5: Clipping the string end close to the post.FIGURE 16-6: Pulling on the string to stretch it out after it’s tuned up.FIGURE 16-7: Kinking the string in the proper direction for inline and split tu...FIGURE 16-8: Wrapping the strings in the proper direction.FIGURE 16-9: Coiling the string on the post.FIGURE 16-10: Pulling on the string after it’s tuned up to get the “stretch” ou...

      17 Appendix AFIGURE A-1: Music for “Shine On Harvest Moon.”

      Guide

      1  Cover

      2 Table of Contents

      3  Begin Reading

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