Mystic Warrior. Alex Archer

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      1

      Present day

      Annja Creed sat braced in the passenger seat of the burnt-orange Lamborghini and tried to divide her attention between the GPS screen on the dashboard and the late-afternoon traffic in West Los Angeles as they peeled around yet another corner. Traffic flashed by, though the number of cars was sparser than she had thought it would be. Los Angeles gridlocked a lot, and the streets were often choked with stalled vehicles.

      Of course, their luck could end around the next corner, which was coming up much too quickly. She pulled her chestnut hair back and tied it in a ponytail. Dressed in charcoal pants, a dark green pullover and a short-waisted jacket, Annja had been prepared to spend the day at the Hollywood lot where she was currently consulting on a movie.

      Riding kamikaze through LA traffic hadn’t been on her itinerary.

      The voice streaming from the GPS was a steamy contralto Annja hadn’t heard before, but it sounded familiar and comforting.

      “Steven, you need to make a right turn in one hundred feet.”

      The voice had to be a custom package. That was something Steven Krauzer would want as a member of Hollywood’s elite director-producers.

      “Turn now, Steven.” The car slung around the corner and the tires shrieked and slipped wildly before grabbing traction again. Annja’s seat belt tightened around her. She was safe, for the moment, but certainly not comfortable. Especially with an insane person behind the wheel.

      On his best days, Steven Krauzer was believed to be not quite in touch with the real world. This wasn’t a good day at all.

      Several more car horns blared in protest as the Lamborghini powered through the turn, holding contact with the street through what had to be the thinnest layer of rubber. A cab loomed before them, growing larger as they approached. For a moment Annja saw the Lamborghini’s volatile color reflected in the shiny chrome bumper, but Krauzer yanked the wheel to the right, went up on the cracked sidewalk momentarily, then pressed harder on the accelerator. “Did anyone ever tell you that I trained to race at NASCAR?” Krauzer sat grinning confidently in the driver’s seat, belted in by a five-point system.

      “No.” Annja caught herself lifting her foot for a brake pedal that wasn’t there. With effort, she put her foot back on the floor.

      In his early thirties, and one of Hollywood’s wunderkinder as a child of famous parents—his father a powerful producer of movies and his mother an international film star—Steven Krauzer never really had time for anyone else in his life. He was lean and muscular, and he trained in a gym with near-fanatical devotion. He wore Chrome Hearts Kufannaw II sunglasses over dark eyes, and his black chinstrap beard matched his short-cropped hair. His jeans were custom-made and full of holes, and the tailored beige Carhartt men’s work shirt gave him that everyman look he cultivated. He was egocentric, prideful and a prima donna, but he tried to put himself out there as just one of the guys. Krauzer’s image was as much a production as any movie he’d ever directed.

      “In one hundred twenty feet, turn left onto West Pico Boulevard, Steven.”

      Krauzer was already sailing through the intersection. He missed colliding with a city bus by inches. “You know,” Annja said, “there’s really no rush to find Melanie.”

      For a moment, the cool, cocky composure Krauzer displayed evaporated. He curled his left hand into a fist and banged it on the steering wheel.

      “Melanie Harp stole from me! She took that scrying crystal because she knew I was going to need it for the scenes today. She’s trying to destroy my film.”

      “She probably doesn’t even know the theft has been discovered.” The realization that the scrying crystal was missing had occurred only a little over twenty minutes ago. Since Annja had been hired as an expert on the authenticity of the props, Krauzer had demanded she come with him to find the woman he believed had taken the scrying crystal.

      “Ha!” Krauzer reached down and flicked the gearshift, skidding through another corner and nearly locking bumpers with a delivery truck that pulled hastily to the side. “That just goes to show that you might know a lot about anthropology, but you don’t know squat about Hollywood.”

      Archaeology.

      But she didn’t press the issue, because it would only serve to distract the director. Since she’d been in LA serving as a consultant on his movie, Krauzer hadn’t paid attention СКАЧАТЬ