The Cask. Freeman Wills Crofts
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Название: The Cask

Автор: Freeman Wills Crofts

Издательство: HarperCollins

Жанр: Ужасы и Мистика

Серия: Detective Club Crime Classics

isbn: 9780008190538

isbn:

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       Chapter XVIII: Lefarge Hunts Alone

      

       Chapter XIX: The Testing of an Alibi

      

       Chapter XX: Some Damning Evidence

      

       Part III: London and Paris

      

       Chapter XXI: A New Point of View

      

       Chapter XXII: Felix Tells a Second Story

      

       Chapter XXIII: Clifford Gets to Work

      

       Chapter XXIV: Mr Georges La Touche

      

       Chapter XXV: Disappointment

      

       Chapter XXVI: A Clue at Last

      

       Chapter XXVII: La Touche’s Dilemma

      

       Chapter XXVIII: The Unravelling of the Web

      

       Chapter XXIX: A Dramatic Dénouement

      

       Chapter XXX: Conclusion

      

       About the Book

      

       The Detective Story Club

       About the Publisher

       INTRODUCTION

      MESSRS COLLINS have done many things which have delighted me—notably their acceptance of the MS of The Cask in the first instance—but few have given me greater pleasure than their decision to include this book in their Pocket Classics Series. It is a great honour to confer on a detective story.

      They have asked me to write a foreword, describing briefly how the book came into being, and this is it.

      Well, unhappily for the foreword, nothing could have been more prosaic and uninteresting. I did not retire from the world, and with a plentiful supply of wet towels for my head and strong coffee at two-hourly intervals, cover the floor of my room with sheet after sheet of closely-written manuscript. Instead, I got ill and had a period of convalescence. During this period I became so bored that I didn’t know what to do, and to try to fill the time I asked for a pencil and a few sheets of notepaper. I began to write down what seemed the most absurd and improbable things I could think of. Before I knew what was happening, a whole morning was gone.

      This was eminently satisfactory, and I was even more pleased when the second morning passed equally quickly. At last a chapter was finished. As a sort of joke I read it to my wife. She expressed delight (unhappily, mingled with amazement). I remember so well finishing up: ‘Harkness and the cask were gone!’ and her enthusiastic approval. However, her praise made me persevere, and I continued writing till I was well enough to take up again my normal job of railway engineering.

      The manuscript was put away and almost forgotten, but some time later I re-read it. Rather to my surprise it seemed as if something might be made of it and I began to revise and re-write. In this a kindly neighbour (to whom I dedicated the book) gave me immense help. I read each chapter to him as it was finished, and he would stop me and say: ‘I don’t like that. No one but a complete idiot would have done any such thing. You’ll have to alter it.’ Most salutary: it made the book a deal better than it would otherwise have been.

      At last it was finished, and in fear and trembling, yet with a thrill, I sent it to Messrs A. P. Watt, the literary agents. Then ensued a breathless period of waiting. Eventually there came a letter—one of the kindest I have ever received—from Mr J. D. Beresford, the distinguished novelist and critic, who had read the story on behalf of Messrs Collins. He said that he and Messrs Collins liked Parts I and II, but they didn’t think that Part III was so satisfactory. Would I consider rewriting this last part on a different basis?

      I should have explained that the original Part III was the account of the actual trial for murder. The truth was reached by the breaking down of the real criminal in the witness box, with his subsequent confession and suicide. Having recently re-read that old Part III, I can see how completely justified Mr Beresford was. I don’t know a great deal about murder trials now, but I have learnt enough to appreciate that no trial like that I described has ever taken place, either in this or any other country.

      Needless to say, I jumped at the idea of doing a new Part III, and I suppose there was no more amazed and delighted person in existence, when some time later Mr Watt wrote that Messrs Collins had accepted the book and were going to publish it immediately.

      With Dickens in my mind I had called the great work A Mystery of Two Cities. My publishers didn’t care much for this title, and with their help, The Cask was eventually evolved.

      The whole episode represented such a thrill that, as may be imagined, it was not long before I was at work on a second book, The Ponson Case. This also ‘went,’ and from then the die was cast. I would continue writing books, even if I had to give up railway work to do it—as eventually I had. And here I am glad of the opportunity of trying to express my great debt to my publishers, Collins, for their unfailing kindness and encouragement.

      I’m afraid I cannot claim for The Cask any scientific construction whatever. Nowadays I begin a new book by working out the plot in fairly complete detail, noting (a) the method of the murder, СКАЧАТЬ