The Siren. Tiffany Reisz

Чтение книги онлайн.

СКАЧАТЬ ends around here. Don’t tell me you don’t have the time when we both know you just don’t have the inclination.”

      “Fine. I don’t have the time or the inclination to edit erotica, even good erotica, if there is such an animal. I’m not the only editor here. Give it to Thomas Finley.” Zach named his least favorite coworker, the one who’d given him his nickname. “Or Angie Clark even.”

      “Finley? That pansy? He’d make a pass at Sutherlin, and she’d eat him alive. If you punched him in the face, he wouldn’t even know how to bleed right.”

      Zach nearly laughed in agreement before remembering he was fighting with J.P.

      “Then what about Angie Clark?”

      “She’s too busy right now. Besides…”

      “Besides what?” Zach demanded.

      “Clark’s afraid of her.”

      “Can’t say I blame her,” Zach said. “I’ve heard grown men practically whisper her name at parties. The rumor is she slept her way to her first book deal.”

      “I’ve heard that rumor, too. But she hasn’t slept her way to this one. Unfortunately,” J.P. said with a playful grin.

      “I read on Rachel Bell’s blog that she never leaves the house in any other color than red. She said Sutherlin’s got a sixteen-year-old boy working as her personal assistant.”

      J.P. smiled at him. “I believe she prefers ‘intern’ to ‘personal assistant.’”

      Zach nearly choked on his own frustration. He’d been ready to leave for the evening, even had his coat on, when some demon voice in his head told him to check his work email one more time. He had a note from J.P. telling him that he was considering acquiring erotica writer Nora Sutherlin and her latest book for their big fall/winter release. And since Zach didn’t have much to occupy him until he left for L.A. in a few weeks…

      “I need you to do this for me. You and no one else,” J.P. said.

      “Why am I the only one who can handle her?”

      “Handle her?” J.P. practically chortled the words before turning serious. “Listen to me—no one handles Nora Sutherlin. No, you’re just the only one I’ve got who can keep up with her. Easton…Zach. Hear me out, please.”

      Zach swallowed and resigned himself to a moment’s détente. It was a rare thing indeed when John-Paul Bonner called anyone by his first name.

      “She writes romances, J.P.,” Zach said quietly. “I hate romances.”

      J.P. met his eyes with sympathy.

      “I know you’ve been through hell this past year. I’ve met your Grace, remember? I know what you’ve lost. But Sutherlin…she’s good. We need her.”

      Zach took a slow, deep breath.

      “Has she signed the contract yet?” Zach asked.

      “No. We’re still ironing out the terms.”

      “Is there a verbal agreement in place?”

      J.P. eyed him warily. “Not yet. I told her we’d have to look at the figures and get back to her, but we were leaning toward yes. Why?”

      “I’ll talk to her.”

      “A good start.”

      “And I’ll read the manuscript. If I think there’s any chance she—we—can make something decent out of her book, I’ll give her my last six weeks. But the book doesn’t go to press until I sign off on it.”

      J.P.’s eyes bored into Zach. Zach refused to blink or look away. He was used to having final say on all his books. He wasn’t about to relinquish that power, not for J.P., not for Nora Sutherlin, not for anyone.

      “Easton, one Dan Brown title will outsell in a month what the entire poetry section of a bookstore will sell in five years. Sutherlin’s ‘pornography,’ as you call it, could pay for a lot of poetry around here.”

      “I want the contract in my hands, J.P., or I won’t even meet her.”

      J.P. sat back in his chair and exhaled loudly through his nose.

      “Fine. She’s all yours. She’s got a nice little place in Connecticut. Take the train. Take my car. I don’t care. She’ll be home on Monday, she said.”

      “Very well then.” Zach knew he was likely safe. When the mood struck him, Zach could be merciless to an author about his or her book’s shortcomings. The great writers took the criticism. The hacks couldn’t handle it. If he was hard enough on her, she’d beg for another editor.

      The argument now at a stalemate, Zach rose tiredly from the chair and with hunched and aching shoulders headed toward the door.

      A small cough stopped Zach before he could leave the office. J.P. didn’t meet his eyes, only ran his hand over the first page of the Hamlet reader’s copy in front of him.

      “You should read this book when it comes out,” J.P. said, tapping the page. “Fascinating exploration of the feigned madness of Hamlet—‘I am but mad north north-west…’”

      “‘But when the wind is southerly, I can tell a hawk from a handsaw,’” Zach finished the famous quotation.

      “Sutherlin’s only as mad as Hamlet was. Don’t believe everything you’ve heard about her. The lady knows her hawks from her handsaws.”

      “Lady?”

      J.P. closed the book and didn’t answer the insult. Zach turned to leave again.

      “You know, you’re still young, Easton, and too handsome for your own good. You should try it sometime.”

      “What? Madness?” Zach asked, nodding toward the book.

      “No. Happiness.”

      “Happiness?” Zach allowed himself a bitter grin. “I’m afraid my memory’s too good for that.”

      Zach returned to his office. His assistant, Mary, had left Nora Sutherlin’s manuscript on his desk along with a file folder.

      Zach flipped the file open and barely glanced at Sutherlin’s bio. She was thirty-three, about a decade younger than him. Her first book had come out when she was twenty-nine. She’d released five titles since then; her second book, entitled Red, had created a minor sensation—great sales, lots of buzz. Zach studied the numbers in the file and saw why J.P. was so eager to acquire her. With each subsequent release, her sales had nearly doubled. Zach ran through the little he knew of erotica writers in his mind. These days erotica was about the only growth market in publishing. But it shouldn’t be about the money. Just the art.

      Zach threw Sutherlin’s bio and sales projections in the trash. He’d stolen his philosophy of editing from the old New Critics—it’s just about the book. Not the author, not the market, not the reader…one judged a book only by the book. He shouldn’t care that СКАЧАТЬ