Turn a Blind Eye. Vicky Newham
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Название: Turn a Blind Eye

Автор: Vicky Newham

Издательство: HarperCollins

Жанр: Ужасы и Мистика

Серия: DI Maya Rahman

isbn: 9780008240684

isbn:

СКАЧАТЬ something’s happened, but have no idea what. ‘Dad will be back soon with the candles, won’t he? We can finish our homework then. I’ve got English to do and Jaz —’

      ‘We can play ’til then.’ Sabbir looks over at Mum, and I follow his gaze.

      She’s sniffing, dabbing her nose and fanning herself with her hand. ‘I’m fine,’ she says, her voice faltering. ‘Just give me a minute.’

      But I can still hear that moan in my ears and I know we can’t leave her.

      ‘How about we get the blankets from our bedrooms and put them on the floor in here?’ It’s Jasmina. ‘If we push the table over, we can make a camp. Mum?’

      Excitement bubbles up. I love camps. ‘We could sleep down here too.’

      ‘We may have to if the power doesn’t come back on soon,’ says Mum.

      Five minutes later, Jaz, Sabbir and I have fetched our bedding from upstairs. Mum has cleared away the dishes and pushed the table against the wall. On the gas hob a pan is heating for our hot water bottles. We pile cushions onto the eiderdowns and clamber on top. Our bottles filled, Mum joins us, but with her back against the wall and her legs under the covers.

      ‘Tell us about Bangladesh again,’ I ask Mum. ‘What was it like growing up outside the city?’ All three of us love to hear her stories. We’d lived in the city centre of Sylhet so this part of our home country wasn’t something we knew well.

      Mum speaks slowly as though she’s combing through her memories and putting them in place. Hearing her speak in Sylheti feels completely natural. Comforting, somehow. It’s like being in our old flat by the river.

      ‘One of my favourite things was the rolling hills. The land often flooded, especially in the monsoons, and lakes formed on the flood plains. Sometimes your grandfather took us into the swamp forests by boat. They’re magical places where trees grow out of the water. Their branches join up at the top to form canopies and tunnels.’ Mum gestures with her hands.

      In the soft candlelight I catch the look on her face, as though the memories bat her back and forth between pleasure and pain.

      ‘Living here in London, in the cold and grey and the dark, I miss life by the river and the lush green colour. After the monsoons, beautiful star-shaped pink water lilies would float on the lakes. Sabbir, d’you remember the migratory birds? You always loved the swamp hens, didn’t you?’ Her melancholy makes me wonder how she feels about us moving to Britain. ‘The tea estates are glorious,’ she says, making a sloping gesture with her arms. ‘Carpets of green bushes, all trimmed to waist height. My mother and her sisters would pick the tea. I went once to help.’ The soft candlelight melts the ache in her features. It warms her voice for the first time this evening. ‘My father’s family grew rice.’ Energy builds in her voice. ‘I liked to watch the buffalos treading on the rice hay to dislodge the grains. It’s the traditional way of doing it. Afterwards we’d all swim in the Surma, and watch the cattle as they drank in the river. They’re —’

      The flat buzzer silences her, and we all jump. Wrenched from the vivid colours of Bangladesh back to our dark kitchen.

      ‘Who’s that, ringing at this time?’ Mum’s tense again.

      ‘Perhaps Dad’s forgotten his key?’ It’s all I can think of. ‘I’ll go.’ I get up and feel my way to the hall, my eyes used to the dark. I open the door, expecting Dad to rush in, laden with bags, full of apologies and jokes and stories.

      But there’s no-one there.

      ‘Who is it, Maya?’ Mum shouts through.

      ‘No-one. Someone must’ve pressed the wrong bell.’ I step outside the flat into the hall and, smelling tobacco, I scour the darkness for a glowing cigarette end or the light of a torch. My foot knocks against an object on the ground. There’s something beside the doorway. I lean over to feel what it is. A plastic bag rustles in my fingers. In it is something hard, like a cardboard box. I pick up the package and carry it into the flat.

      ‘Someone left a parcel.’ I place it on one of the kitchen worktops.

      ‘At the door?’ That tone is back in Mum’s voice. ‘For pity’s sake, Maya —’

      ‘No-one was there, just this bag.’ I point, although it’s obvious.

      ‘Give it to me,’ says Mum sternly, moving towards the worktop.

      But Sabbir has already begun rummaging in it. He looks at us all in turn, his face excited. ‘It’s candles and . . . you’re never going to guess what . . .’

      ‘Bagels?’ Jasmina and I shout in unison.

      When I got home and closed the front door, relief surged through me. It wasn’t my brother’s photo in the hall that brought the tears, nor the suitcase I’d parked by the stairs when I arrived home in the early hours. It was that, all day, my attention and energy had been on the investigation when what I wanted was to be alone with my grief. Now, I finally had the chance to gather it up so I could feel close to Sabbir; to wade through all the conflicting emotions about how he’d died – and why.

      In the kitchen, I lobbed my keys onto the worktop, followed by the soggy bag of chips I’d half-heartedly collected on the way home. In the cold air, the smell of malt vinegar wafted round the room and the greasy mass was unappealing. I flicked on the heating. Next to the kettle, the message light was flashing on the answerphone. Mum had probably forgotten I’d gone to Bangladesh for the funeral.

      Through the patio doors, the light was reflecting on the canal water in the dark. When I was house-hunting, I’d had my heart set on this flat as it reminded me of Sylhet and our apartment there when we were growing up. I remembered how sometimes, when he’d been in a good mood, Dad would sit between Jasmina and me on our balcony there and read us the poems of Nazrul Islam. On those rare occasions, the two of us would lap up the crumbs of Dad’s attention, bask in his gentle optimism, oblivious to the stench of booze and tobacco on his breath, and the smell of women on his clothes and skin.

      What I remembered most, though, was how yellow his fingertips were; the feel of his cracked, dry skin. And how much I’d loved his burnt-caramel voice.

      I headed into the lounge. Last night’s array of mementos littered the coffee table, waiting to be stuck into the journal I’d bought from the market in Sylhet. The fire had destroyed most of Sabbir’s belongings so Jasmina and I had chosen what we wanted from the bits that were recovered. My eyes fell on the book of Michael Ondaatje poetry. He’d annotated it. On the plane home, I’d read every single poem and pored over all my brother’s notes, then wept in the darkness of the cabin. I’d learned more about Sabbir from those poems than all our conversations.

      Sometimes the canal outside was soothing. Tonight, although the water was still, I felt it pressing in on me. Unable to shift Linda’s death from my mind, I kneeled in front of the wood burner. As I lay kindling on the bed of ash, my thoughts drifted back to the amalgam of conversations from earlier in the day. I was exhausted. A combination of jet lag, lack of sleep and not eating. I was contemplating having a bath when my mobile rang. It was Dougie.

      ‘Hey, how are you?’ We’d Skyped several times when I was in Bangladesh but, other than СКАЧАТЬ