Greenfeast. Nigel Slater

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      At the start of the longest half of the year, our appetite is pricked by the sudden drop in temperature, and as evenings get longer, we have the opportunity to spend a little more time in the kitchen. To mash beans into buttery clouds. Simmer vegetable stews to serve with bowls of couscous. To bring dishes of sweet potato to melting tenderness in spiced cream. And of course, the pasta jar comes out again.

      My cold weather eating is more substantial than the food I eat for the rest of the year. Dinner becomes about one main dish rather than several lighter ones, and the focus shifts towards keeping warm. On returning home I will now happily spend an hour cooking. Maybe a little longer.

      The oven gets more use at this time of year, the grill and griddle probably less. More food will come to the table in deep casseroles and pie dishes. I dig out my capacious ladle for a creamed celeriac soup as soft as velvet. The temperature of the plates and bowls will change. We want to hold things that warm our hands, a sign of the happiness to come.

      There will be carbs. They protect and energise us. They bring balm to our jagged nerves. (Winter is nature’s way of making us eat carbohydrates.) Crusts – of pastry, breadcrumbs and crumble – add substance; potatoes fill and satisfy and there is once again a huge sourdough loaf on the table. Rice and noodles are no longer a side dish, and now become the heart and soul of dinner.

      My autumn and winter cooking is every bit as plant-based as the food I make in the summer; it just has a bit more heft to it. Shallow bowls of rice cooked with milk and thyme in the style of a risotto. A verdant, filling soup of Brussels sprouts and blue cheese. A saffron-coloured stew of sour cream, herbs and noodles. Translucent fritters in a pool of melted cheese. Golden mushrooms astride a cloud of soft, yellow polenta. There is a tangle of noodles and tomato, peppery with chilli; roast parsnips and baked pumpkin; a wide earthenware dish of sweet potatoes and lentils glowing like a lantern, a herb-freckled crumble of leeks and tomato or swedes and thyme in a pastry crust and a tarte Tatin of soft golden shallots and autumn apples. It is all here, between these pumpkin-coloured covers.

      This is also the season for ‘something on toast’. By toast I mean not only bread cut thick and rough-edged, but toasted bagels and crumpets, muffins and naan. Any soft dough that will crisp under the grill and will support a cargo of vegetables or is happy to be slathered with a thick wave of crème fraîche or hummus, roast vegetables or perhaps cheese to melt and bubble.

      And, of course, there must be pudding. An early autumn crumble of damsons and almonds. Chocolate puddings (you really must make the ones with dulce de leche). Ginger cake with a cardamom cream and a custard pudding set with cake and apples. There will be nut-encrusted shortbreads with blood orange and baked apples with crisp crumbs and cranberries. I expect syllabubs and baked pears on the table, pastries laden with a golden dice of apples and scones pebble-dashed with nibs of dark chocolate.

      I probably eat more puddings during the cold months, but mainly at the weekend. The main course recipes in this book are predominantly for two; the puddings, though, are all for four or more. You can’t really make a tart for two or a tiny batch of scones. The recipes are made for sharing with friends and family. That said, most of them are rather fine eaten the following day. Especially those little chocolate puddings.

      A note on volume 1. Greenfeast: spring, summer.

      Like all my books, the first volume of Greenfeast was written from and about my own kitchen. That it found itself welcomed by quite so many came as something of a pleasant surprise. I have lost count of the number of people who in the last few months have told me that this is the way they eat now, as an ‘almost vegetarian.’

      The idea that so many people’s everyday eating is going through such a change and that meat is no longer our first thought when working out what we want to eat, is heartening to say the least. Apparently I am not the only person for whom meat is still looked forward to but as a once- or twice-a-week treat, not the knee-jerk star of every meal. I knew this was happening (you would have to live under a stone not to) but I genuinely hadn’t realised how widely and quickly the change has come about.

      Yes, vegan cooking and full-blown vegetarianism is on the rise, but there are far more people who seem to prefer a less rigid approach to their eating. This makes sense on so many levels, but when all is said and eaten it is simply that the options for cooking without meat have never been more varied or delicious. There has never been a better time to celebrate the move towards a mostly plant-based diet.

       WINTER STOCK

      A good vegetable stock is worth its weight in gold on a winter’s day. As the nights draw in, we probably need a stock altogether deeper, richer and more ballsy than the delicate, vegetal liquids we might use in summer. Something that behaves more like a brown meat stock. Such a broth is immensely useful in my kitchen as a base for the heartier non-meat recipes that form the backbone of my daily eating, but also as something restoring to drink as you might a cup of miso. The colour must be dark and glossy, the flavour deeply, mysteriously herbal with a hint of mushroom and there should be a roasted back note, the sort you find in a long-simmered meat stock.

      As you proceed, the kitchen will fill with the smell of onions, celery and carrots, which you roast with miso paste, then remove from the oven and simmer for a good hour with thyme, bay and shiitake. You could slip in a sheet of kombu for an extra layer of depth if you like.

      The broth will need straining and separating from its spent aromatics, its deep, almost mahogany liquor dripping slowly into a glass bowl. The liquor can be used immediately, or kept in the fridge, covered, for up to a week.

      Such a stock is a bowl of pure treasure. You can drink it like broth, dipping thick hunks of bread or focaccia into it; you can use it as base for a soup, adding steamed cauliflower or shredded cabbage, parsley and croutons, or add noodles, skeins of udon or little pasta stars to twinkle in the dark, mushroomy depths. Whenever the word ‘stock’ appears in a recipe, use it neat or let it down with a little water to taste. And it will freeze too, though I suggest in small containers, so it defrosts quickly.

      And when all is said and done, is there anything quite so restoring as coming home to a bowl of deeply layered, smoky stock, to bubble on the stove, to which you add pieces of hot toast, letting them slowly swell with the bosky, fungal, roasted flavours from the bowl.

       WINTER PORRIDGE

      A winter’s day should start well. A steaming bowl of something to see us on our way. I invariably choose porridge. An oat-based slop to satisfy and strengthen, to bolster and soothe, to see me through till I get where I’m going. A sort of internal duffel coat. I doubt it will just be porridge of course, but porridge with bells and whistles: a trickle of treacle, a pool of crème fraîche, ribbons of maple syrup or a puddle of yoghurt. There may be golden sultanas and dried mulberries, pistachios or toasted almonds and perhaps some baked figs or slices of banana.

      Porridge doesn’t necessary mean oats. You could use rye grain or barley and milk or water as you wish. There might be salt or sugar, cinnamon or ground cardamom or toasted pumpkin seeds. If I remember, there will be stewed fruit too: apples perhaps, or dried apricots cooked with sugar or honey. Porridge is never just porridge in my house. It is a winter staple, one of the building blocks of the season and something I could never think of being without.

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