Название: The Incomparable Countess
Автор: Mary Nichols
Издательство: HarperCollins
Жанр: Историческая литература
Серия: Mills & Boon Historical
isbn: 9781474035712
isbn:
Frances certainly agreed with that. The child was extraordinarily beautiful and would have all the young bloods at her feet, if only she could learn to smile and be polite. Instead of attending to the conversation she was watching the horses riding past, as if the last thing she wanted to do was talk to her father’s acquaintances.
‘Then we shall perhaps see something of you in Society.’
‘Indeed, I plan to take Vinny to some of the less grand occasions, to give her a taste of what is to come when she makes her bow next year.’ He smiled suddenly and she felt the old tug at her heart and a flutter of nerves somewhere in the region of her lower abdomen and realised she was not as impervious to his charm as she had hoped. ‘Lady Willoughby has already invited us to take tea with her tomorrow afternoon.’
Frances cursed under her breath. Trust Emma Willoughby to be first in the fray. And to choose the very day when she had promised to deliver the portrait. She could take the portrait in the morning and cry off the tea party, but that would be tantamount to cowardice and she had never been a coward. Besides, she could not hope to avoid him the whole Season, so she might as well begin as she meant to go on. ‘How nice,’ she said. ‘I shall look forward to seeing you both there. Good day, Loscoe. Lady Lavinia.’
‘Countess,’ he answered, with an inclination of his head and picked up the reins to drive on. Frances and Percy turned to continue their ride. As a meeting it had been nothing out of the ordinary; simply a greeting exchanged by acquaintances. Had she expected anything else? Fireworks, perhaps? She smiled at her nonsensical thoughts and turned to her escort who should, after all, have her undivided attention.
It was only then, that she remembered what he had said before the encounter. ‘What did you mean, “water under bridges”?’ she asked.
‘I believe it indicates the passing of time, my dear.’
‘I know that. I meant, what was the context of the remark?’
‘Oh, Fanny, do not play the innocent. I know perfectly well there was almost a whole Season when everyone thought Stanmore was going to offer for you.’
‘So?’ she demanded, unexpectedly irritated. ‘The tattlers are sometimes wrong, you know.’
‘Yes, but I wondered how disappointed you had been.’
‘Not at all,’ she lied. ‘I knew we should not suit.’
‘And so you married Corringham.’
‘I was very fond of George, Percy. Now, let us forget this conversation. It is of no import whatever.’
‘I beg your pardon,’ he said. ‘Unless you wish it, I will never refer to it again.’
‘Thank you. And I would be obliged, if you hear others mentioning water under bridges or anything of that nature, you put them right.’
‘Certainly, I will, though I doubt it will be at the top of the gabble-grinders’ list; it was all a long time ago.’
‘You remembered it.’
‘To be sure, but I am different.’
‘Why different?’
‘Oh, long memory and nothing else to fill it,’ he said vaguely. ‘Now, do we go home, or shall we have a canter across the grass?’
She laughed. ‘A gallop, I think.’
It was not considered the thing for ladies to gallop; indeed, they should do no more than walk or trot along the ride, the whole point of the exercise being to see and be seen, but Frances had never slavishly obeyed the rules and, because she was popular with everyone and considered quite beyond the marriage mart, no one took any notice when she veered off across the grass towards the middle of the park and spurred her horse into a gallop.
Sir Percival followed and half an hour later, exhilarated and free of the cobwebs in her mind which had plagued her overnight, they turned for home.
And that afternoon, just to prove her independence, she took her sketch pad and crayons and asked John Harker to drive her to the East End, where she positioned her stool and easel on one of the docks and drew a tea schooner being unloaded. Its spars and rigging were something of a challenge and totally absorbed her until it was time to return home. Marcus Stanmore, Duke of Loscoe, was banished from her mind and he did not return to it until the following afternoon.
She had taken the portrait to the Willoughby mansion and watched as her ladyship instructed a footman hold it up in one place after another in the main drawing room, undecided where it would look to best advantage. The obvious place was the wall over the Adam fireplace, but that already held a heavy gilt mirror; the fireplace recess was not light enough and the wall opposite the window too light; the sun shining upon it would spoil its colours.
‘Perhaps it should go in another room,’ Frances suggested when the footman had moved it for the fourth time and was looking decidedly bored with the task.
‘Oh, no, it must be in here. I want all my callers to see it. Perhaps I should have the mirror taken down…’
‘I think the heat from the chimney might crack the canvas in time, my lady.’
It was at this point Lord Willoughby arrived and, being asked his opinion, stroked his chin contemplatively and pointed to an empty space to one side of the room, well away from the fire. ‘Leave it on its easel and put it there.’
‘Not hang it?’ her ladyship queried. ‘Will it not look unfinished?’
‘No, why should it?’ He laughed. ‘You can move it about as the fancy takes you. You might even start a fashion for displaying pictures on easels.’
Her ladyship clapped her hands in delight. ‘So I shall.’ She turned to Frances. ‘Dear Countess, can I prevail upon you to let me borrow your easel until we can procure one?’
‘Oh, you do not need to borrow it,’ Frances said, thinking about the fat fee she had only a few minutes before put into her reticule. ‘Have it with my compliments.’
‘I think I will cover it until everyone is here,’ Lady Willoughby said happily. ‘Then I can unveil it with a flourish. It is so good and will enhance your reputation even further, my dear Countess. How you manage to produce something so exactly to life I shall never know, for I was never any good at drawing when I was young.’
Frances stifled a chuckle; the picture was undoubtedly of Lady Willoughby, but a much slimmer Lady Willoughby than the one who faced her in the flesh—mounds of it. And the good lady could not see the difference. But surely her husband could and so would everyone else. Frances began to wonder, and not for the first time, if she was prostituting her art and ought to have more self-respect, when a footman announced the first of her ladyship’s guests.
They came in one by one, were greeted, asked to sit and plied with tea and little almond cakes. The easel stood covered by a tablecloth. Frances wished she could make her escape before the unveiling. She had never been happy publicising herself and her work, thinking it smacked of conceit. She was on the point of taking her leave when the Duke of Loscoe and Lady Lavinia were announced. She had been half out of her seat, but now sank back into it, feeling trapped.
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