Название: Hilary Mantel Collection
Автор: Hilary Mantel
Издательство: HarperCollins
Жанр: Контркультура
isbn: 9780007557707
isbn:
‘He doesn't accept it, the young man. They tell him to marry Mary Talbot, but …’ and Boleyn gives a little careless laugh, ‘he doesn't care to marry Mary Talbot. He believes he is free to choose his wife.’
‘Choose his –!’ the cardinal breaks off. ‘I never heard the like. He's not some ploughboy. He's the man who will have to hold the north for us, one of these days, and if he doesn't understand his position in the world then he must learn it or forfeit it. The match already made with Shrewsbury's daughter is a fit match for him, and a match made by me, and agreed by the king. And the Earl of Shrewsbury, I can tell you, doesn't take kindly to this sort of moonstruck clowning by a boy who's promised to his daughter.’
‘The difficulty is …’ Boleyn allows a discreet diplomatic pause. ‘I think that, Harry Percy and my daughter, they may have gone a little far in the matter.’
‘What? You mean we are speaking of a haystack and a warm night?’
From the shadows he watches; he thinks Boleyn is the coldest, smoothest man he has ever seen.
‘From what they tell me, they have pledged themselves before witnesses. How can it be undone, then?’
The cardinal smashes his fist on the table. ‘I'll tell you how. I shall get his father down from the borders, and if the prodigal defies him, he will be tossed out of his heirdom on his prodigal snout. The earl has other sons, and better. And if you don't want the Butler marriage called off, and your lady daughter shrivelling unmarriageable down in Sussex and costing you bed and board for the rest of her life, you will forget any talk of pledges, and witnesses – who are they, these witnesses? I know those kind of witnesses who never show their faces when I send for them. So never let me hear it. Pledges. Witnesses. Contracts. God in Heaven!’
Boleyn is still smiling. He is a poised, slender man; it takes the effort of every finely tuned muscle in his body to keep the smile on his face.
‘I do not ask you,’ says Wolsey, relentless, ‘whether in this matter you have sought the advice of your relatives in the Howard family. I should be reluctant to think that it was with their agreement that you launched yourself on this scheme. I should be sorry to hear the Duke of Norfolk was apprised of this: oh, very sorry indeed. So let me not hear it, eh? Go and ask your relatives for some good advice. Marry the girl into Ireland before the Butlers hear any rumour that she's spoiled goods. Not that I'd mention it. But the court does talk.’
Sir Thomas has two spots of angry red on his cheekbones. He says, ‘Finished, my lord cardinal?’
‘Yes. Go.’
Boleyn turns, in a sweep of dark silks. Are those tears of temper in his eyes? The light is dim, but he, Cromwell, is of very strong sight. ‘Oh, a moment, Sir Thomas …’ the cardinal says. His voice loops across the room and pulls his victim back. ‘Now, Sir Thomas, remember your ancestry. The Percy family comprise, I do think, the noblest in the land. Whereas, notwithstanding your remarkable good fortune in marrying a Howard, the Boleyns were in trade once, were they not? A person of your name was Lord Mayor of London, not so? Or have I mixed up your line with some Boleyns more distinguished?’
Sir Thomas's face has drained; the scarlet spots have vanished from his cheeks, and he is almost fainting with rage. As he quits the room, he whispers, ‘Butcher's boy.’ And as he passes the clerk – whose beefy hand lies idly on his desk – he sneers, ‘Butcher's dog.’
The door bangs. The cardinal says, ‘Come out, dog.’ He sits laughing, with his elbows on his desk and his head in his hands. ‘Mark and learn,’ he says. ‘You can never advance your own pedigree – and God knows, Tom, you were born in a more dishonourable estate than me – so the trick is always to keep them scraped up to their own standards. They made the rules; they cannot complain if I am the strictest enforcer. Percys above Boleyns. Who does he think he is?’
‘Is it good policy to make people angry?’
‘Oh, no. But it amuses me. My life is hard and I find I want amusement.’ The cardinal casts on him a kindly eye; he suspects he may be this evening's further diversion, now that Boleyn has been torn into strips and dropped on the ground like orange peel. ‘Who need one look up to? The Percys, the Staffords, the Howards, the Talbots: yes. Use a long stick to stir them, if you must. As for Boleyn – well, the king likes him, and he is an able man. Which is why I open all his letters, and have done for years.’
‘So has your lordship heard – no, forgive me, it is not fit for your ears.’
‘What?’ says the cardinal.
‘It is only rumour. I should not like to mislead Your Grace.’
‘You cannot speak and not speak. You must tell me now.’
‘It's only what the women are saying. The silk women. And the cloth merchants' wives.’ He waits, smiling. ‘Which is of no interest to you, I'm sure.’
Laughing, the cardinal pushes back his chair, and his shadow rises with him. Firelit, it leaps. His arm darts out, his reach is long, his hand is like the hand of God.
But when God closes his hand, his subject is across the room, back to the wall.
The cardinal gives ground. His shadow wavers. It wavers and comes to rest. He is still. The wall records the movement of his breath. His head inclines. In a halo of light he seems to pause, to examine his handful of nothing. He splays his fingers, his giant firelit hand. He places it flat on his desk. It vanishes, melted into the cloth of damask. He sits down again. His head is bowed; his face, half-dark.
He Thomas, also Tomos, Tommaso and Thomaes Cromwell, withdraws his past selves into his present body and edges back to where he was before. His single shadow slides against the wall, a visitor not sure of his welcome. Which of these Thomases saw the blow coming? There are moments when a memory moves right through you. You shy, you duck, you run; or else the past takes your fist and actuates it, without the intervention of will. Suppose you have a knife in your fist? That's how murder happens.
He says something, the cardinal says something. They break off. Two sentences go nowhere. The cardinal resumes his chair. He hesitates before him; he sits down. The cardinal says, ‘I really would like the London gossip. But I wasn't planning to beat it out of you.’
The cardinal bows his head, frowns at a paper on his desk; he is allowing time for the difficult moment to pass, and when he speaks again his tone is measured and easy, like a man telling anecdotes after supper. ‘When I was a child, my father had a friend – a customer, really – who was of a florid complexion.’ He touches his sleeve, in illustration. ‘Like this … scarlet. Revell was his name, Miles Revell.’ His hand drifts to rest again, palm downwards on the blackish damask. ‘For some reason I used to believe … though I dare say he was an honest citizen, and liked a glass of Rhenish … I used to believe he was a drinker of blood. I don't know … some story I suppose that I had heard from my nurse, or from some other silly child … and then when my father's apprentices knew about it – only because I was foolish enough to whine and cry – they would shout out, “Here comes Revell for his cup of blood, run, Thomas Wolsey …” I used to flee as if the devil were after me. Put the marketplace between us. I marvel that I didn't fall under a wagon. I used to run, and never look. Even today,’ he says – he picks up a wax seal from the desk, turns it over, turns it over, puts it down – ‘even today, when I see a fair, florid man – let us say, the Duke of Suffolk – СКАЧАТЬ