The Most Difficult Thing. Charlotte Philby

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      The voice in the front seat senses my fear but it does little to allay my nerves.

      As the car turns, my eyes are distracted by the sudden movements of the trees, the light sweeping over the rear-view mirror. When it levels out again, I see the driver’s eyes trained on mine for a fraction of a second, in the reflection, the rest of his face obscured.

      It is an effort to keep my legs steady as I step out of the car at the airport, every stride pressing against the desire to break into a run.

      The terminal is a wash of blurred faces and television screens. Slumped bodies, caps tilted over eyes, neon signs, metal archways. My body endlessly moves against the tide, my eyes flicking left and right beneath my sunglasses. There is a sudden pressure on my shoulder and I spin around but it is just a rucksack, protruding from a stranger’s back.

      There is something satisfying about flying, I find: the routine of it, the rhythm; answering questions, nodding in the right place, yes, shaking your head, no. I am grateful for it now – for the process, a welcome distraction from what will come.

      Nevertheless, my mind won’t settle. All I can do is run through the plan once more. There will be hours of waiting at the airport before my flight to Skiathos. My time there will be brief, a night at the most, and from there I will travel on using the ticket I will buy in person at the airport, a day later, in my new name – the one emblazoned in the pages of the passport Harry had couriered to the office days earlier.

      By the time I reach security, the urge to get to the other side is almost as strong as the desire to stay.

      The queues this morning are sprawling. Breathing in through the nose, out through the mouth, as the doctors taught me, I remain composed, even when confronted by an abnormally cheerful security officer.

      ‘Going somewhere nice?’

      For a moment, my mind flips back to this morning. From this vantage point, I watch what happens as if I am a witness – soldered to the sidelines, my tongue cut out. Unable to intervene, I watch myself leaning forward to kiss my daughters on their foreheads, lingering a second longer than usual. Neither had moved, barely raising their eyes from the iPad, which David had propped up against a box of cereal, a cartoon dog tap-dancing on the screen.

      I watch the corners of their mouths twitch in unison, their spoons suspended in front of their faces, engrossed in their own private world. Behind them, the glass doors leading out to the garden that I would never see again.

      ‘I love you.’ Had I said it aloud? I had tried to catch my daughters’ eyes for a final time, my fingers curled tightly around the edge of the breakfast table. But they were lost in their own arguments by then, oblivious to what was happening before them.

      Startled, I blink, lifting my eyes once again so that I am now focusing on her face.

      ‘Sorry, I …’ Breathing in, I remind myself to stay calm. There is no reason for her to question any of this.

      ‘Thessaloniki. It’s for work, I’m a writer. There’s an art fair, I’m interviewing one of the curators.’ It is an unnecessary detail and for a moment I curse myself, but the security officer has moved on, no longer interested.

      It is a balance; truth versus lie. The tiny details are the ones that guide me through. Things can be processed in small parts, after all. But too much truth and the whole thing comes unstuck.

      It is true that the magazine is intending to cover the Thessaloniki event, and I am lined up to write the piece. That way, if on the unlikely off-chance David had ever bumped into one of my colleagues and mentioned it, I would be covered. What David does not know is that the show is not due to start for another three days, and by then, I will be long gone.

      Once I am on the other side, I quickly check for my original passport, which I will dispose of once I reach Greece. I head to WHSmith to buy a paper. I can’t concentrate but I need something that will help me blend in, distract my eyes.

      Scanning the neatly compartmentalised shelves, my attention is drawn to the luxury interiors title of which I am editor. Was.

      I remember how the office building seemed to swell up from the pavement, the first time I saw it. Entering the revolving doors off Goswell Road, turning left as instructed, the palm of my hand nervously pressing at the sides of my coat. Acutely aware of how young and unsophisticated I must have seemed, I had forced my spine to straighten, my consonants to harden.

      The office, a wash of soft grey carpet and low-hanging pendant lights, a wall of magazine covers, was a picture of good taste, framed on either side by views of the city.

      At first I had felt like an intruder, following the immaculately presented editorial assistant through the warren of desks scattered with leather notepads and colour-coded books. But then there was a wave of pride, too, that I might finally feel part of something.

      It had been a struggle not to fall apart when Meg told me, with a blush of shame, that she had been offered the chance to stay on at the paper, while I was thanked for my time and moved along. We had been having drinks with David at the pub near her flat when she announced it, before brushing it off as if it were no big deal.

      I managed to hold it together just long enough to hug her before slipping away to the bathroom and weeping hot, angry tears into my sleeve. It would have been impossible for the two of them not to notice the red stains around my eyes when I emerged five minutes later, claiming to have had an allergic reaction to my make-up.

      By the time I reached the Tube platform, later that evening, I was numb, unable to feel the tears dropping from my eyes. Would Meg have asked me to move in if she had not been feeling guilty about the job? I would question it later, just as I would question everything else. Back then, though, I was in no doubt – she was as committed to me as I was to her.

      When David rang the day after Meg’s announcement about her new job on the news desk, I ignored his call before turning my phone to silent. It was a Saturday and the only noise from the street outside my parents’ house came from the neighbours herding their children, laughing, into the back of a black hearse-like car. Aside from the occasional movement on the stairs, inside the house stung with silence.

      When he rang again, an hour or so later, his name flashing on the screen like a hand reaching in from another world, I pressed decline, too bereft to speak, and just like that he was gone. I was halfway to the bakery, to ask for my old job back, when I heard a ping alerting me to a new message.

      Pulling out the phone, annoyed that he wouldn’t leave me alone with my misery, I read his words and stopped in my tracks.

      ‘She’s an old family friend.’ His voice rose above the swish of traffic when I called back a few minutes later, moving slowly along the grey paving slabs of Guildford town centre. ‘I hadn’t seen her in years but she is married to one of the bosses at my firm and we bumped into one another. I told her you had done a degree in English and about your internship at the paper, and … She wants to meet you.’

      David’s voice was soft, listening intently at the end of the phone for my reply.

      The interview had been arranged for the following week. Clarissa, I discovered, was exactly the kind of woman one would imagine to run a high-end magazine, exuding money and confidence and an overpowering smell of petunia. But she was kind, too, and generous. ‘Any friend of David’s …’ she had beamed, radiating warmth.

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