The Monogram Murders. Sophie Hannah

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       CHAPTER 2

       Murder in Three Rooms

      That was how it started, on the evening of Thursday, 7 February 1929, with Hercule Poirot, and Jennie, and Fee Spring; amid the crooked, teapot-huddled shelves of Pleasant’s Coffee House.

      Or, I should say, that was how it appeared to start. I’m not convinced that stories from real life have beginnings and ends, as a matter of fact. Approach them from any vantage point and you’ll see that they stretch endlessly back into the past and spread inexorably forward into the future. One is never quite able to say ‘That’s that, then,’ and draw a line.

      Luckily, true stories do have heroes and heroines. Not being one myself, having no hope of ever being one, I am all too aware that they are real.

      I wasn’t present that Thursday evening at the coffee house. My name was mentioned—Edward Catchpool, Poirot’s policeman friend from Scotland Yard, not much older than thirty (thirty-two, to be precise)—but I was not there. I have, nevertheless, decided to try to fill the gaps in my own experience in order make a written record of the Jennie story. Fortunately, I have the testimony of Hercule Poirot to help me and there is no better witness.

      I am writing this for the benefit of nobody but myself. Once my account is complete I shall read and reread it until I am able to cast my eyes over the words without feeling the shock that I feel now as I write them—until ‘How can this have happened?’ gives way to ‘Yes, this is what happened.’

      At some point I shall have to think of something better to call it than ‘The Jennie Story’. It’s not much of a title.

      I first met Hercule Poirot six weeks before the Thursday evening I have described, when he took a room in a London lodging house that belongs to Mrs Blanche Unsworth. It is a spacious, impeccably clean building with a rather severe square façade and an interior that could not be more feminine; there are flounces and frills and trims everywhere. I sometimes fear that I will leave for work one day and find that somehow a lavender-coloured fringe from some item in the drawing room has attached itself to my elbow or my shoe.

      Unlike me, Poirot is not a permanent fixture in the house but a temporary visitor. ‘I will enjoy one month at least of restful inactivity,’ he told me on the first night that he appeared. He said it with great resolve, as if he imagined I might try to stop him. ‘My mind, it grows too busy,’ he explained. ‘The rushing of the many thoughts … Here I believe they will slow down.’

      I asked where he lived, expecting the answer ‘France’; I found out a little later that he is Belgian, not French. In response to my question, he walked over to the window, pulled the lace curtain to one side and pointed at a wide, elegant building that was at most three hundred yards away. ‘You live there?’ I said. I thought it must be a joke.

      ‘Oui. I do not wish to be far from my home,’ Poirot explained. ‘It is most pleasing to me that I am able to see it: the beautiful view!’ He gazed at the mansion block with pride, and for a few moments I wondered if he had forgotten I was there. Then he said, ‘Travel is a wonderful thing. It is stimulating, but not restful. Yet if I do not take myself away somewhere, there will be no vacances for the mind of Poirot! Disturbance will arrive in one form or another. At home one is too easily found. A friend or a stranger will come with a matter of great importance comme toujours—it is always of the greatest importance!—and the little grey cells will once more be busy and unable to conserve their energy. So, Poirot, he is said to have left London for a while, and meanwhile he takes his rest in a place he knows well, protected from the interruption.’

      He said all this, and I nodded along, as if it made perfect sense, wondering if people grow ever more peculiar as they age.

      Mrs Unsworth never cooks dinner on a Thursday evening—that’s her night for visiting her late husband’s sister—and this was how Poirot came to discover Pleasant’s Coffee House. He told me he could not risk being seen in any of his usual haunts while he was supposed to be out of town, and asked if I could recommend ‘a place where a person like you might go, mon ami—but where the food is excellent’. I told him about Pleasant’s: cramped, a little eccentric, but most people who tried it once went back again and again.

      On this particular Thursday evening—the night of Poirot’s encounter with Jennie—he arrived home at ten past ten, much later than usual. I was in the drawing room, sitting close to the fire but unable to warm myself up. I heard Blanche Unsworth whispering to Poirot seconds after I heard the front door open and shut; she must have been waiting for him in the hall.

      I couldn’t hear what she was saying but I could guess: she was anxious, and I was the cause of her anxiety. She had arrived back from her sister-in-law’s house at half past nine and decided that something was wrong with me. I looked a fright—as if I hadn’t eaten and wouldn’t sleep. She’d said all this to me herself. I don’t know quite how a person manages to look as if he hasn’t eaten, incidentally. Perhaps I was leaner than I had been at breakfast that morning.

      She inspected me from a variety of angles and offered me everything she could think of that might set me right, starting with the obvious remedies one offers in such situations—food, drink, a friendly ear. Once I’d rejected all three as graciously as I could, she proceeded to more outlandish suggestions: a pillow stuffed with herbs, something foul-smelling but apparently beneficial from a dark blue bottle that I must put in my bath water.

      I thanked her and refused. She cast her eyes frantically around the drawing room, looking for any unlikely object she might foist upon me with the promise that it would solve all my problems.

      Now, more likely than not, she was whispering to Poirot that he must press me to accept the foul-smelling blue bottle or the herb pillow.

      Poirot is normally back from Pleasant’s and reading in the drawing room СКАЧАТЬ