The Mixer: The Story of Premier League Tactics, from Route One to False Nines. Michael Cox

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       Between the Lines

      ‘Cantona’s supporters loved him, and so did the media. He was this foreign fella, different. Everyone wanted one like him, but it didn’t mean players like that grew on trees.’

      Roy Evans

      As Eric Cantona’s influence ensured Manchester United became the Premier League’s dominant force, other clubs desperately searched for their Cantona equivalent. A wave of talented, mercurial but often inconsistent number 10s joined the Premier League during the mid-1990s, with mixed success. England wasn’t producing players in that mould, so clubs looked abroad – often to relatively obscure footballing nations. Supporters of unglamorous, mid-table Premier League sides could now get excited by exotic, mysterious foreign deep-lying forwards whose presence was meant to inspire more aesthetically pleasing football.

      Ipswich Town, for example, had Bulgarian Boncho Genchev, who opened his goalscoring account with a wonderful bicycle kick against Blackburn. He positioned himself between the lines to encourage passing football, but struggled to exert a consistent impact upon Premier League games. After a brief spell back home, he ended his career with a couple of spells at non-league Hendon, taking a break in between to run a short-lived Bulgarian café in Kensington called ‘Strikers’. Genchev himself wasn’t actually a striker, of course, although he was presumably comfortable in the serving role.

      Southampton found the diminutive, extraordinarily gifted Israeli Eyal Berkovic, who featured decisively in the Saints’ famous 6–3 victory over Manchester United in 1996, his second league start. Berkovic enjoyed a successful Premier League career, although he is probably most famous for being booted in the head during a West Ham training session by teammate John Hartson.

      Derby County signed Aljoša Asanović, a wonderful left-footed creator who played a significant part in Croatia’s journey to the Euro 96 quarter-finals and the 1998 World Cup semi-finals, and who is quite possibly the most underrated Premier League player. Unsurprisingly, he insisted on taking the number 10 shirt. Coventry City signed Moroccan Mustapha Hadji, a direct dribbler with a fine passing range, and he also took number 10. At West Ham, Harry Redknapp signed the Premier League’s first two Portuguese players – first Dani, then Paulo Futre. To Futre’s disgust, he wasn’t handed the number 10 shirt.

      Ahead of his first game against Arsenal, West Ham’s kitman Eddie Gillam handed Futre the number 16 shirt, and promptly had it thrown back in his face. Not understanding that the Premier League had switched to permanent squad numbers that were consistent throughout the season and that number 10 had already been allocated to John Moncur, Futre shouted at Redknapp, ‘Futre 10, not 16! Eusebio 10! Maradona 10! Pelé 10! Futre 10! Not fucking 16!’ Redknapp told Futre to either wear the number 16 shirt or go home. So Futre went home. He later insisted the number 10 shirt was written into his contract, and when Redknapp pretended West Ham’s club shop had shifted so many shirts with Futre’s name and ‘16’ on the back that they couldn’t change it, Futre offered to refund any disappointed supporters up to a total cost of £100,000. Eventually West Ham sought permission from the Premier League for Moncur to change numbers, allowing Futre to wear 10; he thanked Moncur by allowing him a fortnight’s stay in his holiday villa on the Algarve. It’s surprising something similar didn’t happen at Sheffield Wednesday a couple of years later – two brilliant Italians, Benito Carbone and Paolo Di Canio, had serious claims to the number 10 shirt, but were forced to wear 8 and 11 respectively, with their favoured number taken by the somewhat less spectacular Andy Booth.

      During this period, a relatively limited number of games were broadcast live on TV, while Match of the Day showed extended highlights from only a couple of big matches, screening just goals and major incidents from others. These players’ subtle, constant influence upon matches was therefore not overwhelmingly obvious to the majority of supporters, so they needed to provide concise summaries of their quality with outstanding individual moments.

      Between November 1996 and August 1997 the BBC’s Goal of the Month competition was won by Dennis Bergkamp, Eric Cantona, Trevor Sinclair, Gianfranco Zola, Juninho, Zola again, Juninho again, then Bergkamp again – who, ludicrously, finished 1st, 2nd and 3rd that month. Sinclair’s famous bicycle kick aside, the Premier League’s greatest moments were being provided almost exclusively by four magical foreign playmakers: Cantona, Bergkamp, Zola and Juninho. These players fundamentally changed their clubs’ footballing style, but required their sides to be built entirely around them. This proved problematic. Depending upon a newcomer to English football was risky, especially when foreign imports were still a relatively recent phenomenon and clubs did extremely little to help them settle.

      If Cantona was the trailblazer, Bergkamp and Zola followed closely behind in his slipstream. They weren’t, however, joining title challengers; Arsenal had finished in the bottom half of the Premier League immediately before signing Bergkamp in the summer of 1995, as had Chelsea just before their purchase of Zola the following year. Like Cantona, both players had an immediately positive effect on their teams, and the fact that Manchester United, Arsenal and Chelsea have been the three most successful clubs in the Premier League era can, in part, be traced back to the arrival of these three brilliant deep-lying forwards.

      Bergkamp and Zola were unquestionably top-class footballers. Bergkamp had finished second in the 1993 Ballon d’Or, one place ahead of Cantona and behind only Roberto Baggio, the greatest number 10 of this generation. Meanwhile, Zola finished sixth in 1995. They were revered across Europe because of their creativity, their selflessness and the spatial awareness that allowed them to thrive between the lines. Both arrived from Serie A, with Bergkamp – whose influence upon Arsenal would become clear later on – outlining why he discovered the Premier League suited him. ‘English defences always played a back four, with one line, which meant they had to defend the space behind. In Italy they had the libero [a sweeper who would cover behind his fellow defenders], but the English had two central defenders against two strikers, so they couldn’t really cover each other. As an attacker I liked that because it meant you could play in between the lines. They couldn’t come off their line. So I used that.’

      Zola discovered something similar. ‘At the beginning, the open English football really helped me, as I was coming from tighter marking in Serie A,’ he explained. Zola only arrived in England because his former club, Parma, had an inflexible coach who was unwilling to deviate from 4–4–2. Surprisingly, this was Carlo Ancelotti, who would later become the go-to manager for continental giants awash with superstars – including Chelsea – precisely because he was flexible enough to build teams around star individuals. Back then, however, Ancelotti – who had been Italy’s assistant coach under legendary manager Arrigo Sacchi, the man who popularised a pressing 4–4–2 system – simply wouldn’t accommodate a number 10, turning down Baggio for similar reasons, and attempted to play Zola out wide. ‘I will be able to play my proper role in England,’ Zola declared СКАЧАТЬ