Название: Pretty Baby
Автор: Mary Kubica
Издательство: HarperCollins
Жанр: Морские приключения
Серия: MIRA
isbn: 9781474030878
isbn:
Graham had arrived when Zoe was still a toddler. She took to him like fruit flies to a bowl of browning bananas. As a freelance writer, Graham was often home, staring blankly at a computer screen and overdosing himself on caffeine and self-doubt. He came to our rescue more than once when Zoe was ill and neither Chris nor I could miss work. Graham welcomed her onto his tufted sofa where together they watched cartoons. He is a go-to when in need of a cup of butter, a dryer sheet or someone to hold the door. He’s also top-notch at expository writing, helping Zoe with English homework when neither Chris nor I could. He’s an expert at dressing a turkey, something I learned that I couldn’t do three-quarters of the way through cooking Thanksgiving dinner for in-laws.
In short, Graham is a good friend.
“You two should join me sometime,” Graham says about the run. I see the multitude of water bottles harnessed to his waist and think we best not.
“You’d be sorry if I did,” I say, watching as Graham tousles Zoe’s hair and again she blushes, this time the rosy tint having nothing to do with his sexual innuendos.
“What about you?” he says to Zoe, and she shrugs. Being twelve has its advantages, the fact that a shrug and a shy smile can get her off the spot. “Think about it,” he says, flashing that decadent smile, the teeth lined in a row like well-behaved school children, impeccably white. The insinuation of facial hair where he has yet to shave, the downturned eyes, which Zoe avoids like the plague. Not because she doesn’t like him. But because she does.
We say our goodbyes and head out, into the rain.
* * *
I walk Zoe to school before continuing on to work. Zoe attends the Catholic school in our neighborhood, nestled beside a cumbersome Byzantine church, with its gray brick exterior, its heavy wooden doors, its heavenly dome that reaches to the sky. The church is entirely ornate, from the golden murals that run wall to wall, to the stained-glass windows and marble altar. The school sits behind the church, tucked away, a regular brick school building with a playground and a mass of children in matching plaid uniforms hidden beneath multicolored raincoats, their backpacks too obese for their tiny bodies. Zoe slips away from me with barely a goodbye and I watch, from the curb, as she unites with other seventh graders and hurries from the waterlogged street into the dry building, staying away from the little ones—those clinging to parents’ legs and vowing that they don’t want to go—as if they have some communicable disease.
I watch, until she is in the building, and then continue on my way to the Fullerton Station. At some point along the way, the rain, with all of its urgency, turns to hail, and I find myself running, gracelessly, down the street, my feet stomping through puddles, splashing dirty rainwater upon my legs.
The girl and her baby come to mind and I wonder if they, too, are somewhere out there, being pelted by rain.
When I arrive at the station, I use my fare card to unlock the turnstile, then dash up the slippery steps, wondering if I will see them: the girl and her baby, but they are not there. Of course I’m grateful that the baby and her mother are not on the platform in this atrocious weather, but my mind begins to wander: where are they and, more important, are they safe? Are they dry? Are they warm? It’s the definition of bittersweet. I wait impatiently for the train and, when it arrives, I get on, my eyes anchored to the window, half expecting to see the two appear at any second: the army-green coat and lace-up boots, the vintage leather suitcase and sodden pink fleece blanket, the baby’s exposed creamy head, with faint, delicate plumage, the baby’s toothless smile.
At work, a third-grade field trip arrives at our literacy center. With a handful of volunteers, we read poetry to the students, and then the students try their hand at writing and illustrating some poetry of their own, which the more adventurous of the bunch share with the group. The students coming to the center are mostly from lower class, urban neighborhoods, mostly African-American or Latino. Many are from low-income homes, and a smattering speak something other than English—Spanish, Polish, Chinese—in the home.
Many of these children come from families where both parents work, if both parents are still around. Many are from single-parent homes. Many are latchkey kids who spend their afternoons and evenings alone. They are overlooked for more pressing matters: food and housing, to be exact. A morning at our facility is about more than literacy and developing a love of sonnets and haiku. It’s about the doubt that overtakes the children when they walk in our doors (quietly grumbling about the task at hand), and the fortitude with which they leave after a few hours of hard work and the undivided attention of our staff.
But once they’re gone, thoughts of the girl and her baby return.
The rain has quieted to a needless drizzle when lunchtime comes. I fasten my raincoat and head outside, careening down State Street while feasting on some healthy granola bar in lieu of lunch, heading to the library to pick up a book I have on interlibrary loan. I absolute love the library, with its sunlit atrium (though not sunlit today) and grotesque granite gargoyles and millions and millions of books. I love the quietness of the library, the gateway to knowledge, to the French language and medieval history and hydraulic engineering and fairy tales, learning in a very primitive form: books, something that’s quickly giving way to modern technology.
I pause beside a homeless woman leaning against the redbrick building, and set dollar bills in her outstretched hand. When she smiles at me, I see that many of her teeth are missing, her head covered in a thin black hat that’s supposed to keep her warm. She mumbles a thanks, inarticulate and hard to understand, what teeth she has blackened from what I take to be methamphetamine use.
I find my book on the holds shelf and then take a series of escalators up to the seventh floor, bypassing security guards and elementary school field trips, wandering vagrant men, and women with other women, talking too loudly for the library. The library is warm and calm, and entirely welcoming as I make my way to the literature aisles in search of something enjoyable to read, the latest New York Times bestseller.
And it’s there that I see her, the girl with her baby, sitting cross-legged on the ground in the midst of the literature aisles, the baby laid across her lap, its head elevated by a knee. The suitcase sits on the ground beside her. The girl, it appears, is grateful to be free of its weight for the time being. The girl pulls a bottle from the pocket of the army-green coat, sets it into the obliging baby’s mouth. She reaches for a book from the bottom shelf and—as I sneak into the nearest aisle, yanking some sci-fi thriller from the shelf and flipping to page forty-seven—I hear her voice softly reading aloud from Anne of Green Gables while stroking the underside of the baby’s toes.
The baby is utterly calm. I spy through the metal shelves as the baby consumes the bottle, down to the residual bubbles at the bottom, and as she does her eyes become too heavy to keep open, and they slowly, slowly drift closed, her body gravitating to dormancy, perfectly still with the exception of involuntary twitches here and there. Her mother continues to read, continues caressing the tiny toes with a thumb and forefinger and suddenly I’m eavesdropping on a very personal moment between mother and child.
A librarian appears. “Can I help you find something?” she asks, and I jump, clutching the sci-fi thriller in my hand. I feel guilty, flustered, my coat still dripping with rain. The librarian smiles, her features soft and kind.
“No,” I say quickly, quietly; I don’t want to wake the baby. I whisper, “No. I just found it,” and I hurry to the escalators and downstairs to check out my new book.
* * *
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