Dead Beat. Val McDermid

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СКАЧАТЬ the outfit off with a pair of high-heeled brown sandals. When you’re only 5’3″, you need all the help you can get. I chose a pair of outrageous earrings and a couple of gold bangles, and eyed myself in the mirror. It wasn’t wonderful, but it was better than Richard deserved. Right on cue, he said, ‘You look great. You’ll knock them dead, Brannigan.’

      I hoped not. I hate mixing business with pleasure.

       2

      We didn’t have to scramble for a parking place near the Apollo Theatre, since we live less than five minutes’ walk away. I couldn’t believe my luck when I discovered this development halfway through my first year as a law student at Manchester University. It’s surrounded on three sides by council housing estates and on the fourth by Ardwick Common. It’s five minutes by bike to the university, the central reference library, Chinatown, and the office. It’s ten minutes by bike to the heart of the city centre. And by car, it’s only moments away from the motorway network. When I discovered it, they were still building the little close of forty houses, and the prices were ridiculously low, probably because of the surrounding area’s less than salubrious reputation. I worked out that if I pitched my father into standing guarantor for a hundred per cent mortgage and moved another student into the spare room as a lodger, I’d be paying almost the same as I was for my shitty little room in a student residence. So I went for it and moved in that Easter. I’ve never regretted it. It’s a great place to live as long as you remember to switch on the burglar alarm.

      We arrived at the Apollo just as the support band were finishing their first number. We’d have caught the opener if they hadn’t left the guest list in the hands of an illiterate. One of the major drawbacks to having a relationship with a rock writer is that you can’t put support bands to their traditional use of providing a background beat while you have a few drinks before the act you came to hear gets on stage. Rock writers actually listen to the support band, just so they can indulge in their professional one-upmanship with lines like, ‘Oh yes, I remember Dire Straits when they were playing support at the Newcastle City Hall,’ invariably to some band that everyone has now forgotten. After two numbers, I couldn’t take any more and I abandoned Richard in his seat while I headed for the bar.

      The bar at the Apollo reminds me of a vision of hell. It’s decorated in a mosaic of bright red glitter, it’s hot and it reeks of cigarette smoke and stale alcohol. I elbowed my way through the crowd and waved a fiver in the air till one of the nonchalant bar staff eventually deigned to notice me. At the Apollo, they specialize in a minuscule selection of drinks, all served at blood heat in plastic tumblers. It doesn’t matter much what you order, it all seems to taste much the same. Only the colours vary. I asked for a lager, which arrived flat and looking like a urine sample. I sipped tentatively and decided that seeing is believing. As I pushed my way back towards the door, I saw someone who made me stop so suddenly that the man behind me cannoned into me, spilling half my drink down the trousers of the man next to me.

      In the chaos of my apologies and my pathetic attempts to wipe up the spilled beer with a tissue from my handbag, I took my eyes off the source of my surprise. When I managed to make my embarrassed escape, I looked over to the corner where he’d been standing. But it was now occupied by a threesome I’d never seen before. Gary Smart, brother and partner of Billy, had vanished.

      I stared round the crowded bar, but there was no trace of him. He’d been standing with a tall, skinny man who’d had his back to me. I didn’t hear a word of their conversation, but their body language suggested a business deal. Gary had been putting some kind of pressure on the other man. It certainly hadn’t looked like a pleasant, concertgoers’ chat about which of Jett’s albums they liked best. I cursed silently. I’d missed a great chance to pick up some interesting info.

      With a shrug, I drank the few remaining mouthfuls of my drink and went back down to the foyer. I checked out the tour merchandise just to see if there was anything among the t-shirts, sweatshirts, badges, programmes and albums that I fancied. Richard can always get freebies, so I usually have a quick look. But the sweatshirts were black, and the t-shirts hideous, so I walked back through the half-empty auditorium and slumped in my seat next to Richard while the support band ground out their last two numbers. They left the stage to muted applause, the lights went up and a tape of current chart hits filled the air. ‘Bag of crap,’ Richard remarked.

      ‘That their name or a critical judgement?’ I asked.

      He laughed and said, ‘Well, they ain’t honest enough to call themselves that, but they might as well have done. Now, while we’ve got a minute to ourselves, tell me about your day.’

      As he lit a joint, I did just that. I always find that talking things over with Richard helps. He has an instinctive understanding of people and how their minds work that I have come to rely on. It’s the perfect foil to my more analytical approach.

      Unfortunately, before he could deliver his considered verdict on the Smart brothers, the lights went down. The auditorium, now full to capacity, rang with cries of ‘Jett, Jett, Jett …’ After a few minutes of chanting, wavering torch beams lit up pathways on the stage as members of Jett’s backing band took the stage. Then, a pale blue spot picked out the drummer, high on his platform at the rear of the stage, brushing a snare drum softly. The lighting man focused on the bass player in pale purple as he picked up the slow beat. Then came the keyboards player, adding a shimmering chord from the synthesizer. The sax player joined in, laying down a line as smooth as chocolate.

      Then, suddenly, a stark white spotlight picked out Jett as he strode out of the wings, looking as frail and vulnerable as ever. His black skin gleamed under the lights. He wore his trademark brown leather trousers and cream silk shirt. An acoustic guitar was slung round his neck. The audience went wild, almost drowning out the musicians in their frenzy. But as soon as he opened his mouth to sing, they stilled.

      His voice was better than ever. I’ve been a fan of Jett since his first single hit the charts when I was fifteen, but I find it as hard now to categorize his music as I did then. His first album had been a collection of twelve tracks, mainly acoustic but with some subtle backings ranging from a plangent sax to a string quartet. The songs had ranged from simple, plaintive love songs to the anthem-like ‘To Be With You Tonight’ which had been the surprise hit of the year, hitting the top of the charts the week after its release and staying there for eight weeks. He had one of those voices that has the quality of a musical instrument, blending perfectly with whatever arrangement flows beneath it. As a lovesick teenager, I could lose myself completely in his yearning songs with their poignant lyrics.

      Eight other albums had followed, but I’d increasingly found less delight in them. I wasn’t sure if it was the changes in me that were responsible for that. Maybe what strikes a teenager as profound and moving just doesn’t work once you’re halfway through your twenties. But it seemed to me that while the music was still strong, the lyrics had become trite and predictable. Maybe that was a reflection of his reported views about the role of women. It’s hard to write enlightened love songs about the half of the population you believe should be barefoot and pregnant. However, the packed crowd in the Apollo didn’t seem to share my views. They roared out their appreciation for every number, whether from the last album or the first. After all, he was on home ground. He was their own native son. He’d made the northern dream a reality, moving up from a council flat in the Moss-side ghetto to a mansion in the Cheshire countryside.

      With consummate showmanship, he closed the ninety-minute set with a third encore, that first, huge hit, the one we’d all been waiting for. A classic case of leaving them wanting more. Before the last chords had died away, Richard was on his feet and heading for the exit. I followed quickly before the crowds built up, and caught up with him on the pavement outside as he flagged down a cab.

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