Push. Claire Wallis
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Название: Push

Автор: Claire Wallis

Издательство: HarperCollins

Жанр: Контркультура

Серия: MIRA

isbn: 9781472095404

isbn:

СКАЧАТЬ One

      Emma—Age 8

      I am a small girl, much smaller than the other girls my age. I am standing on the white plastic bench in our bathroom, and I’m up on my tiptoes stretching as high as I can. I want to see her better. Watch her move. Smell her lady smell. She’s leaning into the mirror, her breath creating a small circle of haze with each exhale. Her softly curled red hair nearly reaches down to the back clasp of her bra. I want to touch the curls, find out just how soft they are. But I know she’ll scold me if I do because her hair is already fixed just the way she likes it.

      As she shifts even closer to the mirror, her lips stay parted in concentration. Her left hand tugs at the corner of her eye and stretches it outward, smoothing its surface. Her right hand spreads the eyeliner across her top eyelid. When she reaches the end of her eye, she stands back slightly, and blinks at herself in the mirror. As she repeats the process on her other eye, I am transfixed. I want to put on eyeliner, too, but she says I am far too young to wear makeup. She says that I am beautiful enough without it. But I think that she just says that to keep me from pestering her about it, so this time, I keep my mouth shut.

      When she’s finished with the eyeliner, she opens her eyes really wide and puts on her mascara using small, soft sweeps. The brush accidentally touches her eyelid, leaving behind tiny, sharp, black lines. She frowns slightly, licks her thumb, and absently swipes the lines away. Her eyes meet mine in the mirror, and a sweet grin touches her lips. She reaches toward the mirror and begins to playfully tickle my face’s reflection. Her eyes and nose scrunch up in delight. My face echoes hers.

      “You are a silly girl, Emma,” she says as she turns to look at me, taking her hand away from my reflection and putting it on top of my ginger-colored head. She is looking down at me now, and we are smiling. After quickly mussing my hair, she trails her index finger down the center of my forehead, between my eyes and down to the tip of my nose. She sprinkles her fingertips across my nose and cheeks in a game of connect-the-dots.

      “Someday you’ll love these freckles as much as I do,” she says as she plants a rapid kiss on the top of my head and then returns to her reflection in the mirror. She quickly puts on her lipstick, plumps up her breasts, and flips her long bangs out of her eyes.

      “When will you be back?” I ask her, not really wanting to know the answer.

      Her eyes meet mine in the mirror again, and I think they look a little sad. A little as if maybe she doesn’t really want to go this time.

      “Michael says we’ll be back in three or four days,” she tells me. She is walking to her bedroom now, and I am following her like a puppy instead of an eight-year-old girl. “Emma, you know Carol really enjoys staying here with you and the boys. It’s just for a few days. She’ll take good care of you. Besides, you’ll have her mostly to yourself. Ricky and Evan will be at practice every night after school.”

      “I know,” I say. It’s just that Carol doesn’t wear eyeliner. She doesn’t curl her hair. She doesn’t smell like a lady—she smells like a fireplace. She is not my mommy. She is not you.

      As she dresses herself, I sit cross-legged on the bed and watch her move. After her skirt is zipped and her blouse is buttoned, she grabs my hand and pulls me off the bed. She leads me over to the dresser and switches on the lamp. The dresser is flooded with a soft light, and I am instantly delighted because I know that she is going to let me pick out her perfume. It makes me happy because I know that every time she takes a breath and smells the perfume, my perfume, she will think of me. And know how much I love her.

      I study the little glass containers. It’s difficult to decide which of the beautiful bottles is most deserving of my mother’s neck. My mind is floundering with indecision when Michael walks in. He’s dressed in a pair of khakis, a blue dress shirt and a tie. His neck and back are stiff, and his dark hair is combed straight back in a series of perfect, rigid lines. When I see him I freeze, and my eyes drop toward the floor. Mommy lets go of my hand and steps over to him, kissing him on the cheek and touching his arm.

      “We need to leave now,” he says, looking at her with his mouth straight. “Where is your bag?”

      “Over on the chair,” she says, nodding toward the red wooden chair in the corner of the bedroom. Michael strides over to it, picks up the bag, and walks briskly toward the door. As he walks past me, I glance up at him, and our eyes meet. He smirks his knowing smirk, and I feel hot and angry inside. So angry. I feel my skin starting to burn.

      Mommy doesn’t look at me again. She hastily picks up the nearest bottle of perfume and squirts two puffs of it on to her neck. I watch the little droplets of moisture spin around her as she rushes out of the room after Michael. She didn’t even pick one of the prettiest bottles—and it makes me want to explode.

      Chapter Two

      Emma—Present Day

      I can’t find the picture anywhere, and it is starting to piss me off. What did he do with it? The fucker probably threw it away just to spite me. I’m disgusted with myself for asking Michael to send me my things, but frankly, it was better than the alternative. The thought of him wrapping and packing all the mementos from my bedroom makes me want to wretch. Yet I know it was far better than going back to that house to get them myself. Far better than having to look at him and his greasy-ass hair.

      On top of the last unopened box is a yellow sticky note. It is my tally of the postage amounts from all the boxes. I peel it off the box and put it on my desk. I am sending him a check tomorrow simply because the idea of owing him anything makes me crazy. I open the last box and frantically rummage through it. I am really starting to get annoyed, and I can feel myself losing it. So help me God, if he kept that picture...

      In my mind I can see myself buying a bus ticket and breaking down his door to pry the picture from his hairy, disgusting hands. But there’s no need for such aggression after all, because suddenly I can feel a corner of the wooden frame deep down in the box. Even without seeing it, I know exactly what it is. I have touched that frame a million times. I pull it out of the box and wipe the dust from the glass with my palm. There we are. Two freckled redheads. Our arms are wrapped around each other’s neck, and we are smiling. We are gleaming. I know I am happy in the picture because it was before Michael. Before the mess. Before my dad was gone, and before Michael turned my brothers into assholes. It is just my mother and me, and for the millionth time, I can’t take my eyes off of us.

      * * *

      I sit down on the edge of my bed holding the frame with both hands. When my mind eventually settles, I begin to scan the room for somewhere to put it. This place is still so new to me. I have barely settled in, so fully unpacking the boxes from Michael doesn’t make any sense. Frankly, I could throw the whole lot of them into the incinerator. The picture is the only thing in them that matters. I haven’t lived in that house since I was eighteen—nothing else of any real consequence was even there anymore. Still, I am curious about examining the contents just to be sure. Next week maybe. For now I’m going to concentrate on getting the rest of my clothes unpacked. I prop the picture up on my already crowded nightstand. I tap a light kiss on to my fingertips and then transfer it to my mother’s image.

      I unzip one of the suitcases and start moving a pile of T-shirts into a drawer. I catch sight of myself in the mirror. My eyeliner is smeared, my hair is gathered into a sloppy bun behind my head, and my constellation of freckles is now backed with a pink flush, no doubt the result of my internal rant over the whereabouts of the picture. I sigh and then remember that it really doesn’t matter how I look because now I live alone. No more brothers, no more Michael, no more college roommates, СКАЧАТЬ