Название: The Art Of Deception
Автор: Nora Roberts
Издательство: HarperCollins
Жанр: Контркультура
Серия: Mills & Boon
isbn: 9781408979372
isbn:
Cautiously Adam offered his hand. “Yes.”
“Glad you could come, I’ve been looking forward to it.” Still showing his teeth, he pumped Adam’s hand. “Into the parlor,” he said, moving his grip from Adam’s hand to his arm. “We’ll have a drink.” He walked with the quick bouncing stride of a man who hadn’t a worry in the world.
In the parlor Adam had a quick impression of antiques and old magazines. At a wave of Fairchild’s hand he sat on a horsehair sofa that was remarkably uncomfortable. The maid went to an enormous stone fireplace and began to scrub out the hearth with quick, tuneful little whistles.
“I’m having Scotch,” Fairchild decided, and reached for a decanter of Chivas Regal.
“That’ll be fine.”
“I admire your work, Adam Haines.” Fairchild offered the Scotch with a steady hand. His face was calm, his voice moderate. Adam wondered if he’d imagined the scene on the stairs.
“Thank you.” Sipping Scotch, Adam studied the little genius across from him.
Small networks of lines crept out from Fairchild’s eyes and mouth. Without them and the thinning hair, he might have been taken for a very young man. His aura of youth seemed to spring from an inner vitality, a feverish energy. The eyes were pure, unfaded blue. Adam knew they could see beyond what others saw.
Philip Fairchild was, indisputably, one of the greatest living artists of the twentieth century. His style ranged from the flamboyant to the elegant, with a touch of everything in between. For more than thirty years, he’d enjoyed a position of fame, wealth and respect in artistic and popular circles, something very few people in his profession achieved during their lifetime.
Enjoy it he did, with a temperament that ranged from pompous to irascible to generous. From time to time he invited other artists to his house on the Hudson, to spend weeks or months working, absorbing or simply relaxing. At other times, he barred everyone from the door and went into total seclusion.
“I appreciate the opportunity to work here for a few weeks, Mr. Fairchild.”
“My pleasure.” The artist sipped Scotch and sat, gesturing with a regal wave of his hand—the king granting benediction.
Adam successfully hid a smirk. “I’m looking forward to studying some of your paintings up close. There’s such incredible variety in your work.”
“I live for variety,” Fairchild said with a giggle. From the hearth came a distinct snort. “Disrespectful brat,” Fairchild muttered into his drink. When he scowled at her, the maid tossed a braid over her shoulder and plopped her rag noisily into the bucket. “Cards!” Fairchild bellowed, so suddenly Adam nearly dumped the Scotch in his lap.
“I beg your pardon?”
“No need for that,” Fairchild said graciously and shouted again. At the second bellow the epitome of butlers walked into the parlor.
“Yes, Mr. Fairchild.” His voice was grave, lightly British. The dark suit he wore was a discreet contrast to the white hair and pale skin. He held himself like a soldier.
“See to Mr. Haines’s car, Cards, and his luggage. The Wedgwood guest room.”
“Very good, sir,” the butler agreed after a slight nod from the woman at the hearth.
“And put his equipment in Kirby’s studio,” Fairchild added, grinning as the hearth scrubber choked. “Plenty of room for both of you,” he told Adam before he scowled. “My daughter, you know. She’s doing sculpture, up to her elbows in clay or chipping at wood and marble. I can’t cope with it.” Gripping his glass in both hands, Fairchild bowed his head. “God knows I try. I’ve put my soul into it. And for what?” he demanded, jerking his head up again. “For what?”
“I’m afraid I—”
“Failure!” Fairchild moaned, interrupting him. “To have to deal with failure at my age. It’s on your head,” he told the little brunette again. “You have to live with it—if you can.”
Turning, she sat on the hearth, folded her legs under her and rubbed more soot on her nose. “You can hardly blame me if you have four thumbs and your soul’s lost.” The accent was gone. Her voice was low and smooth, hinting of European finishing schools. Adam’s eyes narrowed. “You’re determined to be better than I,” she went on. “Therefore, you were doomed to fail before you began.”
“Doomed to fail! Doomed to fail, am I?” He was up and dancing again, Scotch sloshing around in his glass. “Philip Fairchild will overcome, you heartless brat. He shall triumph! You’ll eat your words.”
“Nonsense.” Deliberately, she yawned. “You have your medium, Papa, and I have mine. Learn to live with it.”
“Never.” He slammed a hand against his heart again. “Defeat is a four-letter word.”
“Six,” she corrected, and, rising, commandeered the rest of his Scotch.
He scowled at her, then at his empty glass. “I was speaking metaphorically.”
“How clever.” She kissed his cheek, transferring soot.
“Your face is filthy,” Fairchild grumbled.
Lifting a brow, she ran a finger down his cheek. “So’s yours.”
They grinned at each other. For a flash, the resemblance was so striking, Adam wondered how he’d missed it. Kirby Fairchild, Philip’s only child, a well-respected artist and eccentric in her own right. Just what, Adam wondered, was the darling of the jet set doing scrubbing out hearths?
“Come along, Adam.” Kirby turned to him with a casual smile. “I’ll show you to your room. You look tired. Oh, Papa,” she added as she moved to the door, “this week’s issue of People came. It’s on the server. That’ll keep him entertained,” she said to Adam as she led him up the stairs.
He followed her slowly, noting that she walked with the faultless grace of a woman who’d been taught how to move. The pigtails swung at her back. Jeans, worn white at the stress points, had no designer label on the back pocket. Her canvas Nikes had broken shoelaces.
Kirby glided along the second floor, passing half a dozen doors before she stopped. She glanced at her hands, then at Adam. “You’d better open it. I’ll get the knob filthy.”
He pushed open the door and felt like he was stepping back in time. Wedgwood blue dominated the color scheme. The furniture was all Middle Georgian—carved armchairs, ornately worked tables. Again there were paintings, but this time, it was the woman behind him who held his attention.
“Why did you do that?”
“Do what?”
“Put on that act at the door.” He walked back to where she stood at the threshold. Looking down, he calculated that she barely topped five feet. For the second time he had the urge to brush the soot from her face to discover what lay beneath.
“You СКАЧАТЬ