Through the Wall. Caroline Corcoran

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СКАЧАТЬ I say, fuelled by wine and the panic that people may leave, and Iris and Buddy find it ironic enough – like the Christmas hats – to join in. Maya slips into her denim jacket and slopes off, giving me a pitying look that sets a flare off inside me as she says goodbye. Jim can be persuaded once I find him a dusty bottle of tequila for a shot.

      These colleagues may not be an immediate solution to my solitude, but perhaps one day it will come in the form of a man who one of them knows.

      Plus my parties, alcohol-fuelled as they are, rarely begin and end at my colleagues.

      It happens, always, as it is happening tonight. The door is propped open so that my guests can pop downstairs for cigarettes. I live next to the elevator and what I never envisaged – given how antisocial my neighbours are in daylight – is that late at night, people started coming in the other direction, too. Peering in to see what’s happening. Hearing a song that they like. Grabbing a beer.

      So it could be one of those, too; an unknown neighbour who comes for the alcohol but stays for me. I might not be perfect, but I have things to offer. Enough to hope that one day, someone might invite me back, might claim me.

      There are hundreds of flats in our tall, imposing tower block, and most of them are inhabited by men and women in their twenties and thirties who don’t have children and can get drunk on Tuesdays without much consequence beyond a hangover they have to hide under carbs the next day at their desk. If they live here even as renters then they are mostly paid well and work hard for long hours, so that their evenings take on a desperate quality. Enjoy it, make the most of it, drink it, snort it before you’re back in a meeting at 8 a.m.

      The building, with its modern feel, feels to me like it aids this. The sparse, airy lobby is an anonymous retreat, painted head to toe in magnolia with just a desk for the concierge and a sole plant that never wilts but never grows. Is it fake? When I stare at it, I can’t tell. I wonder if people ask the same thing about me.

      In the lobby is an unplaceable but specific scent that never alters. The temperature’s always exactly what you want it to be, whatever the season.

      At times it reminds me of an airport. People pass through, collect their parcels, take off in the elevator up to the eighth floor, and there are so many flats that you can easily never see them again. Occasionally, it reminds me of somewhere darker: of the psychiatric hospital where I used to be a patient. A coincidence? Maybe this is what I want from a home, I think. Utter sterility.

      Now, my neighbours traipse into my home, three, four, every half-hour. They are on their way back from their work drinks or their dinners and they stick their hazy heads in to see what’s happening. Someone – me, most likely – shoves a wine glass into their hand and the next minute it is 1 a.m., and a city banker in his early twenties who I’ve never seen before is kissing Chantal from the fifth floor and vowing to move with her to a hippy commune in Bali. Chantal, like me, is a rare exception in this building to the city-banker rule, but I’ll get to that in a minute. By day, my neighbours are antisocial and aloof; by night, they are debauched and overfamiliar, revelling in their freedom. Happy mediums are not what we do in Zone One.

      Did I make an idiot of myself? Chantal will message tomorrow, inevitably.

      The message will come from her sofa, where she lies every day thinking about retraining as a masseuse. Chantal was made redundant from her job in marketing a year ago and from a distance, it is clear that she is in a deep depression, which isn’t helped by the fact that her rich parents pay for her to lie still and be sad. She has no motivation to move. But at 1 a.m. Chantal is shining, lit by lamplight and Prosecco. At 1 a.m., Chantal and I are something approaching friends. At 1 p.m., we exchange awkward chat in the preprepared aisle in Waitrose.

      ‘I’d better head to …’ she will mutter, gesturing vaguely at some bread, or a door, or anywhere.

      ‘Yeah, I’d better get on, too,’ I’ll concur urgently before ambling back to my sofa.

      But meeting somebody is a numbers game, that’s what my mom would say if we still spoke. If it wasn’t impossible for us to speak, after what I did. It’s a numbers game and I’m following that policy. Let the strangers in. Keep them coming.

      The nights begin with wine offered politely and with small talk. And then they descend into strangers and a blurry chaos I spend most of the next day clearing up. It’s worth it, though – the mess is comforting. It gives me a purpose.

      Again, tonight, my flat is full of unknown or barely known neighbours and the last of my colleagues who are heading home now at 2 a.m., slurring. As they wait for the elevator outside my flat I hear them through the door that’s been left, as ever, temptingly ajar.

      ‘She’s just a bit … much, you know?’ says Iris, her voice loud because she is drunk on the alcohol that I just gave her, for free, while she hung out in my home. She is talking about me.

      Buddy concurs, as the world always has concurred on this. I’m a bit … much. I’m not quite the right amount. Not on target. Not the level of person you would ideally want. If I were a recipe ingredient, you’d tip a portion of me out, or balance me with salt. As I’m a person, I can’t be amended, so I remain a bit … much.

      I sit against the wall behind the door listening to the rest of their thirty-second conversation on the topic of me before the elevator announces itself loudly. An hour later, when everybody else leaves, everything is quiet, and I hear a TV being switched off next door and the soft, kind padding of slippers on laminate floor.

      I say goodbye to my next-door neighbour, Lexie, in my head. She never turns up at my parties, but I know her name because I have heard her boyfriend say it through the wall. And then I lie down on the sofa, mascara on the cushion from the start of tears that will go on and on and on until the moment that I finally fall asleep.

       4

       Lexie

       December

      I’m typing and deleting and at that moment, Harriet starts singing in a children’s TV presenter voice that is too loud, surely, to be normal. Was other people’s noise this irritating when I worked in an office? I’ve always loved sound; the radio on in the background, talking to friends over TV shows. Slowly though, I think, all the rules of me are changing. I throw a cushion at the wall.

      I uncurl my legs from the sofa then head for the kitchen because I’ve been thinking about the flapjacks in the cupboard all morning.

      I look down at myself, bottom half shrouded in Tom’s pyjamas. My own strain at the waist too much now to be comfortable.

      I eat the flapjack. And then I lie back on the sofa and think. Is it right that Harriet can get to me so much? Is it normal? My relationship with my next-door neighbour, to anyone living in a place that isn’t a vast Central London contemporary apartment block with a concierge service that takes delivery of your online orders and helps out the lost Deliveroo driver roaming hundreds of identical corridors with a pad thai, would sound bizarre.

      I know more about her existence than I know about most of my friends’. We are closely entwined. She is by far the person I spend most time with. I know about her boozy parties with their Prosecco glugged into friends’ glasses as they try to resist and go home but they can’t – they can’t because they’re having СКАЧАТЬ