The Nightmare. Ларс Кеплер

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       6

       How death came

      Twenty minutes later Detective Superintendent Joona Linna parks his black Volvo on Strandvägen. A silver-grey Lincoln Town Car pulls up behind him. Joona gets out of the car and waits for his two colleagues from the National Homicide Commission. They walk round the corner together and in through the door of Grevgatan 2.

      In the creaking old lift up to the top floor Tommy Kofoed asks in his usual cheery voice what Joona has been told so far.

      ‘The ISP reported that Carl Palmcrona had gone missing,’ Joona says. ‘He doesn’t have any family and none of his colleagues know him privately. But when he didn’t show up for work one of our patrols was asked to take a look. John Bengtsson went to the flat and found Palmcrona hanged, and called me. He said he suspected criminal activity and wanted me to come over at once.’

      Nathan Pollock’s craggy face frowns.

      ‘What made him suspect criminal activity?’

      The lift stops and Joona opens the grille. John Bengtsson is standing outside the door to Palmcrona’s apartment. He tucks his notepad in his pocket and Joona shakes his hand.

      ‘This is Tommy Kofoed and Nathan Pollock from the National Homicide Commission,’ Joona says.

      They shake hands briefly.

      ‘The door was unlocked when I arrived,’ John says. ‘I could hear music, and found Palmcrona hanging in one of the big reception rooms. Over the years I’ve cut down a fair number of men, but this time, I mean … it can hardly be suicide, given Palmcrona’s standing in society, so …’

      ‘It’s good that you called,’ Joona says.

      ‘Have you examined the body?’ Tommy Kofoed says gloomily.

      ‘I haven’t even set foot inside the room,’ John replies.

      ‘Very good,’ Kofoed mutters, and starts to lay down protective mats with John Bengtsson.

      Shortly afterwards Joona and Nathan Pollock are able to enter the hall. John Bengtsson is waiting beside a blue sofa. He points towards the double doors leading to a brightly lit room. Joona walks over on the mats and pushes the doors wide open.

      Warm sunlight is streaming in through the row of high windows. Carl Palmcrona is hanging in the middle of the spacious room. He’s wearing a light suit, a summer overcoat and lightweight low-heeled shoes. There are flies crawling across his face, around his eyes and the corners of his mouth, laying tiny yellow eggs and buzzing around the pool of urine and smart briefcase on the floor. The thin washing-line has cut deep into Palmcrona’s neck, the groove is dark red and blood has seeped out and run beneath his shirt.

      ‘Execution,’ Tommy Kofoed declares, pulling on a pair of protective gloves.

      Every trace of moroseness suddenly vanishes from his face and voice. With a smile he gets down on his knees and starts to take photographs of the hanging body.

      ‘I’d say we’re going to find injuries to his cervical spine,’ Pollock says, pointing.

      Joona looks up at the ceiling, then down at the floor.

      ‘He’s been put on show,’ Kofoed says eagerly as he photographs the dead man. ‘I mean, the murderer isn’t exactly trying to hide the crime. He wants to say something, wants to send a message.’

      ‘Yes, that’s what I was thinking,’ John Bengtsson says keenly. ‘The room’s empty, there’s no chair, no stepladder to climb on.’

      ‘So what’s the message?’ Tommy Kofoed goes on, lowering the camera and squinting at the body. ‘Hanging is often associated with treachery, Judas Iscariot and …’

      ‘Just hold on a moment,’ Joona interrupts gently.

      He gestures vaguely towards the floor.

      ‘What is it?’ Pollock asks.

      ‘I think it was suicide,’ Joona says.

      ‘Typical suicide,’ Tommy Kofoed says, and laughs a little too loudly. ‘He flapped his wings and flew up …’

      ‘The briefcase,’ Joona goes on. ‘If he stood the briefcase on its end he could have reached.’

      ‘But not the ceiling,’ Pollock points out.

      ‘He could have fastened the rope earlier.’

      ‘Yes, but I think you’re wrong.’

      Joona shrugs his shoulders and mutters:

      ‘Together with the music and the knots, then …’

      ‘Can we take a look at the briefcase, then?’ Pollock asks tersely.

      ‘I just need to secure the evidence first,’ Kofoed says.

      They look on in silence as Tommy Kofoed’s hunched, short frame crawls across the floor unrolling black plastic film covered with a thin layer of gelatine on the floor. Then he carefully presses it down using a rubber roller.

      ‘Can you take out a couple of bio-packs and a wrapper?’ he asks, pointing at his bag.

      ‘Cardboard?’ Pollock wonders.

      ‘Yes, СКАЧАТЬ