Название: The Angel
Автор: Carla Neggers
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9781408970232
isbn:
“Adam and Eve sinned.” Her mother turned the gold leaf so that it gleamed in the late-afternoon light. “They wanted to please God, but they succumbed to temptation. They regretted their disobedience. They took no delight in what they did.”
“In other words, they sinned.”
“Yes, but the serpent is a different case altogether. He delights in his wrongdoing. He exults in thwarting God. He sees himself as the antithesis of God. Unlike Adam and Eve, the serpent didn’t commit a sin in the Garden of Eden. The serpent chose evil.”
“Honestly, Mum, I don’t know how you can stand to think about this stuff out here by yourself.”
She set the thin gold leaf on the pure white paper. Keira knew from experience that the gold leaf was difficult to work with but resilient, able to withstand considerable manipulation without breaking into pieces. Applied properly, it looked like solid gold, not just a whisper of gold.
“We all sin, Keira,” her mother said without a hint of a smile, “but we’re not all evil. The devil understands that. Evil is a particular dispensation of the soul.”
“Does this have anything to do with Ireland? With what happened there when you—”
“No. It has nothing at all to do with Ireland.” She took a breath. “So, how’s your work?”
Keira stifled her irritation at the abrupt change of subject. It felt like a dismissal and probably was, but she reminded herself that she hadn’t come out to the woods to judge her mother, or even for information. She’d come simply to say goodbye before flying out of Boston tomorrow night.
“My work’s going great right now, thanks.” Why go into detail when that world no longer interested or concerned her mother?
“That’s good to hear. Thank you for stopping by.” She got to her feet and hugged Keira goodbye. “Live your life, sweetheart. Don’t get too caught up in all these crazy old stories. And please don’t worry about me out here. I’m fine.”
On her way back through the woods, Keira resisted the urge to look over her shoulder for the devil and serpents. Instead, she remembered herself as a child, and how her mother would sing her Irish songs and read her stories. Every kind of story—stories about fairies and wizards and giants, about hobbits and elves and dark lords, princes and princesses, witches, goblins, cobblers, explorers and adventurers.
How could such a fun-loving, sociable woman end up alone out here?
But Keira had to admit there had been hints of what was to come—that she’d seen glimpses in her mother of a mysterious sadness and private guilt, of a longing for a peace that she knew could never really be hers in this life.
Her mother insisted she hadn’t withdrawn from the world or rejected her family but rather had embraced her religious beliefs in a personal and profound way. She viewed herself as participating in a centuries-old monastic tradition.
That was no doubt true, but Keira didn’t believe her mother’s retreat to her isolated cabin was rooted entirely in her faith. As she’d listened to Patsy McCarthy tell her old story, Keira had begun to wonder if her mother’s trip to Ireland thirty years ago had somehow set into motion her eventual turn to the life of a religious hermit.
Another mosquito—or maybe the same one—found Keira, buzzing in her ear and jerking her back to the here and now, to her own life. She swiped at the mosquito as she plunged down the narrow trail through the woods to the dead-end dirt road where she’d parked.
The story of the three Irish brothers, the fairies and the stone angel wasn’t about a pot of gold at the end of the rainbow. Ultimately, Keira thought, it was about the push-pull of family ties and the deep, human yearning for a connection with others, for happiness and good fortune.
Mostly, it was just a damn good yarn—a mesmerizing story that Keira could illustrate and tell on the pages of her new book.
“They say the stone angel lies buried to this day in the old ruin of the hermit monk’s hut.”
Maybe, maybe not. Patsy McCarthy, and her grandfather before her, easily could have exaggerated and embellished the story over the years. It didn’t matter. Keira was hooked, and she couldn’t wait to be on her way to Ireland.
In the meantime, she had to get back to Boston in time for a reception and a silent auction to benefit the Boston-Cork folklore project that had brought her to Patsy’s South Boston kitchen in the first place.
She glanced back into the woods, wishing her mother could be at the reception tonight. “Not just for my sake, Mum,” Keira whispered. “For your own.”
Chapter 2
Boston Public Garden
Boston, Massachusetts
7:00 p.m., EDT
June 17
Victor Sarakis didn’t let the heavy downpour stop him.
He couldn’t.
He had to warn Keira Sullivan.
Rain spattered on the asphalt walks of the Public Garden, a Victorian oasis in the heart of Boston. He picked up his pace, wishing he’d remembered to bring an umbrella or even a hooded jacket, but he didn’t have far to go. Once through the Public Garden, he had only to cross Charles Street and make his way up Beacon Street to an address just below the gold-domed Massachusetts State House.
He could do it. He had to do it.
The gray, muted light and startling amount of rain darkened his mood and further fueled his sense of urgency.
“Keira can’t go to Ireland.”
He was surprised he spoke out loud. He was aware that many people didn’t consider him entirely normal, but he’d never been one to talk to himself.
“She can’t look for the stone angel.”
Drenched to the bone as he was, he’d look like a madman when he arrived at the elegant house where the benefit auction that Keira was attending tonight was being held. He couldn’t let that deter him. He had to get her to hear him out.
He had to tell her what she was up against.
What was after her.
Evil.
Pure evil.
Not mental illness, not sin—evil.
Victor had to warn her in person. He couldn’t call the authorities and leave it to them. What proof did he have? What evidence? He’d sound like a lunatic.
Just stop Keira from going to Ireland. Then he could decide how to approach the police. What to tell them.
“Victor.”
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