The Twinkling of an Eye. Brian Aldiss

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       7

       The Exile

      Discontinuity and nostalgia are most profound if, in growing up, we leave or lose the place where we were born and spent our childhood, if we become expatriates or exiles, if the place, or the life, we were brought up in is changed beyond recognition or destroyed. All of us, finally, are exiles from the past.

      Oliver Sacks

       The Landscape of his Dreams

      The spring of 1931 draws on.

      It is the time in which to tell of my life dream. More than a dream, a vision of the kind which helps to shape one’s future.

      I was five years old when the dream visited me in its first and most powerful form.

      I am walking along a lane. The lane is long, long and straight, stretching into the distance, with fields on either side. The sun is low and red, round like a fireball, for the day is nearing sunset. I know I have a long way to go.

      As I continue on my way, I see two people in the distance, standing in the middle of the lane. They are dressed in black; their clothes are stiff and old fashioned, belonging to another age. I approach with some apprehension.

      The couple are evidently man and wife. They are waiting by the entrance to a church, which stands on the left of the lane.

      The church is clear in the dream. It has a square tower, like many Norfolk churches. There are three arched windows, filled with stained glass, in the long wall of the nave. It stands at right angles to the lane, with its tower overlooking the roadway. I see no sign of a graveyard. The old man and woman appear friendly, and invite me into the grounds. We enter from the far side of the church.

      Now it can be seen that the building is actually a ruin, the tower alone remaining intact. The body and roof of the church have collapsed, leaving only one wall standing – the long wall I saw as I approached. Using the fallen stone, persons unknown have constructed a humble dwelling – a cottage which utilises the remaining wall as its rear wall. The couple live in this subordinate lay building.

      They welcome me into the cottage. I am weary and untrusting.

      As the cottage door swings open, I see within a bright fire burning, and an aspect of homeliness.

      Before I can cross the threshold, I wake up.

      The dream is full of dreamlight – the light that never was on land or sea.

      So impressed was I by this dream, and its vividness, that I painted the scene. It remained clear in every detail. So delighted was Dot with this painting that she showed it to all and sundry. I painted or crayoned the scene several times. It held apotropaic power. At one crisis of my later life, when I was leaving my children, I painted the scene again, and gave it to them, hoping it might bring them comfort too.

      Such a special dream, a ‘lifetime dream’, such as many people have experienced, is open to many interpretations. There is no definitive interpretation, is not meant to be. On that first occasion, the dream radiated consolation. Later, it was open to more sophisticated reading. Nowadays, I see it as a prodromic dream, the dream of one who has a long way to go …

      The paths of our lives cross and recross. At West Buckland School, there hung in the dining hall a framed reproduction of Hobbema’s ‘The Avenue’ (properly titled ‘The Avenue at Middelharnis’, painted in 1689). All we see is an ugly road, with lopped trees and flat banal scenery, but what a cross-referencing of reflection it awoke in me.

      Later, in a print shop, I happened on one of Piranesi’s ‘Vedute’, his imposing views of Rome. It depicts the mausoleum of Helena, mother of Constantine, in ruined splendour. From its fallen stones, citizens of a later generation have constructed a humble villa. The villa stands within the embrace of the grander structure. Nightshirts hang on a washing line suspended from one of the windows. Here was my church again, in a more pretentious interpretation.

      So paths of our inner lives cross and recross. And we have to recognise that though they may be magical for us, to others they will seem as banal and blank as Hobbema’s avenue. While writing of my own long avenues through life, awareness prompts that others have trodden them, others will tread them. Such is common human experience. It is common too, to wish to record the feelings that went with the events, just as we may suppose the Dutch artist in the seventeenth century was moved by the very ordinariness of his avenue.

      In those early years, vivid dreams choked my sleep. I like to fancy they were the footfalls of a strong psyche coming into being, welcome even when rigged with alarm.

      One Blakeian dream is mentioned in Bury My Heart. It is all light and flux, grand, impossible, implacable, the dream of a terrible thing in robes and fires advancing down our long corridor to where I remain helpless behind a closed door. The personage comes to seize me! He advances at infinite speed. Yet the corridor is also infinitely long. So, as in Zeno’s paradox, he is always arriving, never getting there.

      This dream occurred more than once, perhaps between the ages of four and seven, then not again.

      One interpretation is that this was a dream about being born, the long wait in the womb revisited, with intimations of movement about to become actual. A reading that fits more comfortably with my current СКАЧАТЬ