The Front Runner (All the Truth Is Out Movie Tie-in). Matt Bai

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       TILTING TOWARD CULTURE DEATH

      THE HART EPISODE is almost universally remembered, on the rare occasion that anyone bothers to remember it at all, as the tale of classic hubris I mentioned earlier. A Kennedy-like figure on a fast track to the presidency defies the media to find anything nonexemplary in his personal life, even as he carries on an affair with a woman half his age and poses for pictures with her, and naturally he gets caught and humiliated. How could he not have known this would happen? Was he actually trying to get caught? During the years after Hart entered my consciousness, I found myself moved to mention my fascination with him to scores of people, and almost invariably I heard some version of the same dismissive response from anyone who was alive at the time, to the point where I could almost finish the sentences for them. How could such a smart guy have been that stupid?

      Of course, you could reasonably have asked that same question of the three most important political figures of Hart’s lifetime, all Democratic presidents remembered as towering successes. Franklin Roosevelt, John Kennedy, and Lyndon Johnson had all been adulterers, before and during their presidencies, and we can safely assume they had plenty of company. In his 1978 memoir, Theodore White, the most prolific and influential chronicler of presidential politics in the last half of the twentieth century, made John Kennedy and most of the other candidates he’d known sound like the Rolling Stones gathering up groupies on a North American tour.

      “What was later written about Kennedy and women bothered White but little,” he wrote. “He knew that Kennedy loved his wife—but that Kennedy, the politician, exuded that musk odor of power which acts as an aphrodisiac to many women. White was reasonably sure that only three presidential candidates he had ever met had denied themselves the pleasures invited by that aphrodisiac—Harry Truman, George Romney and Jimmy Carter. He was reasonably sure that all the others he had met had, at one time or another, on the campaign trail, accepted casual partners.” (Yes, White wrote his memoir in the reportorial third-person voice, and he used terms like “musk odor.” It was a different time.)

      Just after the Hart scandal broke in 1987, The New York Times’s R. W. “Johnny” Apple, the preeminent political writer of his day, wrote a piece in which he tried to explain how disconnected the moment was from what had come before. Apple described what was probably a fairly typical experience for reporters covering the Kennedy White House:

      In early 1963, for example, a fledgling reporter for this newspaper was assigned to patrol the lobby of the Carlyle Hotel while President Kennedy was visiting New York City. The reporter’s job was to observe the comings and goings of politicians, but what he saw was the comings and going of a prominent actress, so that was what he reported to his editor. “No story there,” said the editor, and the matter was dropped.

      It was this very understanding between politicians and chroniclers—that just because something was sleazy didn’t make it a story—that emboldened presidents and presidential candidates to keep reporters close when it came to the more weighty business of governing. There was little reason to fear being ambushed on the personal front while trying to make oneself accessible on the political front. In a 2012 letter to The New Yorker, Hal Wingo, who was a Life correspondent in the early 1960s, recalled spending New Year’s Eve 1963 with the newly inaugurated Lyndon Johnson and a group of other reporters. Johnson put his hand on Wingo’s knee and said, “One more thing, boys. You may see me coming in and out of a few women’s bedrooms while I am in the White House, but just remember, that is none of your business.” They remembered, and they complied.

      No one should pretend that character wasn’t always a part of politics, of course, and there were times when private lives became genuine political issues. When Nelson Rockefeller, New York’s governor and a Republican presidential hopeful, divorced his wife of thirty-one years in 1962, and then married a former staff member, “Happy,” who was eighteen years his junior and the mother of four small children, the story became inseparable from Rocky’s political prospects. You couldn’t do a credible job of covering the Republican schism in those years without delving at least somewhat into Rockefeller’s private life. When a lit-up Teddy Kennedy drove off a bridge in Chappaquiddick, off Martha’s Vineyard, in 1969, killing twenty-eight-year-old Mary Jo Kopechne, Kennedy’s private recklessness became a relevant and enduring political story; no politician, let alone a newspaper editor, would seriously have argued otherwise. When Thomas Eagleton, shortly after joining George McGovern on the Democratic ticket in 1972, was revealed to have undergone shock treatment for depression, his temperament became a legitimate news story, along with the fact that he had neglected to mention it.

      But reporters didn’t go looking for a politician’s private transgressions; they covered such things only when they rose to the level of political relevance. And even when personal lives did explode into public scandal in those days, it didn’t necessarily overwhelm everything else there was to know about a man. Whether a politician took bribes, whether he stood on conscience or took direction from powerful backers, whether he lied to voters or had the courage to tell hard truths, whether he stood up to power or whether he bothered showing up for votes—all of this had been, for at least a hundred years, more critical to a politician’s public standing than his marital fidelity or his drinking habits or his doctor’s records. Scandalous behavior mattered, but so did the larger context.

      In fact, for most of the twentieth century, while a private scandal might complicate your ambitions for the moment, it wasn’t necessarily the kind of thing that permanently derailed a promising political career. Consider the case of the three scandalized politicians I just mentioned. Rockefeller failed in his presidential bid in 1964—in large part because of the uproar over his marital situation—and again in 1968, when he dithered long enough to allow Richard Nixon’s resurgence. But by 1974, in the wake of Watergate and Nixon’s resignation, when the country desperately needed the reassurance of trusted leadership, Rocky’s personal controversy had faded to the point where Gerald Ford thought him worthy of the vice presidency. He might well have been a leading candidate for the presidency again had Ford stepped aside in 1976.

      Eagleton would always be best known for hiding his electroshock therapy, and any hope he had of holding national office evaporated after his disastrous, eighteen-day stint as McGovern’s running mate in 1972. But that humiliation hardly finished him as a viable and serious politician of the era. He went on to win two more Senate elections before retiring as something of an elder statesman in 1986; his name adorns the federal courthouse in St. Louis.

      And then there’s Ted Kennedy, whose career not only survived the haunted waters off Chappaquiddick, but which had only just begun its historic ascent. By 1980, Kennedy felt sufficiently rehabilitated in the public mind not only to run for president, but to challenge the sitting president of his own party. In fact, Kennedy entered the race with a significant advantage in the polls, and while Chappaquiddick surfaced repeatedly, it was an intellectual failure that cast the most doubt on his prospects—mainly that he couldn’t articulate, in an interview with the newsman Roger Mudd, why he actually wanted the job that his brother once held. When he died in 2009, having served in the Senate for four decades after Chappaquiddick, Kennedy was celebrated as one of the most consequential political figures of the century, his passion and conviction lauded even by those who disagreed with him. Remarkably, somehow, he had come to embody the idea of character, at least in the public arena.

      From the start, though, Hart’s downfall was of an entirely different genre than any of these other scandals, which had afforded their protagonists some room for redemption—not simply a modern variation on a timeless theme, but a new kind of political narrative altogether. What befell Hart in that spring of 1987 was swift, spiraling, and irreversible, as instantly ruinous and blackening as the fiercest hurricane. It washed away any sense of proportion or doubt. It blew away decades of precedent in a matter of hours.

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