Good Husband Material. Trisha Ashley

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       Prologue

       ‘The lyrics of the new Goneril single, ‘Red-Headed Woman’, taken from the album of the same name, show a searing agony of loss and grief. Singer/songwriter Fergal Rocco plumbs new depths of helpless agony and despair in a voice that seems to have been created for that very purpose.’

       New Musical Express

      Fergal: 1986

      My first brief glimpse of Tish seems to have been indelibly imprinted on the inside of my eyelids, for even after almost twelve years and God-knows-how-many women, I only have to close my eyes and there she is: a dryad poised far above me in the shivering green oak leaves, stretching forward with one hand reaching out, her expression intent.

      Then the sharp crack as the branch gives way beneath her weight, precipitating her into a long downward swoop towards me, apricot hair flying behind her like a wild Renaissance angel – a mermaid swept by the glassy green waves – a ship’s figurehead forging ahead, one out-thrust hand clasping—

      Well, not a trident, at any rate, only some small grey thing. It didn’t just then make the same impression that Tish was about to: a bolt from the green.

      While I’d like to say I caught her, truth compels me to admit I merely broke her fall, ending flat on my back with the angel sprawled across me. Enormous smoke-grey eyes stared apprehensively down into mine from an inch away. I decided to give in without a struggle.

      Then something scuttled shiftily up my arm on hot, pronged feet and bit me savagely on the ear.

      I swore and the creature let go and gave an evil laugh.

      I’m not joking.

      When Dad came round the corner of the house to see what all the noise was, he found the angel still sprawled over me, incoherently apologising and dabbing at my bleeding ear with a wadded-up bit of filmy skirt.

      A small, evil-looking grey parrot stood nearby (too near) regarding us with interested, mad eyes.

      ‘Always Fergal catches the girls,’ Dad said cheerfully, taking the scene in his stride. Then, with his usual aplomb, he removed his jumper and enveloped the parrot in its folds.

      The small assassin gave a dismal squawk, echoed by a screech of outrage from behind us. A tiny, well-preserved blonde, like a piece of shellacked fluff, was advancing up the drive with the martial air of one about to rescue her daughter’s honour or die in the attempt.

      ‘Leticia – get up at once!’

      ‘Leticia?’ I questioned incredulously, looking up into the grey eyes so close to mine. (And feeling as I did so as if I’d been sucked into a Black Hole and squeezed out on the other side like toothpaste.)

      Her hand stopped its rather painful and ineffectual dabbing and she glared. ‘I don’t see that Fergal is any better!’ she said defensively. ‘And anyway, I’m always Tish.’

      ‘And I’m always Fergal, Angel, so you’ll just have to get used to it.’

      Her eyes widened slightly, then she suddenly removed herself from me in a flutter of flowing green fabric (no wonder I hadn’t seen her in the tree) planting her knee unintentionally – I hope – in a delicate part of my anatomy in the process.

      ‘Leticia is a nice name,’ Dad said interestedly, giving it an Italian pronunciation. ‘And I am Giovanni Rocco, your new neighbour – call me Joe, everyone does. For six months only we rent this house while our own is renovated – the cracks appear, СКАЧАТЬ