The Orphan's Tale. Pam Jenoff

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       5

       Noa

      She comes for me before dawn.

      I am already awake, wearing a dressing gown that is not my own. Moments earlier, I bolted upright, shaken. I’d dreamed that I had gone back to the railcar at the station a second time, not just to save more babies but because I somehow knew that my own child was among them. But when I pulled open the door to the train car it was empty. I reached into the pitch-blackness and shrieked as my arms closed around nothing.

      I’d awoken from the dream, hoping I had not screamed aloud and startled others in the strange house. I fought to close my eyes again. I had to go back and save my child. But the image was gone.

      As my trembling ebbed, I reached for the baby, who slept peacefully in the basket they had made into a bassinet by my bedside. I pulled him to me, his warmth soothing. I adjusted my eyes to the still room, partly lit by the moonlight that filtered in through curtains held back by braided ropes. A low fire burned in the corner. The fine furnishings were grander than any I’d ever seen. I recalled the odd faces assembled when I’d awoken the previous day, the round circus owner and the woman who looked at me with such distaste and the long-faced man who had sat in the chair watching, like the cast of characters from a story my mother read to me as a child. The circus, they said—it is hard to believe that such a world still exists even during the war. I might have been less surprised to find myself on the moon. I had been to the circus only once when I was three and I cried at the glaring lights and loud noises until my father had taken me out of the tent. And now here I am. It is strange, but no stranger than finding a boxcar full of infants, or any of the things that have happened to me since leaving home.

      I gaze down at the baby, freshly bathed and nestled in my arms. Theo, I’d called him without thinking when they asked. I don’t know where the name had come from. He sleeps in the crook of my elbow and I hold still so as not to disturb him. His face is peaceful, cheeks now rosy. Where had he slept before being put in the train? I imagine a warm crib, hands that patted his back to soothe him. I pray that my own child is sleeping somewhere just as safe.

      The previous evening they had spoken about me as though I was not there. “She’s got a circus look about her, don’t you think?” the circus owner had said when my eyes were closed and they thought I wasn’t listening. They were sizing me up like a horse they were about to buy. I wanted to stand and say thank-you-but-no-thank-you, to pick up the baby and walk into the night. But the fierce winds still howled and through the window the hills were an unbroken sea of white. If I started out with Theo again, we would not make it to another shelter. So I let them talk about me. This isn’t our place, though. We will stay long enough to save some money and then leave. Where we will go exactly, I don’t know.

      “You’ll be paid ten marks a week,” the circus owner had said. The price seemed shrewd, but not so low that he was taking advantage. Should I have asked for more? Perhaps it was a generous sum for one who had never performed. I know so little about money, and I am hardly in a position to bargain.

      After the circus people had finished talking about me, they had left the room and I’d fallen asleep. I’d awoken once and found my way to the water closet in the darkness. A few times something rumbled in the distance, seeming to echo off the hills. Air raids perhaps, like the ones I’d heard so many times at the rail station. But they were not close enough to cause alarm.

      No one had come to the room again—until now. Hearing footsteps in the hall, I slide from the bed carefully so as not to wake Theo, wanting to open the door before anyone knocks. The woman they had called Astrid, the one who had watched me so disdainfully the previous night, stands before me now in the semidarkness, the moonlight behind giving her a strange glow. Her jet-black hair is bobbed short and curled at the ends, framing her face. She wears no jewelry except for a pair of gold earrings with a small crimson gem in each. She is beautiful in an exotic way with too-large features that fit together perfectly. She does not smile.

      “You’ve slept long enough,” she declares without greeting or introduction. “Time to get up and start working.” She throws a leotard in my direction, faded and mended at the toe. “You’ll need to wear this.” I have no idea where my own clothes, soaked and tattered, have gone. I wait for her to leave so I can change, but she simply half turns away. “We haven’t a day to lose. I will train you—or attempt to, anyway. I don’t think you can manage it, but if you do, you may travel with us.”

      “Train to do what, exactly?” I ask, wishing I had thought to ask the previous evening before saying I could do it.

      “Learn the flying trapeze,” she answers.

      I had heard them discuss this the previous evening. They used the word “aerialist,” I recall now. Through the fog of my exhaustion, I had not contemplated what it really meant. Now the outrageousness of the proposal crashes down upon me: they want me to climb to the ceiling and risk my life swinging like a monkey. I’m not captive here. I don’t have to do this. “That’s very kind of you, but I hardly think...” I don’t want to offend her. “I can’t possibly do that. I can clean, or perhaps cook,” I offer, as I had the night before.

      “Herr Neuhoff owns the circus,” she informs me. “This is what he wants.” Her diction is polished, as if she is not from around here. “Of course if you can’t manage it...you have СКАЧАТЬ